Articles
<![CDATA[Gender Role in Rural Life: An Audience Reception Analysis on Banyumas Films in Reformation Era ]]>
<![CDATA[Chusna, Aidatul]]>;
<![CDATA[Taufiqurrohman, M.]]>;
<![CDATA[Suzanna, Lynda]]>
<![CDATA[ Lingua Cultura Vol 11, No 2 (2017): Lingua Cultura Vol. 11 No. 2 ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21512/lc.v11i2.1818
<![CDATA[This qualitative research was aimed at investigating audience’s responses on gender role in rural life represented in Banyumas films. The data were taken from library research, questionnaire, and group discussion with Banyumas natives. The audience consisted of female and male university students as well as Banyumas film community. Media viewing was conducted before the discussion. The study findings show that the audiences, both males and females, tend to be receptive to the shifting role of wife as the breadwinner of the family since factories in Banyumas give more work opportunities to women than men. In addition, the respondents are appreciative to the role of Banyumas women who are actively involved in the cultural preservation. However, they think that it rarely happens as Banyumas people prefer working in factories to preserve the tradition.]]>
<![CDATA[Revisiting Coffee Shops as Public Space in Purwokerto ]]>
<![CDATA[Aidatul Chusna]]>;
<![CDATA[Arizal Mutahir]]>;
<![CDATA[Muhammad Taufiqurrohman]]>
<![CDATA[ Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 23, No 2 (2021): (December) ]]>
Publisher : <![CDATA[Universitas Andalas ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.25077/jantro.v23.n2.p157-164.2021
<![CDATA[The increasing number of coffee shops identifies the dynamics of urban life in Purwokerto. However, how does the existence of these coffee shops influence the socio-cultural life of the society? The research aims to examine the socio-cultural functions of coffee shops in Purwokerto in accordance to the role of public sphere. The concept of public sphere by Jurgen Habermas is used the theoretical foundation of the analysis. Using descriptive qualitative method, the study analyses data taken from the observation and interview process. Due to the large number of coffee shops in Purwokerto, the researchers select six coffee shops with different characteristics. The research finds that coffee shops in Purwokerto tend to be a place to meet up after school or work and spend their leisure time, as the coffee shop offers a good atmosphere to be more focused and productive on their work. Thus, the function of public sphere is hardly found. Instead, coffee shop becomes a private place for individuals to engage with their own individuality and communities]]>
<![CDATA[THE HUNGER GAMES: REPRESENTING THE NEW IMAGE OF AMERICAN POPULAR HEROES ]]>
<![CDATA[Aidatul Chusna]]>;
<![CDATA[Lynda Susana W.A.F.]]>
<![CDATA[ Celt: A Journal of Culture, English Language Teaching & Literature Vol 15, No 2: December 2015, Nationally Accredited ]]>
Publisher : <![CDATA[Soegijapranata Catholic University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (2083.432 KB)
|
DOI: 10.24167/celt.v15i2.468
<![CDATA[This research is aimed at revealing the new image of American popular heroes as depicted in the novel adaptation film of The Hunger Games which is created as a trilogy, which consists of two more novels: Catching Fire and Mockingjay. This film is one of the most phenomenal films in 2013-2104, which grossed out up to $407,999,255. This research used textual approach, which focused on the text as the object, that is The Hunger Games film. The result shows that The Hunger Games essentially brings the issue of slavery back into scrutiny. However, the creation of the heroin in the film is granted as the reconstruction of popular heroes in America. She is an inspiring female hero which is exemplified as the appreciation of womens values. Yet, the heroin is broadly defined with the qualities of rouge heroes as the characteristics are the representation of the belief and values associated with freedom to wash away the oppression restore the rights of the minority. In addition to the issue of slavery , the symbols of new hope and new spirit are implicitly emerged in the story. This attempt was proficiently done by the heroin, which was eventually created as the new image of the American heroes.]]>
<![CDATA[Female Monsters: Figuring Female Transgression in Jennifer's Body (2009) and The Witch (2013) ]]>
<![CDATA[Aidatul Chusna]]>;
<![CDATA[Shofi Mahmudah]]>
<![CDATA[ Humaniora Vol 30, No 1 (2018) ]]>
Publisher : <![CDATA[Faculty of Cultural Sciences, Universitas Gadjah Mada ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (413.786 KB)
|
DOI: 10.22146/jh.31499
