Garuda - Garba Rujukan Digital

p-Index From 2021 - 2026

1.857

P-Index

This Author published in this journals

All Journal Jurnal Pendidikan Karakter Mozaik Humaniora Jurnal Ilmiah Lingua Idea Metahumaniora Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Journal of Indonesian Social Sciences and Humanities Abdimasku : Jurnal Pengabdian Masyarakat Retorik: Jurnal Ilmu Humaniora Priviet Social Sciences Journal Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies Susastra : Jurnal Ilmu Sastra dan Budaya Journal of Indonesian Social Sciences and Humanities

Manneke Budiman

Department Of Literature, Faculty Of Humanities, Universitas Indonesia

Author-ID : 244351

Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences

Published : 19 Documents Claim Missing Document

Claim Missing Document

Articles

1 2

MENINJAU KEMBALI HUBUNGAN ANTARA SASTRA DAN BUDI PEKERTI Budiman, Manneke
Jurnal Pendidikan Karakter Vol. 3, No. 2 (2012)
Publisher : LPPM Universitas Negeri Yogyakarta

Abstrak: Hubungan sastra dan budi pekerti telah lama ramai diperbincangkan orang. Ada tuntutan dalam masyarakat bahwa sastra haruslah dapat menjadi sarana pembelajaran moral dan pekerti untuk dapat dinilai sebagai karya sastra yang baik.Timbulnya banyak hujatan pada sejumlah karya sastra, baik di dalam negeri maupun dalam sejarah kesusastraan berbagai bangsa di dunia, mengukuhkan asumsi bahwa sastra yang baik adalah sastra yang diabdikan pada pendidikan moral.Tulisan ini menyoroti berbagai asumsi tersebut dengan memperlihatkan bahwa banyak karya besar dunia justru menggugat hubungan linear dan positif antara sastra dan pendidikan budi pekerti. Tulisan ini juga berargumen bahwa sastra terkadang justru berperan sebagai instrumen untuk menggugat superioritas nilai-nilai moral tertentu, serta menawarkan cara lain untuk memahami wujud hubungan antara sastra dan moralitas. Lewat sejumlah telaah atas karya-karya sastra Indonesia dan dunia, seperti sastra Jerman, dibahas kondisi hubugan antara sastra dan moralitas di Indonesia. Kesimpulan akhir yang diajukan adalah diperlukan perspektif alternatif untuk memahami kembali bentuk-bentuk relasi yang lebih setara antara sastra dan budi pekerti, sehingga sastra bisa ditempatkan secara proporsional dalam kapasitasnya sebagai agen sosialisasi moral ataupun agen perubahan moral. Kata Kunci: pembelajaran moral, sastra Indonesia, sastra dunia, sastra Jerman, hubungan sastra dan budi pekerti

Treading the Path of the Sharia: Indonesian Feminism at the Crossroads of Western Modernity and Islamism Manneke Budiman
Journal of Indonesian Social Sciences and Humanities Vol 1 (2008): Special Issue: Ten Years Reformasi
Publisher : Deputy of Social Sciences and Humanities, the Indonesia Institute of Sciences (LIPI)

The downfall of Suhartos New Order in 1998 has opened up a new era of political freedom and participation for activists and for groups that try to promote emancipatory agendas as well as for political Islamists keen on introducing tougher conservative, religious measures to society. Womens activism and participation in different sectors has flourished, and their voices have had much stronger echoes in the political dynamics of the country. However, the new era has also given rise to Islamic radicalism that is also hostile to feminist causes and perceives feminism as part of the Western hegemonic project. In such a slippery political terrain, womens movements in Indonesia have to remake the image of feminism in Indonesian terms so that it cannot be dismissed as an ideology imported from the West and, simultaneously, they must develop a home-grown counter-discourse against the mainstream interpretation of sacred texts by using the same sources of knowledge that the Islamists employ. To what extent women activists have succeeded or failed in their struggles to free Indonesian Muslim women from the shackles of the male-dominated reading of Islamic dogma, and what the future trajectories of their struggles might be, are the primary concerns of this essay.

