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All Journal Humaniora INFORMASI Lingua Cultura Jurnal Pengembangan Kota Jurnal Antropologi: Isu-Isu Sosial budaya Celt: A Journal of Culture, English Language Teaching & Literature Journal of Language and Literature Tell : Teaching of English Language and Literature Journal k@ta Forest and Society Jurnal Sosiologi Dialektika CALL Indonesian Journal of Interdisciplinary Islamic Studies (IJIIS) KAMBOTI : Jurnal Sosial dan Humaniora
Aidatul Chusna, Aidatul
English Literature, Faculty Of Humanities, Jenderal Soedirman University, Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Kartini in two lenses: The shifting image of Indonesian modern woman in R.A. Kartini (1982) and Kartini (2017) Chusna, Aidatul; Utami, Shofi Mahmudah Budi; Subuhi, Moh. Imam
Informasi Vol. 53 No. 2 (2023): Informasi
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/informasi.v53i2.61378

Abstract

This paper aims to examine the construction of Kartini figure in two Indonesian films titled R.A. Kartini (1982) and Kartini (2017) and how it represents the idealization of Indonesian woman in both eras. By utilizing textual analysis, the study finds different images of Kartini presented in the films. The 1982 film tends to emphasize on the critical nature of Kartini and her anti-colonial attitude. Moreover, Kartini is also presented as a figure of Javanese woman who is characterized by her feminine gestures and manner. Meanwhile, the 2017 film constructs Kartini figure differently. Instead of focusing on her femininity, the film constructs Kartini as an energetic, and rebellious young woman. The different characterizations of Kartini presented in the films indicate the shifting image of an idealized woman in both eras. As the first film produced in 1982, the ideal woman is represented as a feminine and motherly figure. Meanwhile in the second film, Kartini is imagined as the representation of the female millennial generation, characterized by their productivity, and creativity.
The Reconstruction of Korean Wave in Indonesian Fan Fiction Dyah Raina Purwaningsih; Aidatul Chusna
Tell : Teaching of English Language and Literature Journal Vol 1 No 1 (2013): September
Publisher : English Department FKIP Universitas Muhammadiyah Surabaya Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1602.744 KB) | DOI: 10.30651/tell.v1i1.517

Abstract

AbstractRecently, literary world is enriched by the emergence of a new form of fiction called fan fiction, which refers to a fictional writing produced by fan writers as an expression of love towards their idolized stars. The emergence of fan fiction in Indonesia recently is in line with the attack of Korean wave or Hallyu to Indonesian showbiz. This article is talking about Indonesian Korean fan fiction reconstruction based on several approaches proposed by Jenkins (1992). The approaches, which cover recontextualization, expanding the series timeline, refocalization, moral alignment, genre shifting, cross-over, character dislocation, personalization, emotional intensification, and eroticization, are used as the ways to guide fan writers in reconstruct a story about an idol that cannot be found in real life. Using those approaches, a fan writer can freely express their adoration toward the figures they idolize. This article aimed at specifically cutting open some Indonesian fan fictions entitled “Tormented”, “Wonder Boy”, and “Way Back into Love”, based on Jenkin’s approaches, using descriptive qualitative research method. The analysis shows that there are   six approaches used by the writers in reconstructing the stories; refocalization, moral alignment cross-over, character dislocation, personalization, and eroticization. Keywords:   character dislocation , cross-over, eroticization, fan fiction, Korean wave, moral alignment, , personalization, refocalization. 
ON BEING MUSLIM AMERICANS: MIPSTERZ AS A SITE FOR NEGOTIATING IDENTITY Chusna, Aidatul; Riyanti, Erni Dewi
Indonesian Journal of Interdisciplinary Islamic Studies (IJIIS) Vol. 3, No. 2, March 2020
Publisher : Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/ijiis.vol3.iss2.art2