<![CDATA[This paper aimed to examine the depiction of the monstrous feminine in two horror flms, 2009’s Jennifer’s Bodyand 2015’s The Witch, by investigating how horror flms confront transgression through the construction of woman as a monstrous fgure in the story. The theory of abjection proposed by Julia Kristeva and of the monstrous feminine by Barbara Creed were used in the analysis. The main data were taken from these two flms, focusing on the characterization and narrative aspects. It was found that the depiction of the monstrous feminine in both flms was through the use of monstrous acts and images. The way in which these flms constructed monstrosity indicates female transgression of patriarchal boundaries, specifcally on the issue of gender identity and religiosity. The transgression emphasizes that there is no absolute identity, and thus boundaries are disrupted due to this fluid identity]]>
<![CDATA[Gender Role in Rural Life: An Audience Reception Analysis on Banyumas Films in Reformation Era ]]>
<![CDATA[Aidatul Chusna]]>;
<![CDATA[M. Taufiqurrohman]]>;
<![CDATA[Lynda Suzanna]]>
<![CDATA[ Lingua Cultura Vol. 11 No. 2 (2017): Lingua Cultura Vol. 11 No. 2 ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21512/lc.v11i2.1818
<![CDATA[This qualitative research was aimed at investigating audience’s responses on gender role in rural life represented in Banyumas films. The data were taken from library research, questionnaire, and group discussion with Banyumas natives. The audience consisted of female and male university students as well as Banyumas film community. Media viewing was conducted before the discussion. The study findings show that the audiences, both males and females, tend to be receptive to the shifting role of wife as the breadwinner of the family since factories in Banyumas give more work opportunities to women than men. In addition, the respondents are appreciative to the role of Banyumas women who are actively involved in the cultural preservation. However, they think that it rarely happens as Banyumas people prefer working in factories to preserve the tradition.]]>
<![CDATA[PRAKTIK KERUANGAN DAN KETERASINGAN: STUDI WARUNG KOPI DI KOTA PURWOKERTO, BANYUMAS JAWA TENGAH ]]>
<![CDATA[Arizal Mutahir]]>;
<![CDATA[Aidatul Chusna]]>;
<![CDATA[Muhammad Taufiqurrohman]]>;
<![CDATA[Joko Santoso]]>
<![CDATA[ Jurnal Pengembangan Kota Vol 9, No 2: Desember 2021 ]]>
Publisher : <![CDATA[Diponegoro University ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (1319.855 KB)
|
DOI: 10.14710/jpk.9.2.214-230
<![CDATA[Keberadaan warung kopi di Kota Purwokerto telah begitu marak. Fenomena tersebut dapat menjadi penanda perubahan ruang kota. Warung kopi menjadi ruang sosial baru bagi masyarakat Kota Purwokerto. Dalam warung kopi terkandung berbagai lapisan makna. Dalam warung kopi terjadi interaksi individu maupun kelompok yang membentuk makna berupa wacana, simbol, maupun citra untuk merepresentasikan diri, relasi yang dijalin, dan juga ruang atau situs terjadinya interaksi. Dalam warung kopi terjadi proses produksi ruang. Tujuan tulisan ini adalah berusaha menggali lapisan makna dalam praktik keruangan di warung kopi. Menggunakan metode kualitatif, tulisan ini mengambil data melalui cara observasi dan wawancara mendalam. Tulisan ini berdasarkan pemahaman bahwa warung kopi merupakan wujud perubahan dari pengembangan ruang kota di Kota Purwokerto. Dalam warung kopi terjadi dialektika beragam gerak, interkoneksi, interaksi uang, orang dan komoditas. Tulisan ini berpendapat bahwa warung kopi merupakan ruang persepsual hasil dari proses pengembangan ruang kota yang dikonstruksi beragam elemen dan kepentingan. Alih-alih menjadikan manusia yang menghidupi ruang hidup mereka, pertumbuhan warung kopi menghasilkan manusia yang teralienasi. ]]>
<![CDATA[Persona in Social Media: A Case Study on Baim Paula Youtube Channel ]]>
<![CDATA[Aidatul Chusna]]>
<![CDATA[ Journal of Language and Literature Vol 21, No 2 (2021): October ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
Full PDF (717.828 KB)
|
DOI: 10.24071/joll.v21i2.3009
<![CDATA[Social media enables its users to participate in creating and sharing media contents through their accounts; thus, it gives opportunity to gain popularity for anyone, including celebrity. This paper is aimed at revealing celebrities’ strategy to increase and maintain their popularity by constructing self-image through social media. Videos from Baim Paula youtube channel are selected as the main data of the analysis, considering Baim Wong’s success as celebrity and content creator. Using textual approach, the vidoes created and shared are analized as a cultural text which demonstrates celebrities’ self-representation in social media. The result shows that Baim Wong performs various self- images through his videos contents. His prank videos indirectly indicate authenticity and honesty entitled to Baim Wong’s image, as a strategy to create closeness to his fans. He also construcs an altruistic persona by giving presents and/or money to his pranked targets. Another self-representation is seen in videos about his daily activities with family and friends. Through these videos, Baim Wong constructs his image as a family man. The persona performed in social media has successfully attracted more fans/ subscribers and enhanced his fame. Subsequently, it generates profit not only from his YouTube channel, but also from advertising agencies and TV stations that hire him.]]>