Reading Spatial Governmentality, Understanding Mentality of Violence in Lampuki, Puya ke Puya, and Dawuk Harfiyah Widiawati; Melani Budianta; Manneke Budiman
MOZAIK HUMANIORA Vol. 22 No. 1 (2022): MOZAIK HUMANIORA VOL. 22 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v22i1.34019

Post-Reform Indonesian novels such as Lampuki by Arafat Nur, Dari Puya ke Puya by Faisal Oddang, and Dawuk by Mahfud Ikhwan critically question the problem of governmentality, inviting us to ponder upon how works of literature formulate a social change in terms of state crisis, economic uncertainty, and other instabilities. The theme of spatial governmentality in the form of conflicts due to land appropriation/acquisition and land use, shows the dynamic of power, spread to various state and non-state actors with diverse interests. This paper analyzes how spatial governmentality embodies itself in the narrative structure of the three novels in order to eventually scrutinize how power implicates structural violence. The discourse on governmentality frequently uses benign jargon such as progress, development, modernity; while in fact it is a process full of structural violence, often involving the deprivation of marginalized people’s land and livelihood. The change in spatial form, followed by economic and social transformation, enables those in power to dominate the circle of production and deprive the right to live through the limitation/closing of access to modality, i.e. the land as source of livelihood.

Penyuluhan Sosiopreneurship untuk Warga Kampung Cimone, Tangerang Rista Ihwanny; Manneke Budiman
ABDIMASKU : JURNAL PENGABDIAN MASYARAKAT Vol 6, No 1 (2023): Januari 2023
Publisher : LPPM UNIVERSITAS DIAN NUSWANTORO

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/ja.v6i1.943

Kewirausahaan sosial, atau yang biasa disebut dengan sosiopreneurship, sangat dibutuhkan untuk peningkatan kapasitas masyarakat periurban yang termarginalkan oleh ekspansi kota besar dan kapitalisme agar dapat bertahan. Konsep sosiopreneurship sangat sesuai dengan arah pembangunan yang berpusat pada komunitas, terutama untuk membawa perubahan bagi masyarakat periurban dan peranannya dalam memperkuat ekonomi rakyat. Program pengabdian masyarakat ini mencoba mengedepankan pemahaman tersebut melalui penyuluhan sosiopreneurship yang diadakan di Kampung Cimone, Tangerang, Banten, pada 1 Desember 2019. Penyuluhan diawali dengan observasi dan wawancara untuk mengidentifikasi sumber daya lokal dan memetakan potensi masyarakat. Kegiatan penyuluhan dihadiri oleh lima puluh warga, sebagian besar adalah perempuan, dan diakhiri dengan demo pembuatan kopi untuk menambah pengetahuan warga. Melalui penyuluhan ini, terlihat tiga aspek yang dapat menjadi potensi bagi kemajuan Kampung Cimone, yaitu tingginya semangat warga, kedekatan antara warga, serta besarnya dukungan pemuka masyarakat setempat. Walaupun terdapat kendala saat penyuluhan, yaitu faktor cuaca dan faktor keterbatasan jumlah peserta, kegiatan penyuluhan bertujuan untuk dapat menambah semangat pengembangan diri warga serta menjadi pemicu dalam peningkatan kapasitas ekonomi warga Kampung Cimone.

Ethnicity and the performance of identity Budiman, Manneke
Wacana, Journal of the Humanities of Indonesia Vol. 13, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

This essay looks into the novels of two Indonesian women writers, Perempuan Kembang Jepun (Lan Fang 2009) and Dimsum terakhir (Clara Ng 2006), which depict the struggles of the major female characters in negotiating their "hybrid" identities amidst the pulls from various opposing forces that try to impose and define their identities. Both works were published in the post-New Order Indonesia, where identity politics seems to dominate the political and cultural realms. Both Lan Fang and Clara Ng try to problematize the rigid and monolithic sense of cultural identity that had been inculcated by the previous regime through its aggressive assimilation policy and imposition of the state ideology of unity. The essay aims at examining different strategies employed by both authors in redefining identity through approaches that see identity as a fluid, non-essentialist, and on-going process rather than a given entity or label that can be simply inscribed on individuals.

