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(In)visible architecture: An exploration of food in the domestic space Fatimah Indonesia Saffana Zayn; Paramita Atmodiwirjo
ARSNET Vol. 2 No. 1 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

This paper investigates the notion of visibility and invisibility in architecture as a framework for exploring the existence of food in the domestic area. The paper argues that there is a disconnection between food, people, and the process behind it in everyday life. Such disconnection demonstrates the alternating visible and invisible existence of food process. Exploring both existences becomes essential to reveal the overall spatial story of food. The paper explores these two aspects through the food journey in the domestic space, creating a micro investigation of how food is obtained, prepared, cooked, and served. This paper aims to examine the possibilities of outlining the complex programming in everyday systems driven by the visibility and invisibility of food in domestic settings. Based on the findings of this study, the paper develops a form of programming titled (In)visible architecture, which constructs the co-existence between visible and invisible. Using exploration of tracing, mapping, and design mechanisms, such programming aims to reveal the complex visibility of everyday systems and, by doing so, broaden the relevance of knowledge of food-based architectural design.

Active Materiality sebagai Basis Perancangan Arsitektur dalam Merespons Polusi Ruth Kartika Purnasasmita; Yandi Andri Yatmo; Paramita Atmodiwirjo
EMARA: Indonesian Journal of Architecture Vol. 8 No. 1 (2022): Vol. 8 No. 1 (2022): EIJA August-October edition
Publisher : Universitas Islam Negeri Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29080/eija.v8i1.1589

This paper describes the architectural design process based on an understanding of living materials’ properties and their growth process in response to pollution. The development of the design method was based on the existence of living materials and their potential to be the active unit of architecture. Living materials could actively grow and adapt through their reactions to external factors, in this case, pollution, allowing the material to be in a passive phase temporarily due to the forces. This paper focuses on the development of design methods based on the understanding of algae, fungi, and lichen as the living materials that will detect and detoxify air and soil pollution around Daan Mogot, West Jakarta. By conducting research through design, this paper then proposes architectural design by injecting the active-passive growth process of living materials (algae, fungi, and lichen) into the context using split and absorb mechanisms. In response to pollution, the active and passive schemes of living materials become the foundation of architectural design. This paper then proposes the term "active materiality," considering the existence and capability of the living materials as the active unit. The development of an architectural design method in this study demonstrates the possibility of design ideas to enhance dialogue between humans, other living things, and the environment and to develop programming to respond to environmental issues.

EXPLORING THE ELEMENTS OF BATUAN PAINTING AS A BASIS FOR ARCHITECTURAL DESIGN METHOD I Gusti Ngurah Arya Suryawan Putra; Paramita Atmodiwirjo; Rini Suryantini
Journal of Architecture&ENVIRONMENT Vol 22, No 1 (2023)
Publisher : Department of Architecture, Institut Teknologi Sepuluh Nopember (ITS)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j2355262x.v22i1.a12981

This paper aims to identify elements of Batuan painting, a local Balinese painting, that potentially become the basis of the architecture design method. The explorations of painting become an alternative in developing design methods as explored by some architects, such as Zaha Hadid, Van Doesburg, and Gerrit Thomas Rietveld. Arguably, such approaches offer different insights into programming architecture and further enrich the design process by creating particular relations with the context, instead of producing a generic and contextless architecture. In this study, the local Batuan painting that is related closely to the daily life of the Balinese community and local philosophy is explored as an attempt to relate architecture with the locality and cultural identity as part of the design process. This study employs the qualitative approach by visual observations and content analysis of Batuan paintings, identifying the elements, compositions, and important aspects that are always present in Batuan paintings. This study reveals that there are three elements from Batuan painting that are essential for the design method, namely heterogeneity, hierarchy, and the particular local painting techniques of ngucek-ngurek-ngabur. Such elements were particularly developed by the painters from Batuan Village to represent the everydayness of the local society to Tri Hita Karana, Hulu-Teben, and Tri Mandala philosophy. Furthermore, the elements imply further the spatial classifications of local activities, dualism principles, and the embedded relationship between humans, humans with nature, and humans with God. The painting elements insinuate further insights for the basis of developing the architecture, particularly in the formal and spatial arrangements as well as spatial qualities, which could be more culturally meaningful and contextually situated.

