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Firmansyah
Faculty Of Communication, Universitas Islam Bandung Jl. Tamansari No. 24 Bandung 40116 - Indonesia
Humanities Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Mitos Tumbuhan Medis sebagai Simbol Bahan Narkotika dalam Film Dokumenter Muhammad Aldy Febiansyah; Firmansyah; Dadi Ahmadi
Jurnal Riset Jurnalistik dan Media Digital Volume 3, No. 1, Juli 2023 Jurnal Riset Jurnalistik dan Media Digital (JRJMD)
Publisher : UPT Publikasi Ilmiah Unisba

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/jrjmd.v3i1.1880

Abstract

Abstract. The film How To Change Your Mind is a film whose title explains that we have to change our thinking when watching this film. This film tells about how Michael Pollan and also the narrator in the film tell and explain how psychedelics change our minds. Psychedelic which means "Mind Manifestation" is an effect or condition when we try substances that have psychedelic effects or are now included in class I narcotics. This research takes data from the documentary series How To Change Your Mind which is based on a book entitled How To Change Your Mind by Michael Pollan. This film tells how psychedelic effects occurred in the past and the impact we can still feel today. Uniquely, this psychedelic was banned due to a problematic CIA mind control experiment, while this psychedelic can help someone get out of someone's suicidal ideation. The research aims to examine what meanings are related to informative messages from the meaning of semiotics. This study uses a qualitative approach to Roland Barthes' semiotic analysis in the film How To Change Your Mind. By analyzing the denotative, connotative and mythical signs taken from this film, the researcher found the research results in the form of data taken by observing the film through scenes or scenes, dialogues, background music used in the film to some of the characters involved. Abstrak. Film How To Change Your Mind merupakan film yang judulnya menjelaskan bahwa kita harus merubah pemikiran kita ketika menonton film ini. Film ini menceritakan tentang bagaimana Michael Pollan dan juga narator dalam film tersebut menceritakan serta menejelaskan bagaimana psikedelik merubah pikiran kita. Psikedelik yang mempunyai arti “Manifestasi Pikiran” merupakan efek atau keadaan saat kita mencoba zat-zat yang memiliki efek psikedelik atau sekarang dimasukan kedalam narkotika golongan I. Penelitian ini mengambil data dari film series dokumenter How To Change Your Mind yang diangkat berdasarkan buku yang berjudul How To Change Your Mind oleh Michael Pollan. Film ini menceritkan bagaimana efek psikedelik terjadi di masa lampau dan dampaknya yang sampai sekarang masih bisa kita rasakan. Uniknya psikedelik ini dilarang akibat ekperimen pengendalian pikiran CIA yang bermasalah sedangkan psikedelik ini dapat membantu seseorang keluar dari keingingan bunuh diri yang dialamai seseorang. Penelitian bertujuan untuk meneliti makna apa saja yang berkaitan dengan pesan informatif dari sisi pemaknaan semiotika. Penelitian ini menggunakan metodologi pendekatan kualitatif analisis semiotika Roland Barthes dalam film How To Change Your Mind. Dengan menganalisis tanda denotatif, konotatif serta mitos yang diambil dari film ini, peneliti menemukan hasil penelitian berupa data yang diambil dengan cara observasi film melalui scene atau adegan, dialog, latar musik yang digunakan dalam film tersebut kepada beberapa tokoh yang terlibat.
Representasi Peran Ayah pada Film Avatar: The Way of Water Muhammad Haikal MS; Firmansyah
Bandung Conference Series: Communication Management Vol. 4 No. 1 (2024): Bandung Conference Series: Communication Management
Publisher : UNISBA Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/bcscm.v4i1.11317

