Made Rai Budaya Bumiarta
Institut Seni Indonesia Denpasar

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Journal : Global Art Creativity Conference

Mise-en-Scène as a Cinematic Narrative Device in The Earth of Mankind (Bumi Manusia, 2019): Visualizing Colonial Tension and Identity Rai Budaya Bumiarta, Made
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.627

Abstract

This article examines how mise-en-scène functions as a cinematic narrative device in The Earth of Mankind (Bumi Manusia, 2019), directed by Hanung Bramantyo and adapted from Pramoedya Ananta Toer’s seminal novel. Set in the Dutch East Indies during the early 20th century, the film visually constructs themes of colonial tension and postcolonial identity through its use of setting, costume, lighting, color, and spatial composition. By analyzing key scenes, this study reveals how mise-en-scène not only reflects the socio-political conditions of the colonial era but also shapes the viewer’s understanding of character psychology and resistance, particularly through the protagonist Minke’s transformation. The visual contrasts between European and native spaces, as well as symbolic props and body language, contribute to a layered narrative that transcends dialogue. This article argues that mise-en-scène in Bumi Manusia is integral to the storytelling process, serving as a visual language for articulating Indonesia’s colonial history and national consciousness.