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All Journal HUMANIKA LITE: Jurnal Bahasa, Sastra, dan Budaya IZUMI Jurnal Ilmiah Bahasa dan Sastra JURNAL ILMU BUDAYA Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Kiryoku: Jurnal Studi Kejepangan Puitika J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Kajian Linguistik dan Sastra NAWA: Journal of Japanese Studies Journal of Language Education Studies and Applied Linguistics (JoLESAL)
Fithyani Anwar
Universitas Hasanuddin
Arts Humanities Education Languange, Linguistic, Communication & Media

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Formula Cerita Detektif dalam Novel Yogisha X No Kenshin Karya Keigo Higashino Putri, Tiara Rosmika; Anwar, Fithyani; Taqdir, Taqdir; Nurfitri, Nurfitri
HUMANIKA Vol 32, No 2 (2025): December
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v32i2.78049

Abstract

This study analyzes the application of the classical detective formula in Keigo Higashino’s novel Yogisha X no Kenshin using John George Cawelti’s theory of the classical detective formula. The purpose of this research is to identify the narrative patterns and their modifications that distinguish the novel from conventional detective formulas. The study employs a descriptive qualitative method with a close-reading technique. The data were obtained from the Japanese version of the novel and its Indonesian translation, then classified according to the five aspects of the classical detective formula: introduction of the detective, crime and clues, investigation, announcement of the solution, explanation of the solution, and the ending. The findings show that although the classical detective formula is applied consistently, it is accompanied by structural innovations. The story does not begin with the introduction of the detective, but instead opens with the depiction of a crime supported by false clues functioning as diversions. The character Yukawa Manabu is portrayed as a physics professor who solves the case through a scientific approach. The investigation process highlights not only the criminal aspects but also the moral conflicts accompanying the perpetrator’s actions. The stages of announcing and explaining the solution, together with the ending, are presented sequentially and form a confrontational structure in revealing the true perpetrator. Yogisha X no Kenshin enriches the detective genre by modifying the classical formula through scientific reasoning, clue manipulation, and nuanced characterization of the perpetrator. Such innovations represent an important contribution to the development of modern detective formulas in Japan.
Struktur Cerita Detektif Novel Manatsu no Houteishiki Putri, Tiara Rosmika; Anwar, Fithyani
NAWA: Journal of Japanese Studies Vol. 3 No. 1 (2026): March 2026
Publisher : Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69908/nawa.v3i1.49471

Abstract

This study examines the application of the classical detective formula in Keigo Higashino’s Manatsu no Hōteishiki through John G. Cawelti’s theoretical framework. The research aims to analyze how the five structural elements of detective fiction—introduction of the detective, crime and clues, investigation, the announcement and explanation of the solution, and ending are organized and modified in the novel. A descriptive qualitative method is employed through close reading and note-taking, with data sourced from narrative passages and dialogues in both the Japanese text and its Indonesian translation. The findings show that while the novel follows the classical detective formula, it introduces significant variations. The detective figure appears indirectly through Yukawa Manabu’s scientific reasoning. The central crime is initially disguised as an accident, supported by ambiguous clues that both guide and mislead characters and readers. The investigation progresses through unofficial channels, emphasizing scientific observation and interpersonal subtlety. The stages of announcing and explaining the solution unfold gradually and carry emotional weight, leading to an ending that highlights reconciliation rather than legal resolution. Overall, the novel reflects Higashino’s innovative adaptation of the detective formula and contributes to the development of modern Japanese detective fiction.
Resistensi Perempuan Difabel dalam Hunchback Karya Ichikawa Saō: Perspektif Feminist Disability Studies Yunita El Risman; Fithyani Anwar; A. Achmad Fudail
HUMANIKA Vol 33, No 1 (2026): April
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v33i1.82636

