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All Journal Journal of Education, Humaniora and Social Sciences (JEHSS) GETER : Jurnal Seni Drama, Tari dan Musik Maneggio
Arif Hidajad
Universitas Negeri Surabaya
Arts Decision Sciences, Operations Research & Management Health Professions Public Health Social Sciences

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IMPROVISASI TEATER: MATERI KESIAPAN AKTOR indar sabri; autar abdillah; arif hidajad; Welly Suryandoko
GETER : Jurnal Seni Drama, Tari dan Musik Vol 4 No 2 (2021): Oktober 2021
Publisher : Jurusan Sendratasik FBS Unesa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v4n2.p1-14

Abstract

Teater modern merupakan jenis teater yang tumbuh dan berkembang di tengah keramaian kota dengan adanya pengaruh dari teori Barat. Cerita yang dipentaskan bersumber dari sebuah karya sastra atau peristiwa sehari-hari. Dewasa ini teater modern sedang aktif berinovasi dalam pertunjukannya karena sadar akan adanya kekurangan dalam pertunjukannya. improvisasi dalam metode pelatihan keaktoran yang dilakukan pada proses pelatihan adalah salah satu kekurangan teate modern sehingga membutuhkannya dalam metode pealtihannya. Sejak awal kemunculannya, teater tradisional Indonesia menggunakan teknik improvisasi. Dalam berimprovisasi, pemain berpedoman pada cerita yang sederhana dan mengembangkan menjadi sebuah pertunjukan. Ludruk adalah salah satu bentuk pertunjukan teater tradisional yang meggunakan metode improvisasi didalamnya. Metode pelatihan Ludruk ada empat yaitu nyebeng, sepelam, tedean dan ngelmu. Metode-metode tersebutlah yang digunakan oleh seorang sutradara ludruk untuk berproses dan latihan dalam sebuah pertunjukan Ludruk. Penelitian ini menggunakan metode kualitatif. Pendekatan penelitian yang digunakan dalam penelitian ini adalah fenomenologi. Studi fenomenologi adalah studi yang berupaya mendeskripsikan pemaknaan umum dari sejumlah individu terhadap berbagai pengalaman hidup mereka terkait dengan konsep atau fenomena. Sedangkan tujuan utama dari fenomenologi adalah untuk mereduksi pengalaman individu pada fenomena menjadi deskripsi tentang esensi atau makna universal. Hasil penelitian menunjukan sebagai berikut. Ludruk dengan teknik bermain secara improvisasi merupakan teknik yang dipelajari melalui pengalaman ketika pementasan berlangsung dan ketika sedang berlatih dengan metodenya. Metode pelatihan ludruk ada empat kalsifikasinya nyebeng, sepelan, tedean dan ngelmu. Secara tidak langsung menggunakan improvisasi di dalamnya. Kata Kunci: Teater modern, Ludruk, Improvisasi, Pelatihan Ludruk
SANDUR ANTARA TONTONAN DAN TUNTUNAN Arif Hidajad; Autar Abdillah; Indar Sabri; Welly Suryandoko
GETER : Jurnal Seni Drama, Tari dan Musik Vol 5 No 2 (2022): Oktober 2022
Publisher : Jurusan Sendratasik FBS Unesa

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Abstract

This research tries to express analytically a phenomenon of transformation era with it’s influence and result. The influence relates to value. This new value of selenium can change life of social in structure, and also arranges implementation of public. Artistry of public as stripper public culture product, more or less experiencing friction of either in function and also its existence. This research using sociological theatre tries to analyzes the product existence with modern culture product. Modern idea that producing practical patterned thinking, individualist as a result of system value which transform. The friction is aspect function of from solidarity and emancipation of supporter public to different value. Artistry existence of public as social institute sub hardly determines continuous tradition of the past. Ledok Kulon as a outskirts of course also has arranging value. Influence of television as a product of transformation era of course also brings as result of other in arranging value. Existence of Sandur as public culture product has meaning in transformation era with its globalization. Economic and other social element science of course related to causality generated. Presence of public theatre of Sandur in the middle of public is being experiences friction of the value, be a real interesting study to be expressed. Artistry of public that is full value expressed through phonetic symbol in artistry, returns to emerging and deflecting stays in change to arrange value. Existence of Sandur public theatre is reasoning of importance of value in this transformation era, of course television becomes side effect as media and also as influence to value. Importance function and collective life of public becomes reasoning of this art, in form and also philosophy.
Komunitas dan Unit Kegiatan Mahasiswa Dalam Proses Mencapai Prestasi Non Akademik Bambang Sugito; Jajuk Dwi Sasanadjati; Arif Hidajad; Budi Dharmawan Putra
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 6, No 4 (2024): Journal of Education, Humaniora and Social Sciences (JEHSS), May
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jehss.v6i4.1763

Abstract

This article discusses the results of research including organizational capabilities in achieving professionalism related to activities that manage the organization to channeling student abilities that support lectures. The department's efforts in providing a forum for various organizations formed by students are able to make a positive contribution to students, departments, faculties and universities. Because based on the organization of activities formed in two categories, namely student activity units and student activity communities, they are able to provide positive results to the agencies that oversee these activities. The process of organizational achievement has not been distinguished between activity units and activity communities so that there are many process constraints faced by activity organizations. There is an increase in organizational management related to the priority scale in the results achieved. If it is able to reach the national or international level, the organization must be under the auspices of the university. If the organization is not able to compete at the national or international level, it will be lowered under the auspices of the Faculty. This will make it easier to manage the resources that are achieved. The process of achieving maximum competition has not been in accordance with the appreciation of the organization because it collided with an adequate allocation of funds. Students have to struggle starting from energy, mind and even having to spend money to cover the various deficiencies that are made in the process.
Strengthening Regional Arts Competitions in Banyuwangi: Enhancing Creativity and Local Arts Development through Event Management Workshops Arif Hidajad; Anik Juwariyah; Retnayu Prasetyanti Sekti; Eko Wahyuni Rahayu; I Nengah Mariasa
Maneggio Vol. 2 No. 6 (2025): DECEMBER-MJ
Publisher : PT. Anagata Sembagi Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62872/qqw07759

Abstract

Regional art competitions have strategic potential as instruments for developing local art ecosystems, yet in practice they are often reduced to ceremonial, event-oriented agendas. This condition limits their contribution to strengthening artistic creativity and the sustainability of local arts. This study aims to analyze the role of event management workshops in improving the quality of regional art competition management and its impact on artists’ creativity and sustainable local art development in Banyuwangi. The study employs a qualitative descriptive-analytical method with a contextual and interpretative approach. Data were collected through in-depth interviews with art competition organizers, local artists, and workshop facilitators, as well as document analysis of cultural policies and art programs. The findings indicate that event management workshops function as a capacity-building intervention that transforms management paradigms, strengthens strategic planning, curation systems, and stakeholder networking. Professionally managed art competitions create conducive environments for creative experimentation, reflective learning, and the sustainability of local artistic practices. This study concludes that strengthening managerial capacity through event management workshops is a key strategy for transforming regional art competitions into sustainable instruments for local art ecosystem development.
Co-Authors Anik Juwariyah Autar Abdillah Autar Abdillah Bambang Sugito Budi Dharmawan Putra Eko Wahyuni Rahayu I Nengah Mariasa INDAR SABRI Jajuk Dwi Sasanadjati Retnayu Prasetyanti Sekti Welly Suryandoko Welly Suryandoko