Encoding colour: Capturing rule-based logic in design studio Zafira Rahmatul Ummah; Paramita Atmodiwirjo
ARSNET Vol. 4 No. 1 (2024)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/arsnet.v4i1.103

This paper argues that introducing algorithmic thinking to basic design pedagogy should give prominence to the basic logic and attitudes rather than learning the computational devices and tools. This paper examines the integration of computation or algorithmic thinking into a basic design studio in architectural education at Universitas Indonesia. The integration is conducted through a colour composing exercise that comprises four major stages: identifying patterns, rulemaking, colouring-composing, and reflection. The findings from this study demonstrate how the students are utilising algorithmic thinking as the primary reason to design their colour composition in different ways and complexity. Furthermore, the students can also point out some underlying concepts and creative strategies of design computing concerning colour composing. The findings of this study indicate the importance to promote students' understanding of computation that is not merely tools but more into design reasonings and skills.

INTERPOSITION AND COLOR CONTRAST AS DEPTH ASPECT: FROM 2D MEDIA TO 3D SPACE PRODUCTION Muvida, Muvida; Atmodiwirjo, Paramita; Paramita, Kristanti Dewi
MODUL Vol 23, No 2 (2023): MODUL vol 23 nomor 2 tahun 2023 ( 5 articles )
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.23.2.2023.68-75

This study attempts to dismantle the depth aspects produced by two-dimensional (2D) media such as paintings. as the basis for the production of three-dimensional (3D) space. In particular, we argue that painting as artwork with a flat surface can be transformed into 3D space by incorporating depth aspects. Even though it has a flat surface, painting as a 2D medium has the impression of 3D space and volume, which can be circumvented by constructing the perception of depth. To explore the production of 3D space through depth aspects, four 2D paintings were analyzed to find out how the depth aspects were constructed. The analysis reveals the perception of depth technique through interposition as the depth cues within the arrangement of layers. The analysis also reveals the color contrast as additional aspect that strengthen the perception of depth. Both the interposition and the color contrast become the important aspects that create the perception of depth in the production of the 3D space.

ARCHITECTURE AFTER GRAVITY: UNDERSTANDING SPATIAL EXPERIENCE OF WEIGHTLESSNESS AND DISORIENTATION Elawati, Ocfia Amirul; Paramita, Kristanti Dewi; Atmodiwirjo, Paramita
MODUL Vol 24, No 1 (2024): MODUL vol 24 nomor 1 tahun 2024 (5 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.24.1.2024.30-38

This study examine the idea of after gravity as the basis of an architectural design method. After gravity is defined as the condition of weightlessness and disorientation that creates unrestricted body movement. Gravity determines the direction of architectural spatial orientation and gives weight to subject and object in architectural space, creating boundaries of possible body movements. This paper analyzes the development of a design method based on that appropriates gravity through the analytical study of ten gravity-defying body movements such as hanging, flying, or spinning. The study identifies three gravity-based relations; happening between bodies, between body and object, and between body and space. The design method of architecture after gravity highlights the spatial experience of the moving body in receiving stimuli and responding to the context. Understanding architecture after gravity widens the potential of architecture that sees the relations of forces in a context with the body in a dynamically built environment.

Material Story in Narrative Architecture: Capturing Dialogue Between Material and Nature Suryantini, Rini; Putri, Irfany Roihana; Atmodiwirjo, Paramita
International Journal of Built Environment and Scientific Research Vol. 9 No. 1 (2025): International Journal of Built Environment and Scientific Research
Publisher : Department of Architecture Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/ijbesr.9.1.33-46

This paper discusses how material story constructs narrative architecture by emphasizing the dynamic dialogue between material and its surroundings. It argues that a story embedded within a material can hold greater importance than its physical form, providing a basis for developing narrative architecture. When material is viewed as something alive, its journey becomes important to study. The story acts as a vehicle to reveal the nature of a material, including the hidden one, allowing other agencies to be part of the story. Focusing on brick materiality as a case study, this paper examines how material responses emerge through interactions between the brick and nature. Based on the grouping of the responses, four material-nature dialogues can be categorized: patterning, reflecting, growing, and nesting. This analysis demonstrates that material story allows materiality to be interpreted narratively, generating multiple stories as a basis for scenarios within narrative architecture, enriching the architectural design process.