Membaca ideologi dalam budaya Irmayanti Meliono-Budianto. Ideologi Budaya (Jakarta: Kota Kita, 2004), viii + 157 halaman. Budiman, Manneke
Wacana, Journal of the Humanities of Indonesia Vol. 7, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Jatidiri Budaya dalam Proses "Nation-Building" di Indonesia; Mengubah Kendala Menjadi Aset Budiman, Manneke
Wacana, Journal of the Humanities of Indonesia Vol. 1, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Reclaiming women’s space Budiman, Manneke; Budianta, Melani
Wacana, Journal of the Humanities of Indonesia Vol. 24, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Memandang Bangsa dari Kota Manneke Budiman
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 4, No 1 (2008): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v4i1.29

The end of the New Order era in 1998 had given birth to a new generation of young woman writers, who had played an important role in arousing readers attention to woman body and sexuality. However, an important aspect that is often forgotten in the works of those writers is the way they view the nation. Do they offer a new imagining of the nation, that is free from the heritage of the New Order integrationistic point of view? This paper discusses the works of two middle-class urban woman writers, Nukila Amal and Djenar Maesa Ayu, by focusing on how their writings were influenced by their urban experience, and how they used this experience as a stepping stone to dig possible re-imaginings of the nation. An effort to re-define nation in the framework of urbanism is shown in both Nukila's and Djenar's works; however, the question is whether the emergence of these post-reformation woman writers indicates the broken relationship with views about nation planted by the old regime, or, instead. presents an old idea dressed up in a new costume. The works which will be discussed in this paper are Cala Ibi (Nukila Amal) and Jangan Main-main (dengan Kelaminmu) (Djenar Maesa Ayu).

MUSLIM DIASPORIC IDENTITIES IN KAMILA SHAMSIE’S HOME FIRE (2017) Rivaldy, Padel Muhamad Rallie; Budiman, Manneke; Tambunan, Shuri M. Gietty
International Review of Humanities Studies Vol. 4, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Beside accepted with surprise across the world, the winning of Brexit referendum also brings up the tangled web into the United Kingdom’s political and cultural realms. Recent studies mention there is correlation between the voting behavior and issues of identity, immigration, and Islamophobia. Kamila Shamsie alludes these issues in her latest novel, Home Fire (2017). By focusing on three main protagonists, this close-textual analysis examines how Pakistani diasporic community construct their identities within the novel. To support the analysis, this article draws upon Hall’s identity theory (1990) and Bhabha’s Unhomely (1992). Research findings show how Shamsie’s novel represents heterogeneity within Pakistani Muslims diasporic identities, rather than frame them within single collective identity. Therefore, the novel criticizes Eurocentric biases point of view by portraying Muslim female protagonists’ fluid identities while defending their Muslimness by using veil and praying to God. On the other hand, the novel maintains established stereotype by drawing Muslim male protagonist’s affiliation with Daesh as representation of radical group to problematize the notion of radicalism.

Co-Authors Budianta, Melani Harfiyah Widiawati Melani Budianta Miranti Rohmanda Noor, Aisha Zahrany Putri Nurul Laili Nadhifah Nurul Laili Nadhifah Padel Muhamad Rallie Rivaldy Priana, Yeni Purnawati, Ariza Rista Ihwanny Rohmanda, Miranti Rusdiarti, Suma Riella Shuri Mariasih Gietty Tambunan, Shuri M. Gietty Wulandari, Adi Kristina Wuryandari, Nurni Wahyu

Title

Found 19 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 19 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 19 Documents
Search