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All Journal MODUL Journal of Architecture & Environment EMARA : Indonesian Journal of Architecture Jurnal Linears Vitruvian : Jurnal Arsitektur, Bangunan, dan Lingkungan International Journal of Built Environment and Scientific Research ARTEKS : Jurnal Teknik Arsitektur Communications in Science and Technology ASEAN Journal of Community Engagement DIMENSI: Journal of Architecture and Built Environment Makara Human Behavior Studies in Asia ARSNET EMARA : Indonesian Journal of Architecture Interiority
Paramita Atmodiwirjo
Universitas Indonesia
Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Engineering Environmental Science Public Health Social Sciences Other

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VIRTUAL LEARNING PLATFORM IN ARCHITECTURE DESIGN STUDIO FOR MAINTAINING AUTONOMY AND AUTHORITY Harahap, Mochammad Mirza Yusuf; Atmodiwirjo, Paramita
MODUL Vol 21, No 1 (2021): MODUL vol 21 nomor 1 tahun 2021 (article in press)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.21.1.2021.37-42

Abstract

This paper highlights a strategy for design studio learning due to the restriction during the COVID-19 pandemic that requires an immediate change from physical, face-to-face learning to virtual, online learning. The study examines how creative design and knowledge construction could be monitored throughout the learning process in the virtual studio. The study reflects upon the autonomy and authority of students and tutors, respectively, as they utilise a particular platform for virtual learning. The virtual communication platform becomes the media to accommodate reflection, peer learning, benchmarking and constructive feedback as essential parts of design learning. The study argues that it is essential to establish a strategy to balance the tutor’s space in maintaining their authority and the students’ space in building their autonomy as a design learner in the virtual studio environment.
MONTAGE AS SPATIAL RECONSTRUCTION OPERATION METHOD IN DESIGNING CINEMATIC ARCHITECTURE Neneng Rika Lestari; Kristanti Dewi Paramita; Paramita Atmodiwirjo
MODUL Vol 21, No 2 (2021): MODUL vol 21 nomor 2 tahun 2021 (11 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.21.2.2021.142-154

Abstract

This article investigated montage to understand and arrange cinematic architecture through operations of spatial reconstruction to present a sequence of spatial experiences. Montage is a part of discourses related to cinematic, film, and architecture. This article explored the montage approach as the primary basis in the architectural design process through spatial experience. The discussion is based on the idea that montage is emphasized in three things, i.e., sequence, multiple layers of meaning, and movement. These three aspects were further observed through the montage precedent comprising various cinematic precedents based on montage in architecture, i.e., Manhattan Transcripts and Parc de La Villette from Bernard Tschumi, Villa Savoye from Le Corbusier, and Maison Bordeaux from Rem Koolhaas. The finding of this study is a synthesis of some of these precedents that resulted in an understanding of space reconstruction operations, i.e., dismantlement, disappearance, and reassembly, all three of which exist as strategies that will be part of the production process to develop montage-based cinematic architectural design, creating new spatial sequence that provide alternative spatial experience. This article expands the knowledge regarding montages that cinematics and films can be a development in architectural design.
INTERPOSITION AND COLOR CONTRAST AS DEPTH ASPECT: FROM 2D MEDIA TO 3D SPACE PRODUCTION Muvida, Muvida; Atmodiwirjo, Paramita; Paramita, Kristanti Dewi
MODUL Vol 23, No 2 (2023): MODUL vol 23 nomor 2 tahun 2023 ( 5 articles )
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.23.2.2023.68-75

Abstract

This study attempts to dismantle the depth aspects produced by two-dimensional (2D) media such as paintings. as the basis for the production of three-dimensional (3D) space. In particular, we argue that painting as artwork with a flat surface can be transformed into 3D space by incorporating depth aspects. Even though it has a flat surface, painting as a 2D medium has the impression of 3D space and volume, which can be circumvented by constructing the perception of depth. To explore the production of 3D space through depth aspects, four 2D paintings were analyzed to find out how the depth aspects were constructed. The analysis reveals the perception of depth technique through interposition as the depth cues within the arrangement of layers. The analysis also reveals the color contrast as additional aspect that strengthen the perception of depth. Both the interposition and the color contrast become the important aspects that create the perception of depth in the production of the 3D space.
ARCHITECTURE AFTER GRAVITY: UNDERSTANDING SPATIAL EXPERIENCE OF WEIGHTLESSNESS AND DISORIENTATION Elawati, Ocfia Amirul; Paramita, Kristanti Dewi; Atmodiwirjo, Paramita
MODUL Vol 24, No 1 (2024): MODUL vol 24 nomor 1 tahun 2024 (5 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.24.1.2024.30-38

Abstract

This study examine the idea of after gravity as the basis of an architectural design method. After gravity is defined as the condition of weightlessness and disorientation that creates unrestricted body movement. Gravity determines the direction of architectural spatial orientation and gives weight to subject and object in architectural space, creating boundaries of possible body movements. This paper analyzes the development of a design method based on that appropriates gravity through the analytical study of ten gravity-defying body movements such as hanging, flying, or spinning. The study identifies three gravity-based relations; happening between bodies, between body and object, and between body and space. The design method of architecture after gravity highlights the spatial experience of the moving body in receiving stimuli and responding to the context. Understanding architecture after gravity widens the potential of architecture that sees the relations of forces in a context with the body in a dynamically built environment.
Co-Authors Aditya, Yovita Adjie Pamungkas Afifah Karimah Andika, Neil Andikabina, Ariko Ardianta, Defry Agatha Az Zahra, Aisyah Diandra Pandu Saginatari Elawati, Ocfia Amirul Emirhadi Suganda Fatimah Indonesia Saffana Zayn Ferry Gunawan Harahap, Mochammad Mirza Yusuf Hepi Hapsari Handayani, Hepi Hapsari I Gusti Ngurah Arya Suryawan Putra Kristanti Dewi Paramita Mathilda, Gita Rahma Mikhael Johanes, Mikhael Muvida Muvida Nathan, Rory Neneng Rika Lestari Nugroho, Nurseto Nurseto Nugroho Prayitno, Roland Tejo Purnasasmita, Ruth Kartika Putri, Irfany Roihana Rini Suryantini Roland Tejo Prayitno Ruli Andaru, Ruli Ruth Kartika Purnasasmita Saginatari, Diandra Pandu Sinuraibhan, Soranart Suryantini, Rini Ummah, Muhammad Hidayatul Wahid, Arif Rahman Yandi Andri Yatmo Yandi Andri Yatmo Yandi Andri Yatmo Zafira Rahmatul Ummah Zafira Rahmatul Ummah