Leveraging machine learning and open accessed remote sensing data for precise rainfall forecasting Cahyono, Bambang Kun; Ummah, Muhammad Hidayatul; Andaru, Ruli; Andika, Neil; Pamungkas, Adjie; Handayani, Hepi Hapsari; Atmodiwirjo, Paramita; Nathan, Rory
Communications in Science and Technology Vol 10 No 1 (2025)
Publisher : Komunitas Ilmuwan dan Profesional Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21924/cst.10.1.2025.1638

Rainfall forecasts are essential for human activities enabling communities to anticipate any impacts. Rainfall events correlate with other natural and hydro-meteorological phenomena, which can be used in modeling and prediction. This study used daily CHIRPS for the Gajahwong watershed in Yogyakarta, Indonesia as the precipitation data. It also used Sea Surface Temperature, Land Surface Temperature (Day and Night), Minimum and Maximum Temperatures, Solar Radiation, Wind Speed (U and V components), Cloud Pressure (Top and Base), and Cloud Height (Top and Base) as the parameters. Further, data processing was performed by means of the Google Earth Engine (GEE) platform. Machine learning methods, including Support Vector Regression, Gradient Boosting Regression, Random Forest, and Deep Neural Networks, were applied. The correlation analysis revealed that only the Wind Speed V-component showed significant correlation with rainfall, other seven parameters showed moderate and four showed weak ones. Meanwhile, accuracy assessments indicated that Support Vector Regression had the most accurate predictions accompanied by Root Mean Square Error (RMSE), Mean Absolute Error (MAE), Mean Squared Error (MSE), R2, and Coefficient Correlation (CC) at 1.366, 0.947, 1.866, 0.948 and 0.982 respectively. This study demonstrated that utilizing openly accessible atmospheric datasets processed through the GEE could yield reliable rainfall predictions, facilitating informed decisions on a wide scale. The methodology is adaptable and can be reproduced for any comparable research or operational purposes.

Spatial Generation, Degeneration, and Regeneration Aerotaxis Mechanisms Toward Bio-Integrated Design Mathilda, Gita Rahma; Andikabina, Ariko; Suryantini, Rini; Atmodiwirjo, Paramita
Jurnal Linears Vol. 8 No. 2 (2025): Jurnal LINEARS
Publisher : Universitas Muhammadiyah Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/d7synp84

This study aims to explore spatial mechanism developed within bio-integrated design through exploring the complex natural processes of "aerotaxis". The investigation of aerotaxis employs the Azospirillum brasilense by observing its behavior and interaction within its habitat and to identify possible spatial mechanisms. Azospirillum brasilense, a microorganism known for aiding plant growth and nitrogen fixation, demonstrates a symbiotic relationship with its host, inspiring innovative architectural approaches. By tracing its movement, living pattern and traces show distinct mechanisms such as the generation, degeneration, and regeneration of space. This framework redefines architectural spatial and material concepts that are arguably crucial for a bio-integrated design. The study shows that the aerotaxis mechanism generates spaces as a dynamic continuum where materials are synthesized, consumed, and renewed in balance. Understanding the biological processes offers an alternative framework in designing space structures that align with nature's complex systems. Such an approach provides a pathway to foster a deeper intertwining between architecture and biological processes. As a result, the study highlights the potential of bio-based design mechanisms as a regenerative practice.

Active Materiality sebagai Basis Perancangan Arsitektur dalam Merespons Polusi Purnasasmita, Ruth Kartika; Yatmo, Yandi Andri; Atmodiwirjo, Paramita
EMARA: Indonesian Journal of Architecture Vol. 8 No. 1 (2022): Vol. 8 No. 1 (2022): EIJA August-October edition
Publisher : Universitas Islam Negeri Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29080/eija.v8i1.1589

This paper describes the architectural design process based on an understanding of living materials’ properties and their growth process in response to pollution. The development of the design method was based on the existence of living materials and their potential to be the active unit of architecture. Living materials could actively grow and adapt through their reactions to external factors, in this case, pollution, allowing the material to be in a passive phase temporarily due to the forces. This paper focuses on the development of design methods based on the understanding of algae, fungi, and lichen as the living materials that will detect and detoxify air and soil pollution around Daan Mogot, West Jakarta. By conducting research through design, this paper then proposes architectural design by injecting the active-passive growth process of living materials (algae, fungi, and lichen) into the context using split and absorb mechanisms. In response to pollution, the active and passive schemes of living materials become the foundation of architectural design. This paper then proposes the term "active materiality," considering the existence and capability of the living materials as the active unit. The development of an architectural design method in this study demonstrates the possibility of design ideas to enhance dialogue between humans, other living things, and the environment and to develop programming to respond to environmental issues.

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