Abstract

Abstract. The movie "Avatar: The Way of Water" presents an enchanting narrative about personal journeys and family dynamics amidst a magical fictional universe. The main focus is on the role of the father as the pillar of strength in a family faced with great challenges. Fathers serve not only as physical protectors of the family, but also as spiritual guides. In a world full of mystery and danger, the father becomes a source of inspiration for the main character, guiding him through obstacles and helping to shape his identity. Family decision-making becomes an important element in the narrative, where the father not only acts as the main decision-maker but also promotes collective decisions. This reflects the importance of collaboration and communication in the face of an unknown world. In the scenes of the father's role in this film will be analyzed starting from the denotation stage to the connotation stage. Researchers categorize the father roles that appear in this film into 8 forms of father roles, namely: (1) The role of a friend & playmate father in the form of a playmate, accompanying children to play and giving free time to talk with children. (2) The role of a caregiver father in the form of feeling comfortable, warm hugs and giving positive energy. (3) The role of father teacher & role model in the form of teaching children by providing education and input (4) The role of father monitor & disciplinary in the form of disciplining and sanctioning in the form of responsibility for actions taken. (5) The role of father protector in the form of protecting children outside and inside the home. (6) The role of a resource father is to support the family from behind the scenes. (7) The role of the decision maker father in the form of decision making and problem solving. (8) The role of the nurtured mother father in the form of a mother's companion or always protecting the mother's role in any condition. Abstrak. Film "Avatar: The Way of Water" menyajikan sebuah narasi yang mempesona tentang perjalanan pribadi dan dinamika dalam keluarga di tengah alam semesta fiksi yang ajaib. Fokus utamanya adalah pada peran ayah sebagai pilar kekuatan dalam keluarga yang berhadapan dengan tantangan besar. Ayah tidak hanya berfungsi sebagai pelindung fisik keluarga, tetapi juga sebagai pembimbing spiritual. Dalam dunia yang penuh misteri dan bahaya, ayah menjadi sumber inspirasi bagi karakter utama, membimbingnya melalui rintangan dan membantu membentuk identitasnya. Pengambilan keputusan keluarga menjadi elemen penting dalam narasi, di mana ayah tidak hanya berperan sebagai pengambil keputusan utama tetapi juga mempromosikan keputusan kolektif. Ini mencerminkan pentingnya kolaborasi dan komunikasi dalam menghadapi dunia yang belum dikenal. Dalam adegan peran ayah yang ada di dalam film ini akan dianalisis mulai dari tahap denotasi hingga ke tahap konotasi. Peneliti mengkategorikan peran ayah yang muncul dalam film ini menjadi 8 bentuk peran ayah, yaitu: (1) Peran ayah friend & playmate berupa teman bermain, menemani anak bermain dan memberi waktu luang untuk berbincang dengan anak. (2) Peran ayah caregiver berupa perasaan nyaman, pelukan hangat dan memberi energi positif. (3) Peran ayah teacher & role model berupa mengajari anaka dengan memberikan pendidikan dan masukan (4) Peran ayah monitor & disiplinary berupa mendisplinkan dan memberi sanksi dalam bentuk tanggung jawab atas perbuatan yang dilakukan. (5) Peran ayah protector berupa perlindungan anak di luar maupun di dalam rumah. (6) Peran ayah resource berupa mendukung keluarga dari belakang layar. (7) Peran ayah decision maker berupa pengambil keputusan dan memecahkan masalah. (8) Peran ayah nurtured mother berupa pendamping ibu atau selalu melindungi peran ibu dalam kondisi apapun.
Motivasi Mempercayai Diri pada Lirik Lagu “Evaluasi” dan “Up&Up” Karya Hindia & Coldplay Fakhri Fadhila Kamal; Firmansyah
Bandung Conference Series: Communication Management Vol. 4 No. 1 (2024): Bandung Conference Series: Communication Management
Publisher : UNISBA Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/bcscm.v4i1.11694