Abstract

The arrival of immigrants from various countries and continents to America has become part of a very long history for this country. In fact, the United States was founded by group of immigrants. History accounts the arrival of Muslim immigrants in America in several waves; nonetheless, Islam and Muslims remained foreign for American people. For Muslim Immigrants, the tragedy of September 11 (2001) had profoundly impacted them. They endure prejudices, discrimination, verbal abuse, and hate crimes due to the increasing Islamophobia among American society. The study highlights a group of young Muslims known as Mipsterz (Muslim Hipsters) and examines how Mipsterz becomes a site for negotiating identity as a Muslim American. Started as a small group of Muslim youngsters from New York City in 2012, Mipsterz develops into a space for minorities to speak up and define themselves through their creative works. Unluckily, along with the growing number of white supremacists, Islamophobia and negative stereotypes are keep growing and felt by Muslim Americans, even among American-born Muslim generations. Mipsterz aims to keep producing stories and marginalized voices to the fore front of American public, as its members do not want to be identified either Muslims or Americans; they are Muslim Americans.
RICH BRIAN'S RESISTANCE AGAINST RACISM IN INSTAGRAM Syamsi, Ekaprilia Mutiara; Chusna, Aidatul; Trisnawati, Ririn Kurnia
CALL Vol. 6 No. 2 (2024): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v6i2.37522

Abstract

Racism can trigger the development of an individual's resistance due to the inequality between ethnic minority and majority groups. This study aimed to discover the forms of resistance shown by Rich Brian through his Instagram account. The method used in this research is descriptive qualitative method by applying the resistance theory by Ellefsen, Banafsheh, and Sandberg (2022). The data source used in this research comes from Rich Brian's Instagram account with the username @brianimanuel (https://www.instagram.com/brianimanuel/). The data used in this study are verbal and visual components of Rich Brian's Instagram posts. The results of the analysis show that the emergence of Rich Brian's resistance against racism occur after he experiences various forms of racism while being part of an ethnic minority in the United States. Rich Brian's Instagram account only displays four of the five resistance forms identified in Ellefsen et al.'s framework: ignoring, confronting, protesting, and sharing experiences. Keyword: racism, resistance, ethnic, Instagram, social media
Exploring the Narrative Spaces of Change in Jejak Warna: Cerita tentang Perubahan (2019) Web Series: - Chusna, Aidatul; Irawanto, Budi; Arymami, Dian
k@ta: A Biannual Publication on the Study of Language and Literature Vol. 25 No. 1 (2023): JUNE 2023
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/kata.25.1.31-41

Abstract

Jejak Warna: Cerita tentang Perubahan (Color Trail: A Story of Change) web series talks about a man named Arya who is stuck with his monotonous life and memory of his ex-girlfriend. His life changes when he meets Kinar – his new colleague. This study explores how the narrative space conveys the idea of change by analysing the mise-en-scène elements of the web series. The result shows the depiction of spaces which change from spaces that bind the protagonist in his dull routine and memory to a space that liberates and offers him new life and adventure. The change is strengthened by the changing nuances of spaces depicted through composition and lighting, sound (dialogue and music), and the character's expression and movement within the spaces.
Gerakan #dirumahaja sebagai Aktivisme Digital pada Akun Media Sosial Najwa Shihab Chusna, Aidatul
KAMBOTI: Jurnal Sosial dan Humaniora Vol. 1 No. 2 (2021): KAMBOTI: Jurnal Sosial dan Humaniora
Publisher : Lembaga Layanan Pendidikan Tinggi Wilayah XII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51135/kambotivol1issue2page124-132

