Articles
<![CDATA[READING THE LAYERS AND TRACES OF WAVES INTERVAL: DESIGN INFORMED BY THE DYNAMIC PATTERN OF NATURE ]]>
<![CDATA[Aditya, Yovita]]>;
<![CDATA[Paramita, Kristanti Dewi]]>;
<![CDATA[Atmodiwirjo, Paramita]]>
<![CDATA[ Vitruvian : Jurnal Arsitektur, Bangunan dan Lingkungan Vol 14, No 2 (2024) ]]>
Publisher : <![CDATA[Universitas Mercu Buana ]]>
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DOI: 10.22441/vitruvian.2024.v14i2.03
<![CDATA[Tulisan ini bertujuan untuk mengeksplorasi gagasan interval di alam sebagai dasar metode perancangan arsitektur. Tulisan ini berfokus pada pola interval alami yang diciptakan oleh pergerakan gelombang laut. Pembahasan interval gelombang dalam penelitian ini merupakan bagian dari penyelidikan mengenai wacana arsitektur yang saling berhubungan dengan dinamika alam. Pembahasan pola alam saat ini berfokus pada pola yang terdapat pada fisik makhluk hidup. Makalah ini menyelidiki enam studi kasus gelombang laut di alam dan menjelaskan mekanisme jejak dan penyerapan yang terjadi di berbagai lapisan aliran air sebagai respons terhadap arah angin, hambatan fisik di sekitarnya, dan permukaan topografi bawah air. Lapisan jejak dan penyerapan hadir sebagai mekanisme yang menginformasikan pemrograman arsitektur yang didorong oleh interaksi berbagai konteks pola alam yang dinamis. Penelitian tersebut memanfaatkan pola pergerakan gelombang sebagai cara untuk menghasilkan listrik, menyaring air dan merawat makhluk hidup di sekitar pantai, khususnya berbagai organisme tiram di laut dalam. Interkoneksi antara sistem-sistem ini menghasilkan berbagai kemungkinan komposisi ruang arsitektural yang bertujuan untuk memanfaatkan dinamika alam, sekaligus mendorong pertumbuhan makhluk hidup. Kajian ini menunjukkan bagaimana pola-pola alam tidak hanya ada dalam bentuk makhluk hidup yang statis, namun juga muncul secara dinamis melalui berbagai kekuatan yang ada dalam lingkungan.]]>
<![CDATA[Context-Driven Creative Workshop: Celebrating Locality in Disaster-Affected Communities ]]>
<![CDATA[Purnasasmita, Ruth Kartika]]>;
<![CDATA[Paramita, Kristanti Dewi]]>;
<![CDATA[Atmodiwirjo, Paramita]]>
<![CDATA[ ASEAN Journal of Community Engagement Vol. 8, No. 1 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[This paper explores the idea of context as the basis for developing creative workshops for children in disaster-stricken communities. We argue that creative learning should not be seen merely in terms of artistic expression and abstract thinking. Instead, it should become a platform for celebrating local contexts and cultures through the learning process. This study was based on reflecting on two creative workshop activities that were held in post-disaster schools in Cianjur, West Java. The school is part of the Sekolah Indonesia Cepat Tanggap (SICT) program—a fast-track school construction initiative for communities affected by disasters throughout Indonesia. The creative workshops were conducted to engage and familiarize students with their new school environments and build their sense of ownership of their new schools based on the idea that creative workshops for communities can be informed by the richness of local food, agriculture, local events, and experiences in context. This contextual information was embedded in the workshops, enabling the children to produce creative works that highlighted individual and collective layers of locality. The relationship between the creative media used in the workshops and the context allowed the students to produce works that freely expressed their identities, reflecting their belongingness and roles within society. The students’ work was later exhibited in the schools, enabling them to interactively engage with the school spaces. This article outlines context-based learning strategies that can be used in creative workshops to enable communities to situate and express aspects of their everyday localities.]]>
<![CDATA[Editorial: Multiple Perspectives on Interiority ]]>
<![CDATA[Atmodiwirjo, Paramita]]>
<![CDATA[ Interiority Vol. 1, No. 1 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[This journal challenges the emergence of various perspectives in defining and developing further design research agenda and promotes multidisciplinary dialogue in exploring the idea of interiority. It also hopefully becomes the trigger for extending the practice of design - architecture, interior design, spatial design and other relevant design fields - to address more appropriately the social, cultural and behavioural aspects of the space inhabitation.]]>
<![CDATA[Editorial: Interiority as Relations ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol. 1, No. 2 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[Understanding the relations between human being and its environment is critical in our attempt to create an appropriate built environment. Interior as a discipline has a privilege to be in the intersection between subjective experience of human users and the physical manifestation of environment occupied by the human. Looking at interiority as a relational construct that occurs between the users and environment should be an essential basis for design practice. This issue of Interiority intends to explore various forms of relational construct that emerge in the interaction between space and the users and to identify possible challenges posed by such relations for spatial design practice.]]>