Abstract

Abstract. Songs must actually be an effective means of conveying messages. This research aims to find out how the markers and signs of the motivational message of self-confidence in the lyrics of Coldplay's song "Up&Up" & "Evaluasi" by Hindia, then find out how music can provide an effective psychological influence on a person's acceptance based on the lyrics of the song and music. that is to be conveyed and has been prepared until the final person knows the meaning of the two songs being studied. This research uses Ferdinand De Saussure's semiotic analysis to see the meaning in song lyrics and analyze the signifiers and signifieds contained in them. This research uses a constructivist paradigm with a qualitative approach. The results of this research are that there are differences in the motivational messages in the two songs in the climax section where the song Up&Up explains about trying your best no matter what. Meanwhile, the song Evaluation is a motivation to remain confident even when faced with any difficult circumstances. Both songs have a fast/medium tempo and a major tone, or in this case a G major tone. Abstrak. Lagu sejatinya harus menjadi sarana yang efektif untuk menyampaikan pesan. Penelitian ini memiliki tujuan yaitu untuk mengetahui tentang bagaimana penanda dan petanda pesan motivasi mempercayai diri sendiri pada lirik lagu Coldplay ”Up&Up” & “Evaluasi” milik Hindia, kemudian mengetahui bagaimana musik bisa memberikan pengaruh psikologis yang efektif pada penerimaan seseorang berdasarkan lirik pada lagu serta musik yang hendak disampaikan dan telah disusun hingga yang terakhir mengetahui tentang bagaimana makna yang ingin disampaikan dari kedua lagu yang diteliti. Penelitian ini menggunakan analisis semiotika Ferdinand De Saussure untuk melihat makna dalam lirik lagu dan menganalisis penanda, petanda yang terdapat didalamnya. Penelitian ini menggunakan paradigma konstruktivis dengan pendekatan kualitatif. Hasil penelitian ini yakni berupa terdapatnya perbedaan pesan motivasi pada kedua lagu dibagian klimaks dimana pada lagu Up&Up menjelaskan tentang berusaha semaksimal mungkin entah bagaimana caranya apapun itu. Sedangkan pada lagu Evaluasi yakni motivasi untuk tetap percaya diri walau diterjang dengan keadaan sulit apapun. Kedua lagu memiliki tempo yang cepat/sedang dan nada major atau dalam hal ini adalah nada G major.
Makna Interaksi Parasosial Penggemar K-Pop dalam Berkomunikasi di Microblog Mirsya Hanifa Suryadi; Firmansyah
Bandung Conference Series: Communication Management Vol. 4 No. 2 (2024): Bandung Conference Series: Communication Management
Publisher : UNISBA Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/bcscm.v4i2.14785

Abstract

Abstract. Indonesia has become one of the countries with the most fans of Korean music and culture in the world, especially K-pop fans. In this case, fans have a very important role in the spread of Korean culture, especially k-pop. This study aims to determine the meaning of parasocial interactions carried out by fans with K-pop idols on microblogs. Parasocial interaction is a form of interaction in which a person interacts with their idol as if the idol is a real figure they support. This research uses qualitative research methods and phenomenological approaches using Alfred Schutz's phenomenological theory, and the data collection techniques used are literature review and in-depth interviews with semi-structured techniques, as well as data verification techniques through triangulation analysis. This research focuses on knowing the meaning of Stray Kids fan interactions on Twitter or X. The results showed that parasocial interactions provide deep meanings for fans, including as encouragement, support systems, friends, and significant others, giving the illusion of dating, being a benchmark, handle, and reason to survive, life goals, new life, "home", and a place to lean on. Abstrak. Indonesia telah menjadi satu di antara banyak negara yang memiliki penggemar musik dan budaya Korea terbanyak di dunia, terutama penggemar K-pop. Dalam hal ini, penggemar memiliki peran yang sangat penting dalam persebaran budaya korea khususnya k-pop. Penelitian ini bertujuan untuk mengetahui makna interaksi parasosial yang dilakukan penggemar dengan idola K-pop di microblog. Interaksi parasosial merupakan bentuk interaksi di mana seseorang berinteraksi dengan idola mereka seolah-olah idola tersebut merupakan sosok nyata yang mereka dukung. Penelitian ini menggunakan metode penelitian kualitatif dan pendekatan fenomenologi dengan menggunakan teori fenomenologi Alfred Schutz, serta teknik pengumpulan data yang digunakan yaitu kajian pustaka dan wawancara mendalam dengan teknik semi-terstruktur, juga dengan teknik verifikasi data melalui analisis triangulasi. Penelitian ini fokus untuk mengetahui makna pada interaksi penggemar Stray Kids di Twitter atau X. Hasil penelitian menunjukkan bahwa interaksi parasosial memberikan makna yang mendalam bagi penggemar, termasuk sebagai pembangkit semangat, sistem dukungan, teman, dan orang terdekat, memberikan ilusi berpacaran, menjadi patokan, pegangan, dan alasan untuk bertahan, tujuan hidup, kehidupan baru, "rumah", dan tempat untuk bersandar.
Model of Disaster Information Cycle of West Java Television Journalists Septiawan Santana Kurnia; Dadi Ahmadi; Satya Indra Karsa; Doddy Iskandar; Firmansyah Firmansyah
Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Vol. 5 No. 2 (2020): December 2020 - Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia
Publisher : Ikatan Sarjana Komunikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25008/jkiski.v5i2.415

