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Journal : MODUL

VIRTUAL LEARNING PLATFORM IN ARCHITECTURE DESIGN STUDIO FOR MAINTAINING AUTONOMY AND AUTHORITY Harahap, Mochammad Mirza Yusuf; Atmodiwirjo, Paramita
MODUL Vol 21, No 1 (2021): MODUL vol 21 nomor 1 tahun 2021 (article in press)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.21.1.2021.37-42

Abstract

This paper highlights a strategy for design studio learning due to the restriction during the COVID-19 pandemic that requires an immediate change from physical, face-to-face learning to virtual, online learning. The study examines how creative design and knowledge construction could be monitored throughout the learning process in the virtual studio. The study reflects upon the autonomy and authority of students and tutors, respectively, as they utilise a particular platform for virtual learning. The virtual communication platform becomes the media to accommodate reflection, peer learning, benchmarking and constructive feedback as essential parts of design learning. The study argues that it is essential to establish a strategy to balance the tutor’s space in maintaining their authority and the students’ space in building their autonomy as a design learner in the virtual studio environment.
INTERPOSITION AND COLOR CONTRAST AS DEPTH ASPECT: FROM 2D MEDIA TO 3D SPACE PRODUCTION Muvida, Muvida; Atmodiwirjo, Paramita; Paramita, Kristanti Dewi
MODUL Vol 23, No 2 (2023): MODUL vol 23 nomor 2 tahun 2023 ( 5 articles )
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.23.2.2023.68-75

Abstract

This study attempts to dismantle the depth aspects produced by two-dimensional (2D) media such as paintings. as the basis for the production of three-dimensional (3D) space. In particular, we argue that painting as artwork with a flat surface can be transformed into 3D space by incorporating depth aspects. Even though it has a flat surface, painting as a 2D medium has the impression of 3D space and volume, which can be circumvented by constructing the perception of depth. To explore the production of 3D space through depth aspects, four 2D paintings were analyzed to find out how the depth aspects were constructed. The analysis reveals the perception of depth technique through interposition as the depth cues within the arrangement of layers. The analysis also reveals the color contrast as additional aspect that strengthen the perception of depth. Both the interposition and the color contrast become the important aspects that create the perception of depth in the production of the 3D space.
ARCHITECTURE AFTER GRAVITY: UNDERSTANDING SPATIAL EXPERIENCE OF WEIGHTLESSNESS AND DISORIENTATION Elawati, Ocfia Amirul; Paramita, Kristanti Dewi; Atmodiwirjo, Paramita
MODUL Vol 24, No 1 (2024): MODUL vol 24 nomor 1 tahun 2024 (5 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.24.1.2024.30-38

Abstract

This study examine the idea of after gravity as the basis of an architectural design method. After gravity is defined as the condition of weightlessness and disorientation that creates unrestricted body movement. Gravity determines the direction of architectural spatial orientation and gives weight to subject and object in architectural space, creating boundaries of possible body movements. This paper analyzes the development of a design method based on that appropriates gravity through the analytical study of ten gravity-defying body movements such as hanging, flying, or spinning. The study identifies three gravity-based relations; happening between bodies, between body and object, and between body and space. The design method of architecture after gravity highlights the spatial experience of the moving body in receiving stimuli and responding to the context. Understanding architecture after gravity widens the potential of architecture that sees the relations of forces in a context with the body in a dynamically built environment.