<![CDATA[Interiority in Everyday Space: A Dialogue between Materiality and Occupation ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol. 2, No. 1 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[Everyday space is a setting where ordinary acts, activities and events take place. It is interesting to examine closely how interiority is defined, understood and manifested in everyday space as a way to understand the inhabitation of the interior. The interiority of everyday space is defined not only by occupation but also through materiality. This issue of Interiority presents articles that address the relationships between interior materiality and different perceptual constructs and experiences of architectural space as inherent in the occupation of the everyday space.]]>
<![CDATA[Interiority: At the Threshold ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol. 2, No. 2 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[Being at the threshold offers an ambiguous spatial experience. The idea of threshold is relevant to the discourse of interiority, as it expands our understanding of the opposing condition of inside-outside, or interior-exterior, which have become the recurring themes in many discussions on interiority. This issue of Interiority attempts to address what actually occurs at the threshold – the occupation and the experience of the threshold. The contributors in this issue address the emergence of spatial ideas that define the new relationship between inside and outside, between interior and architecture.]]>
<![CDATA[Reading Between the Lines: Revealing Interiority ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol. 3, No. 1 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[Words, texts and narratives have the potential to reveal the complexity of interiority; they can tell stories beyond the physical materiality of space to reveal spatial occupation, address social and cultural issues embedded in space and capture the trajectories of inhabitation over time. This issue of Interiority addresses writing and reading as a form of inquiry towards the idea of interiority being embedded within the represented forms of architecture and interior. The articles in this issue demonstrate various forms of inquiry concerning the idea of interiority through various media of ‘writing,’ then explore how their reading becomes a way of revealing interiority.]]>
<![CDATA[Shifting Interiority: Changing Encounters With Our Environment ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol. 3, No. 2 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[During COVID-19 pandemic, the whole world has witnessed and experienced dramatic changes in all aspects of life. As we adapt our everyday lives to restrictions and limitations to fight the pandemic, it also has become a trigger for us to rethink and re-position knowledge on spatial design disciplines. This Interiority issue compiles contributions that respond to a special call for papers that address these questions: How does the pandemic, including its impacts from lockdowns and physical distancing, affect how we think about interior and architecture? What lessons can we learn from this situation that we can use in future interior and architectural spaces and practices? How does the idea of interiority shift in this challenging situation?]]>
<![CDATA[Urban Interiority: Emerging Cultural and Spatial Practices ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol. 4, No. 1 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[Discourses on the urban interior recently have emerged as a series of provocations and experimentations that highlight the critical understanding of the urban realm from the interiority perspective. In the fast-moving development of modern global cities, the urban interior concept becomes increasingly important. Cities are fast becoming containers for contemporary spatial practice, with urban spaces becoming melting pots of diverse cultures and communities. Viewing urban settings from the interiority perspective allows us to comprehend unique local characters in particular contexts. This issue of Interiority presents a collection of works that illustrate the expanded understanding of the urban interior, especially in relation to cultural and spatial practice in urban contexts. This issue presents multiple perspectives on understanding the urban interior, raising arguments on how its spatial condition could perform as a container of cultural practice, while simultaneously offering possibilities on manoeuvring within the urban interior context through various ways of reading, interpretation and intervention. These perspectives and approaches promise further possibilities to expand our interior architectural practice in responding not only to current contemporary practice, but also to the future of urban inhabitation.]]>
<![CDATA[Animated Interior ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol. 4, No. 2 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[An animated interior represents a departure from the idea of interior space as a permanent and timeless entity. The understanding of animated characters in the interior allows for the emergence of our complex relationship with space through various forms of engagement. The understanding of an animated interior offers further possibilities that become the basis of design practice. This issue of the Interiority journal presents a collection of inquiries and approaches that reveal various animated qualities of the interior in various contexts. The articles address the character of the interior, which is dynamic and dependent upon various temporal conditions of inhabitation. At the same time, they demonstrate the possible design practices that could emerge from the understanding of animated interiors.]]>