Abstract

This article examines forms of resistance enacted by a disabled woman protagonist in Ichikawa Saō’s novel Hunchback (2023). The novel portrays a female character with congenital myopathy who lives in close relation to medical technology and institutional care. Employing a qualitative interpretive approach through close reading, this study draws on Rosemarie Garland-Thomson’s feminist disability theory to analyze how the disabled body is represented and negotiated within structures of power.The findings reveal three major forms of resistance: (1) resistance against the desexualization of disabled bodies through the assertion of sexual desire and embodied experience; (2) resistance against the stigma of unproductivity through narrative production and authorship; and (3) resistance against the politics of staring through the strategic use of digital technology as a medium of subject formation.The study argues that disability in the novel is not merely portrayed as a biological condition, but as a socially constructed category that can be contested through narrative articulation. This research contributes to contemporary Japanese literary studies by centering disability as a primary analytical lens and by expanding discussions of women’s resistance within frameworks of ableism and normate femininity.
Representasi Tokoh Oda Nobunaga dalam Game Samurai Warriors 4 Pandu Satria Mandala Putra; Taqdir Taqdir; Fithyani Anwar; Nursidah Nursidah
Journal of Language Education Studies and Applied Linguistics Vol 2 No 2 (2026): June 2026
Publisher : Fakultas Ilmu Budaya Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jolesal.2026.2.2.20891

Abstract

This study analyzes the representation of Oda Nobunaga in the video game Samurai Warriors 4 using Ferdinand de Saussure’s semiotic approach. The research aims to identify how visual elements, dialogues, and narrative structures construct the image of Nobunaga within the game. This study employed a descriptive qualitative method with data collected through gameplay observation, screenshot documentation, and dialogue transcription from the story mode of the game. The analysis focused on eight selected scenes that prominently featured Oda Nobunaga and contained significant visual and verbal elements related to character design, leadership interactions, and military strategy. The analysis focused on the relationship between signifier and signified in visual and verbal representations of the character. The findings reveal that Oda Nobunaga is represented as a powerful, charismatic, strategic, and dominant military leader. Visual signs such as golden armor, red cloak, facial expressions, and battle gestures symbolize authority, ambition, and military dominance. Verbal signs through dialogues further reinforce Nobunaga’s image as an authoritarian and strategic leader. In addition, battle scenes and campaign narratives reconstruct Nobunaga as a central figure in the unification of Japan during the Sengoku period. The study also shows that historical figures in video games undergo dramatization and symbolic reconstruction to fit contemporary narrative and entertainment purposes. Therefore, Samurai Warriors 4 functions not only as entertainment media but also as a cultural representation that shapes players’ perceptions of historical figures in popular culture.
Stigmatisasi dalam Novel Izana karya Daruma Matsuura Muhammad Ihsan Afandi; Fithyani Anwar
IZUMI Vol 14, No 2 (2025): December
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.2.154-167

Abstract

<p>This study analyzes the phenomenon of stigma experienced by the main character in Daruma Matsuura’s novel <em>Izana</em> <em>(</em><em>誘</em><em>)</em> using Erving Goffman&#039;s stigma theory. Goffman categorizes stigma into three types: abominations of the body, blemishes of individual character, and tribal stigma. The research aims to identify the forms of stigma experienced by Izana, her process of internalizing that stigma, and the strategies of stigma management presented in the novel. Employing a qualitative descriptive method and narrative analysis, the data were gathered through document analysis and literature study, focusing on the primary text of the novel and secondary sources such as Goffman&#039;s theoretical framework. The findings reveal that Izana is stigmatized as a “cursed child” due to her unattractive appearance (abomination of the body) and her birth in the year of the Fire Horse (tribal stigma), both of which are culturally associated with misfortune. These factors lead to her internalizing a negative self-image and developing feelings of alienation. The study also finds that stigma management is initially performed by Chigusa, who conceals Izana’s identity through passing, and later by Izana herself, who uses covering to downplay her differences. These strategies reflect complex efforts to resist and adapt to societal rejection. The analysis highlights how literature reflects the social construction of stigma and reveals the psychological and relational consequences of exclusion. This study contributes to literary sociology by showing how fictional narratives can critique real-world practices of marginalization and offer insights into the dynamics of social labeling and resistance.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor
Analisis Naratif Novel Naname Yashiki No Hanzai Karya Soji Shimada Mudiah Husnatul Aysi; Fithyani Anwar; Imelda Imelda
JURNAL ILMU BUDAYA Vol. 14 No. 1 (2026): jurnal ilmu budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v14i1.50083

