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Journal : ProTVF

Research and publication trends: Sports branding on the movie Hanny Hafiar; Putri Limilia; Ari Agung Prastowo; Kholidil Amin; Davi Sofyan
ProTVF Vol 6, No 2 (2022): September 2022
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v6i2.39909

Abstract

Many films have raised the story of sports as the major story or as the background of a film. However, so far, no research has been obtained that analyzes the mapping of research results related to film and sports. Therefore, this study intends to examine various studies related to film and sports that global researchers have produced. This research uses the bibliometric method. The data source used is the Web of Science, while the tools used to process and display the data are ScientoPy and VosViewer. The results showed that the development of scientific publications starts 2000 to 2021 related to films and sports experienced fluctuating developments. Authors from America and England occupy the top positions for the number of publications. However, in the period 2020 and 2021, researchers from France and Canada are researchers who are more productive in publishing their scientific works. They included most published scientific works related to films and sports in the WoS version of the Social science category. However, Between 2020-2022, more are categorized into the subject of Communication and Film, Radio, & Television. Reference sources widely cited in scientific publications related to film and sports are books by Beeton with the title film-induced tourism (2005) and Crosson's work with the title sport and film (2013). The results of the keyword mapping show that six clusters represent some keywords used by the author in scientific works related to films and sports. In conclusion, sports and cinema research are fully developed in this research.
Self-harming: Reception in 27 steps of may film on Satu Persen community Nurvidha Qur’aini Suhaemi; Henny Sri Mulyani Rohayati; Putri Limilia
ProTVF Vol 7, No 1 (2023): March 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v7i1.39974

Abstract

Background: The rise of self-harm content in 2021 in the motion picture can give different reactions to everyone who sees it. Not infrequently, the person’s reaction harms them, which in this research is the self-harming scene in 27 Steps of May film. The self-harm scene in the film is quite explicit by showing razor blades and flowing blood. Purpose: Find out how the dominant, negotiation, and opposition audience’s meaning regarding those scenes. Methods: This research used a qualitative method with a reception analysis approach using the encoding-decoding model from Stuart Hall. The subjects of this study were eight members of the Satu Persen Community on Telegram. Data collection techniques in this study used in-depth interviews and documentation techniques. Results: Intrinsic elements such as location, setting, and storyline in scriptwriting can also influence the audience’s meaning. The meaning of audience in research also varies. In the self-harm scene, one informant is dominant, and seven informants are in the negotiation position. There are three dominant informants and five negotiation informants in the self-harm scene location setting. For the flashback plot meaning of the self-harm scene, all informants are in a dominant position. There are no informants on the opposition’s position on the meaning of the self-harm scene, location setting, and the flashback plot meaning of the self-harm scene. The informants’ reading is influenced by personal experiences/others, sociocultural background, and duration of informants being members of the Satu Persen Community. Implications: Provide public awareness that different opinions in receiving messages are natural, and the public as active audiences can use films as learning media. However, be careful about the meaning that contrasts with their values.