<![CDATA[Moving with the Soul: Cipari Peasant Movements for Land Rights in Indonesia ]]>
<![CDATA[Santoso, Jarot]]>;
<![CDATA[Mutahir, Arizal]]>;
<![CDATA[Restuadhi, Hendri]]>;
<![CDATA[Chusna, Aidatul]]>
<![CDATA[ Forest and Society Vol. 8 No. 1 (2024): JUNE ]]>
Publisher : <![CDATA[Forestry Faculty, Universitas Hasanuddin ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.24259/fs.v8i1.26579
<![CDATA[This research explains movements by peasants in Cipari, Cilacap, Central Java, Indonesia, in demanding their land rights. Compared with similar cases in Indonesia, efforts by Cipari peasants paid off in the end and presented a unique case of success. Cipari peasants obtained ownership rights to the land on their terms. Through an empirical case study approach, we found that the Cipari peasant movement to fight for land rights lasted for a long period of time, beginning in the post-independence era and extending through the post-collapse of Indonesia’s New Order regime. For Cipari peasants, land is not just a means of production or economic resource but also has socio-cultural value and, more importantly, embodies spiritual (religious) values. These social and cultural factors provided the main driver for Cipari peasants to persist in undertaking their resistance movement. Over a long process, Cipari peasants obtained legal title to land in the form of land certificates. We show that the Cipari peasant social and resistance movement emerged and continued to develop not solely because of political opportunities but especially due to its socio-cultural values about land.]]>
<![CDATA[RICH BRIAN’S RESISTANCE AGAINST RACISM IN INSTAGRAM ]]>
<![CDATA[Syamsi, Ekaprilia Mutiara]]>;
<![CDATA[Chusna, Aidatul]]>;
<![CDATA[Trisnawati, Ririn Kurnia]]>
<![CDATA[ CALL Vol 6, No 2 (2024): CALL ]]>
Publisher : <![CDATA[Universitas Islam Negeri Sunan Gunung Djati ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.15575/call.v6i2.37522
<![CDATA[Racism can trigger the development of an individual's resistance due to the inequality between ethnic minority and majority groups. This study aimed to discover the forms of resistance shown by Rich Brian through his Instagram account. The method used in this research is descriptive qualitative method by applying the resistance theory by Ellefsen, Banafsheh, and Sandberg (2022). The data source used in this research comes from Rich Brian's Instagram account with the username @brianimanuel (https://www.instagram.com/brianimanuel/). The data used in this study are verbal and visual components of Rich Brian’s Instagram posts. The results of the analysis show that the emergence of Rich Brian's resistance against racism occur after he experiences various forms of racism while being part of an ethnic minority in the United States. Rich Brian's Instagram account only displays four of the five resistance forms identified in Ellefsen et al.'s framework: ignoring, confronting, protesting, and sharing experiences. Keyword: racism, resistance, ethnic, instagram, social media]]>
<![CDATA[Korean street food in contemporary Indonesia: Glocalization in a semi-medium city ]]>
<![CDATA[Mutahir, Arizal]]>;
<![CDATA[Chusna, Aidatul]]>;
<![CDATA[Rizkidarajat, Wiman]]>;
<![CDATA[Taufiqurrohman, Muhammad]]>;
<![CDATA[Makhasin, Luthfi]]>
<![CDATA[ Jurnal Sosiologi Dialektika Vol. 19 No. 2 (2024): Jurnal Sosiologi Dialektika ]]>
Publisher : <![CDATA[Department of Sociology, Faculty of Social and Political Sciences, Universitas Airlangga ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.20473/jsd.v19i2.2024.182-198
<![CDATA[Korean street food in Indonesia is part of the ‘Korean Wave’ (hallyu) that hit Indonesia in the early 2010s. It is not difficult to find Korean street food in Indonesian cities. Korean street food has become part of urban culture in Indonesia. This research aims to analyze the existence of Korean street food in Indonesia using the concept of glocalization according to Roland Robertson. This research also analyze the glocalization of Korean street food in the local context in the form of halal Korean street food so that it is accepted and consumed by Indonesian people. This study uses a qualitative method with a case study approach as a research strategy. Data collection was carried out by means of observation, interviews, and documentation. The result of this study has shown that through various forms of glocalization, Korean street food has become part of Indonesian society. Korean street food has carried out relative syncretism of food through a process of particularization as universalization. This process is carried out by adopting the halal concept in Korean street food. The results of this research contribute to understanding the glocalization of street food in adopting the halal concept.]]>