Abstract

This study aims to analyze the plot structure and the dynamics of conflict in Naname Yashiki no Hanzai (Pembunuhan di Rumah Miring) by Soji Shimada using Tzvetan Todorov’s narrative theory. A descriptive qualitative method with a structural literary approach is employed. The data consist of textual units representing narrative stages and conflicts, collected through close reading and note-taking techniques. The analysis applies Todorov’s five narrative stages: equilibrium, disruption, recognition of disruption, attempt to repair, and new equilibrium. The findings indicate that all five stages appear fully and coherently in the novel, with the main distinction among stages lying in the dominant type of conflict. Internal, social, and interpersonal conflicts emerge alternately in accordance with the progression of the plot. Thus, Todorov’s narrative theory is proven effective in revealing the relationship between plot structure and the development of conflict in detective fiction.
Delusi Erotomania Tokoh Kanuma Dalam Novel Kankin Karya Akiyoshi Rikako Aqilah Nurilmi; Fithyani Anwar; Kasmawati Kasmawati; Nurfitri Nurfitri
JURNAL ILMU BUDAYA Vol. 14 No. 1 (2026): jurnal ilmu budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v14i1.50886

Abstract

This study aims to identify the characteristics of erotomanic delusion experienced by the character Kanuma in the novel Kankin by Akiyoshi Rikako using a literary-psychological approach. This research employs a qualitative descriptive method by analyzing narrative and dialogue excerpts that reflect the character’s behavior and thought patterns. The analysis is based on the theory of erotomania, also known as de Clérambault’s syndrome. The results show that Kanuma exhibits fixed-type erotomania, marked by a persistent belief in a romantic relationship with a single object. Kanuma believes that Yukie loves him and interprets ordinary interactions as signs of affection. Five characteristics are identified: persistent delusion, resistance to reality, obsessive behavior, complex interpretations, and potential for dangerous actions. The findings indicate that erotomania not only affects the perpetrator but also poses a serious threat to the victim.
Formula Cerita Detektif dalam Novel Chinmoku no Pareedo Tiara Rosmika Putri; Fithyani Anwar
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 8 No 1 (2026): May 2026
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jltera.2026.8.1.19486

Abstract

This study examines the application of John G. Cawelti’s classical detective formula in Keigo Higashino’s Chinmoku no Pareedo. It aims to identify the novel’s narrative structure and analyze its modifications of conventional detective patterns. Using a descriptive qualitative approach, data were collected through close reading and note-taking from narrative passages and dialogues in both the Japanese text and its Indonesian translation. The findings show that the novel employs all five formulaic aspects—introduction of the detective, crime and clues, investigation, solution announcement and explanation, and ending—while introducing major structural variations. The mystery is developed through interconnected cases and flashback sequences, combining genuine and misleading clues embedded in dialogue, character behavior, and past documents. The investigation involves both formal procedures and independent collaboration, with Yukawa acting as a nonconventional detective grounded in logic and scientific reasoning. Overall, the novel demonstrates Higashino’s adaptive use of the classical formula to create a layered and tense detective narrative.
Co-Authors A. Achmad Fudail Aenum, Nur Akram, Andi Nurnisa Rofifah Alfahira, A. Fany Aqilah Nurilmi Delanova, Anasya Audira Gony, Alda Purnama Helmita, Helmita Hiraishi, Noriko Idrus Idrus Ifah Ifah Imelda Imelda Ismi Nursipa, Siti Iswahyudi, Agung Kasmawati Kasmawati Mandalle, Mesy Pramaseilla Masyrifah, Nurul Mudiah Husnatul Aysi Muhammad Ihsan Afandi Nurfitri Nurfitri Nurfitri Nurfitri, Nurfitri Nursidah Nursidah Pandu Satria Mandala Putra Putra, Juliadi Putri, Tiara Rosmika Risvy, Intan Said, Mikal Muhammad Sinambela, Reski Amalia Sonezza, Ladyanna Taqdir Taqdir Tiara Rosmika Putri Yunita El Risman