Abstract

Disaster information is an important factor in disaster management efforts, including in West Java. It helps officers and the community to immediately anticipate disasters that may occur. Journalists are among those who play a role in disseminating disaster information. This study aims to describe disaster information cycle model of West Java television journalists in obtaining and disseminating disaster information with the help of technology to increase the speed. This research applies a qualitative method, namely a case study to describe a usage model of disaster information seeking which is uniquely influenced by the developments in information technology. Data collection is carried out through observation, interviews, and documentation. This study finds that smartphone technology contributes to the dissemination of disaster information by television journalists through providing access to social media, online media, and information in group chats. There is an interrelated flow of information between journalists, television editors, local governments, officials and the community. Participation of public and journalists in obtaining and disseminating disaster information helps the government and officers to find out the real conditions of disaster locations and how to handle them.
Why Tourist Destinations Are Hard to Survive After Disaster? Case Study of Communication Barrier in the Tanjung Lesung Special Economic Zones (SEZ) Stakeholders Sophia Novita; Firmansyah Firmansyah; Ashabul Yamin Asgha
Jurnal Riset Komunikasi (JURKOM) Vol. 6 No. 2 (2023): Agustus 2023
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komuniasi (ASPIKOM) Wilayah Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38194/jurkom.v6i2.822

Abstract

Tanjung Lesung’s Special Economic Zones (SEZ) is a tourist destination developed as a coastal tourism potential in Indonesia. The development of the Tanjung Lesung SEZ experienced challenges when the natural tsunami disaster in 2018 caused the Tanjung Lesung tourism slump. Research on communication between stakeholders is essential to determine how each stakeholder plays his role and coordinates with each other to revive tourism in particular economic areas. This study aims to analyze the problem of communication among tourism area stakeholders. The research uses a case study method with the object being the Tanjung Lesung tourism SEZ. The research subjects are the stakeholders of the tourism area. Data were collected by observation and conducting semi-structured interviews with 17 informants from four types of stakeholders: local governments, private companies, media, and community groups in the buffer zone. The data is also complemented by an academic review of the literature. Data analysis uses analysis with a stakeholder theory approach, which looks at the relationship between stakeholders in realizing common goals in developing particular economic areas for tourism. The results showed communication gaps among stakeholders, with each stakeholder having their strategy for developing tourism. The tourism strategy has not been integrated with all stakeholders due to internal conflicts in the management of the Tanjung Lesung area and its supporting areas. Stakeholders need to communicate regularly and work together to determine the target market so there is no gap between stakeholders in carrying out tourism development strategies after the disaster.
Co-Authors Alex Sobur Aryana Catur Ashabul Yamin Asgha Ashabul Yamin Asgha Atie Rachmiatie Dadi Ahmadi Dian Widya Putri Doddy Iskandar Ervana Nurmelia Fakhri Fadhila Kamal Ferra Martian Gebriel Rahma Putri Mirsya Hanifa Suryadi Muhammad Aldy Febiansyah Muhammad Aldy Febiansyah Muhammad Haikal MS Raditya Pratama Raihan Rachmansyah Refika Noorkesuma Mukti Satya Indra Karsa Septiawan Santana Kurnia Sophia Novita Tazkiya Fadhilah Tika Rizkina Azizah Yuda Sudrajat