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Stigmatisasi dalam Novel Izana karya Daruma Matsuura Afandi, Muhammad Ihsan; Anwar, Fithyani
IZUMI Vol 14, No 2 (2025): December
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.2.154-167

Abstract

This study analyzes the phenomenon of stigma experienced by the main character in Daruma Matsuura’s novel Izana (誘) using Erving Goffman's stigma theory. Goffman categorizes stigma into three types: abominations of the body, blemishes of individual character, and tribal stigma. The research aims to identify the forms of stigma experienced by Izana, her process of internalizing that stigma, and the strategies of stigma management presented in the novel. Employing a qualitative descriptive method and narrative analysis, the data were gathered through document analysis and literature study, focusing on the primary text of the novel and secondary sources such as Goffman's theoretical framework. The findings reveal that Izana is stigmatized as a “cursed child” due to her unattractive appearance (abomination of the body) and her birth in the year of the Fire Horse (tribal stigma), both of which are culturally associated with misfortune. These factors lead to her internalizing a negative self-image and developing feelings of alienation. The study also finds that stigma management is initially performed by Chigusa, who conceals Izana’s identity through passing, and later by Izana herself, who uses covering to downplay her differences. These strategies reflect complex efforts to resist and adapt to societal rejection. The analysis highlights how literature reflects the social construction of stigma and reveals the psychological and relational consequences of exclusion. This study contributes to literary sociology by showing how fictional narratives can critique real-world practices of marginalization and offer insights into the dynamics of social labeling and resistance.
Analisis Formula Cawelti dalam Novel Seijo no Kyūsai Karya Keigo Higashino Putri, Tiara Rosmika; Anwar, Fithyani; Imelda, Imelda
JURNAL ILMU BUDAYA Vol. 13 No. 2 (2025): jurnal ilmu budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v13i2.48876

Abstract

This study examines the application of the classic detective formula in Seijo no Kyūsai by Keigo Higashino using John G. Cawelti’s framework. The research aims to identify narrative patterns and structural variations that distinguish the novel from conventional detective mysteries. Using a descriptive qualitative method with note-taking, the study analyzes data from both the Japanese text and its Indonesian translation. The findings indicate that the novel applies the five aspects of the classic detective formula but modifies them by introducing an impossible crime, thereby creating greater complexity. The crime is revealed not through explicit depiction but through indications of cause of death, while real and false clues emerge from character actions, monologues, and misleading alibis. The investigation integrates police inquiry with scientific experiments by Yukawa Manabu as a nonconventional detective. The solution unfolds gradually through analytical dialogue, ending with the perpetrator’s arrest while leaving emotional tension that enriches the narrative.
Formula Cerita Detektif dalam Novel Yogisha X No Kenshin Karya Keigo Higashino Putri, Tiara Rosmika; Anwar, Fithyani; Taqdir, Taqdir; Nurfitri, Nurfitri
HUMANIKA Vol 32, No 2 (2025): December
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v32i2.78049

Abstract

This study analyzes the application of the classical detective formula in Keigo Higashino’s novel Yogisha X no Kenshin using John George Cawelti’s theory of the classical detective formula. The purpose of this research is to identify the narrative patterns and their modifications that distinguish the novel from conventional detective formulas. The study employs a descriptive qualitative method with a close-reading technique. The data were obtained from the Japanese version of the novel and its Indonesian translation, then classified according to the five aspects of the classical detective formula: introduction of the detective, crime and clues, investigation, announcement of the solution, explanation of the solution, and the ending. The findings show that although the classical detective formula is applied consistently, it is accompanied by structural innovations. The story does not begin with the introduction of the detective, but instead opens with the depiction of a crime supported by false clues functioning as diversions. The character Yukawa Manabu is portrayed as a physics professor who solves the case through a scientific approach. The investigation process highlights not only the criminal aspects but also the moral conflicts accompanying the perpetrator’s actions. The stages of announcing and explaining the solution, together with the ending, are presented sequentially and form a confrontational structure in revealing the true perpetrator. Yogisha X no Kenshin enriches the detective genre by modifying the classical formula through scientific reasoning, clue manipulation, and nuanced characterization of the perpetrator. Such innovations represent an important contribution to the development of modern detective formulas in Japan.