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All Journal KAREBA : Jurnal Ilmu Komunikasi ARISTO RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya urnal Interaksi: Jurnal Ilmu Komunikasi SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Sebatik Jurnal Ilmu Komunikasi dan Bisnis INTEGRITAS : Jurnal Pengabdian Community Development Journal: Jurnal Pengabdian Masyarakat JOPPAS: Journal of Public Policy and Administration Silampari Jurnal Ilmu Komunikasi Network Media Journal Of Human And Education (JAHE) Jurnal Ilmu Komunikasi Dan Media Jurnal Pengabdian Mandiri JURNAL SIPISSANGNGI: Jurnal Pengabdian Kepada Masyarakat Innovative: Journal Of Social Science Research Jurnal Mediakita : Jurnal Komunikasi dan Penyiaran Islam Jurnal Audiens
Muhammad Hidayatullah
Universitas Muhammadiyah Buton
Religion Agriculture, Biological Sciences & Forestry Humanities Computer Science & IT Control & Systems Engineering Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Nursing Public Health Social Sciences Other

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REPRESENTASI PESAN MORAL PADA FILM LIKE & SHARE (SEMIOTIKA ROLAND BARTHES) Aprianti, Aprianti; Hastuti, Hastuti; Hidayatullah, Muh.
Jurnal Network Media Vol 8, No 1 (2025): NETWORK MEDIA
Publisher : Prodi Ilmu Komunikasi Fakultas Ilmu Sosial dan Ilmu Politik Universitas Dharmawangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46576/jnm.v8i1.4790

Abstract

Dalam komunikasi, media selalu menjadi elemen penting dalam penyampaian pesan. Media adalah sarana atau alat yang digunakan oleh komunikator untuk mengirimkan pesan kepada komunikan atau khalayak. Proses komunikasi dibagi menjadi dua cara: primer dan sekunder. Komunikasi primer adalah penyampaian pesan dari komunikator ke komunikan menggunakan media primer, seperti lambang atau bahasa. Film merupakan salah satu media massa yang sangat populer dan memiliki fungsi hiburan dalam komunikasi. Film memiliki daya tarik tersendiri bagi khalayak dibanding media massa lainnya dan terus berkembang seiring kemajuan teknologi. Analisis film menggunakan semiotika, terutama teori Roland Barthes, memungkinkan pemahaman mendalam tentang tanda dalam konteks skenario, gambar, teks, dan adegan film. Penelitian ini tertarik pada film "Like & Share," sebuah film drama remaja Indonesia yang mengangkat isu kekerasan seksual, pelecehan, dan revenge porn. Film ini menampilkan realitas fenomena sosial sehari-hari dan menyiratkan pesan moral tentang eksplorasi dunia remaja, kecanduan pornografi, komunikasi buruk, dan perjuangan korban pelecehan seksual. Dengan analisis semiotika Roland Barthes, penelitian ini mengungkap representasi kekerasan seksual dan objektifikasi perempuan dalam film "Like & Share." Film ini bukan hanya media hiburan, tetapi juga alat penyampai pesan moral dan pengetahuan yang mampu mempengaruhi penontonnya melalui kekuatan visual dan audio.
Analysis of Main Account Versus Second Account Instagram as A Media for Self-Disclosure of Generation Z in Baubau City Zayana; Muhammad Hidayatullah; Muhammad Rizal Ardiansyah Putra
Mediakita Vol. 9 No. 2 (2025): Jurnal Mediakita : Jurnal Komunikasi dan Penyiaran Islam
Publisher : Fakultas Usluhuddin dan Dakwah UIN Syekh Wasil Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30762/mediakita.v9i2.2936

Abstract

This study analyzes the differences in main account and second account Instagram uploads as a medium for self-disclosure among Gen Z students in Baubau city, and how the process of selecting information is carried out before being uploaded to each account. This research employs a descriptive qualitative approach to understand social events or symptoms, focusing on the overall picture of the research subject. The results of this study indicate that there are differences in uploads on the main account and secondary account of Instagram, considering various factors such as audience, level of trust, type of content, purpose, and socio-cultural aspects. Thus, it is not uncommon for informants to use private accounts and close friend features on their Instagram accounts. This process illustrates how informants have differentiated between the front stage and the back stage, specifically identifying which aspects of private life and which aspects of public life to balance and manage in terms of self-disclosure, privacy, and image.
Representasi dan Dampak Kolonialisme dalam Film The East Wulandari, Nur Astrid; Hidayatullah , Muhammad; Putra, Muh Rizal Ardiansah
Innovative: Journal Of Social Science Research Vol. 5 No. 4 (2025): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v5i4.19967

Abstract

This study aims to reveal the representation and impact of colonialism in the film The East (2020) through Charles Sanders Peirce's semiotic approach. This film depicts the Dutch military aggression after Indonesian independence and presents the perspective of the perpetrators of colonialism who experience inner conflict. The study uses a qualitative descriptive method with semiotic analysis techniques on visual, verbal, and narrative elements in the film. The results of the study show that signs such as KNIL uniforms, military posts, Dutch, and acts of violence are symbols of repressive and dehumanizing colonial domination. The impact of colonialism in this film is not only shown physically through events and violence, but also psychologically on the main characters and socio-culturally on the local community. This representation provides a deep understanding of colonialism as a system of power that not only controls territory, but also influences individual identity and morality. The film The East is present as a medium for criticism and reflection on the complex and traumatic colonial history.
Co-Authors AA Sudharmawan, AA Alfirnatul Salam Andi Putri Hardiyanti Tompo Ansar Suherman, Ansar Aprianti, Aprianti Ariendika, Rama Aulia Saputri Dahlia Dahlan Erlina Sri Khadijatun Haqqu Fajar Fajar Fida, Wa Nur Filanti, Wa Ode Safnano Haryanto, Yusran Hastuti Hastuti Ichsan Hidayat Rifaham Ikawati Irfan J Jamal , Risman Saputra Jeanny Maria Fatimah Juliana Juliana Jumaddil Jumaddil Jumawati Jumawati Jundi Syahrul Ramadan Maulana, Harry Fajar Meri Meliyanti Saputri Muh. Rizal Ardiansyah Putra Muhammad Qolby Zulfaqar Eshaya muhammad rizal ardiansah putra Muhammad Rizal Ardiansah Putra Muhammad Rizal Ardiansah Putra Ardiansah Muhammad Rizal Ardiansyah Putra Muhammmad Rizal Ardiansyah Putra Nastia Nastia Nurlinda Nurlinda Nursalim Nursalim Pangibi, Abdul Azis Puput Burhan Putra, Muh Rizal Ardiansah R. Fakril Aditama Safrul Muhammad Salsabilah A.H, Inayah Rayhan Saputra, Rizky Febry Sitti Nurcahyani Tuti Bahfiarti Viki Yana Wa Nur Fida Wa Ode Risna Zaindra Wulandari, Nur Astrid Yanti Yanti Zayana