Abstract

This paper discusses how the #dirumahaja movement initiated by Najwa Shihab in her various social media accounts becomes a form of digital activism in a network society. With a qualitative descriptive method, this study will look at how the phenomenon of the #dirumahaja movement is carried out and the extent of the impact of this digital activism. Therefore, posts in the form of information or videos uploaded to Najwa Shihab's social media accounts are the primary data in this analysis. The result of the discussion shows that through various social media platforms that she holds, Najwa Shihab carried out various forms of campaigns that invite people to do activities at home in various forms, such as sharing informative videos about the dangers of covid-19 and the importance of reducing activities outside the home and inviting public figures in various video content, as well as organizing charity music concerts.
The Reconstruction of Korean Wave in Indonesian Fan Fiction Purwaningsih, Dyah Raina; Chusna, Aidatul
Tell : Teaching of English Language and Literature Journal Vol 1 No 1 (2013): September
Publisher : English Department FKIP Universitas Muhammadiyah Surabaya Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30651/tell.v1i1.517

Abstract

AbstractRecently, literary world is enriched by the emergence of a new form of fiction called fan fiction, which refers to a fictional writing produced by fan writers as an expression of love towards their idolized stars. The emergence of fan fiction in Indonesia recently is in line with the attack of Korean wave or Hallyu to Indonesian showbiz. This article is talking about Indonesian Korean fan fiction reconstruction based on several approaches proposed by Jenkins (1992). The approaches, which cover recontextualization, expanding the series timeline, refocalization, moral alignment, genre shifting, cross-over, character dislocation, personalization, emotional intensification, and eroticization, are used as the ways to guide fan writers in reconstruct a story about an idol that cannot be found in real life. Using those approaches, a fan writer can freely express their adoration toward the figures they idolize. This article aimed at specifically cutting open some Indonesian fan fictions entitled “Tormented”, “Wonder Boy”, and “Way Back into Love”, based on Jenkin’s approaches, using descriptive qualitative research method. The analysis shows that there are   six approaches used by the writers in reconstructing the stories; refocalization, moral alignment cross-over, character dislocation, personalization, and eroticization. Keywords:   character dislocation , cross-over, eroticization, fan fiction, Korean wave, moral alignment, , personalization, refocalization. 
The risks of developing “Do It Yourself (DIY)” music career in unfinished creative city Rizkidarajat, Wiman; Chusna, Aidatul; Saadah, Kholifatus
Jurnal Sosiologi Dialektika Vol. 20 No. 2 (2025): Jurnal Sosiologi Dialektika
Publisher : Department of Sociology, Faculty of Social and Political Sciences, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article endeavors to present findings on the strategic positioning of career development through DIY music by young people as they confront the late capitalism configurations inherent in the creative economy of the provincial city of Purwokerto. Drawing on data collected with a qualitative method, utilizing a biographical approach from October 2022 to January 2025, the study profiles two youth collectives in Purwokerto: Heartcorner Collective and Voicehell. Both employ strategies such as “catch-all” and “non-stop musicians” to advance their careers. However, these strategies fail due to the inadequate development of a comprehensive creative ecosystem in Purwokerto, especially in the music sector. The lack of infrastructure and support leaves DIY musicians struggling to articulate and sustain their careers. This situation places them within the global risk generation, as they navigate the challenges of developing a DIY music career amidst the unfinished creative city framework. Consequently, their efforts to resist established economic patterns and maintain the authenticity of DIY practices become increasingly precarious, reflecting broader issues faced by young people in the creative economy.
Co-Authors Aminuyati Budi Irawanto Dian Arymami Dyah Raina Purwaningsih Dyah Raina Purwaningsih, Dyah Raina Erni Dewi Riyanti Jarot Santoso Joko Santoso Kholifatus Saadah Lynda Susana W.A.F. Lynda Suzanna M. Taufiqurrohman Makhasin, Luthfi Muhammad Taufiqurrohman Muhammad Taufiqurrohman Muhammad Taufiqurrohman, Muhammad Mutahir, Arizal Ririn Kurnia Trisnawati Riyanti, Erni Dewi Subuhi, Moh. Imam Suzanna, Lynda Syamsi, Ekaprilia Mutiara Taufiqurrohman, M. Utami, Shofi Mahmudah Budi Wiman Rizkidarajat