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All Journal International Journal of Interreligious and Intercultural Studies Mabasan
Luh Putu Puspawati
Sastra Bali, Fakultas Ilmu Budaya, Universitas Udayana
Religion Arts Humanities Education Languange, Linguistic, Communication & Media

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DHARMA AND ADHARMA DIALOGUE BETWEEN THE PANDAWA AND WIRATA FIGURES IN THE KICAKA GEGURITAN TEXT I Made Suastika; Luh Putu Puspawati
International Journal of Interreligious and Intercultural Studies Vol 1 No 1 (2018): Interreligious and Intercultural Studies
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (395.443 KB) | DOI: 10.32795/ijiis.vol1.iss1.2018.35

Abstract

The epic tale of Mahabharata in the Old Javanese language contains various values, several of which are conveyed through its figures especially Pandawa and Korawa. The value of dharma is addressed through Pandawa who always has a quality of being good, honest, and courageous, with courteous behavior in speaking and actions. The Korawa figure more dominantly expresses adharma such as being less praiseworthy, coarse, with an evil disposition, wanting to dominate and get rid of his brothers on the Pandawa side, moreover even not hesitating to wish to kill them. The Kicaka Geguritan text in the Balinese language, from the Wirataparwa section of the Mahabharata, often reveals the value of dharma and adharma through the figures of Pandawa and from the Wirata kingdom. The author of the Kicaka Geguritan has a dialogue about these values when the figure of Pandawa is in a condition of suffering and alienates himself from the Wirata kingdom. In that episode, Pandawa receives less praiseworthy treatment and is hegemonized by the figures from the kingdom. Through the figure of Yudistira and others the teachings of dharma, also known as darma sadu, are expressed in their thought, speech, and action when dealing with other figures. Therefore, this paper will present the qualities of dharma and adharma as manifested by the figures in the Kicaka Geguritan while also showing that sasuluh awareness of dharma is conveyed through reading geguritan texts in Bali.
REPRESENTASI DOMINANSI IDEOLOGI KELAS SOSIAL DALAM NARASI KIDUNG NDERET I Gusti Agung Istri Pradnyasiwi S.; Luh Putu Puspawati; Ni Ketut Widhiarcani Matradewi
MABASAN Vol. 18 No. 2 (2024): Mabasan 18 (2)
Publisher : Balai Bahasa Nusa Tenggara Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62107/mab.v18i2.997

Abstract

Kidung Nderet (KN) merupakan karya sastra kidung yang mengandung muatan sejarah. Dalam KN ada sejumlah indikasi yang mengarah pada permasalahan sosial politik antarkelas dalam masyarakat masa lampau di Bali. Penelitian ini bertujuan untuk mengupas permasalahan ideologi dan kelas sosial yang muncul dalam narasi KN. Penelitian ini menggunakan teori sosiologi sastra Gramsci. Metode kualitatif digunakan dalam penelitian ini. Tahap pengumpulan data dilakukan dengan menggunakan metode studi pustaka. Metode dan teknik analisis data yang digunakan adalah metode deskriptif kualitatif. Metode dan teknik penyajian hasil analisis data yang digunakan dalam penelitian ini adalah metode informal. Data menunjukkan bahwa dalam KN terdapat ideologi kapitalisme yang direpresentasikan oleh tokoh Nderet. Representasi ini mengarah pula pada dominansi kelas dominan pada kelas subordinat melalui representasi dua kelompok yang saling bertentangan. Berikutnya, hal tersebut menjadi pemicu perjuangan kelas sosial dalam teks yang ditandai dengan perjuangan Padang Luah sebagai kelas subordinat yang ingin menyetarakan kelas sosial.
Co-Authors Ariana, I Ketut Eriadi I Gusti Agung Bagus Cakra Baskara I Gusti Agung Istri Pradnyasiwi S. I Ketut Eriadi Ariana I Ketut Jirnaya I Made Suastika I Made Suastika I Wayan Suardiana I Wayan Sukersa I Wayan Suteja I Wayan Widiantara Ida Bagus Dwija Nandana Persada Ida Bagus Rai Putra Made Yuliatni Ni Ketut Widhiarcani Matradewi Ni Komang Dewi Juliana Ni Luh Dewi Nirmalasari Ni Made Suryati Ni Putu Diah Meita Sari Putu Sutama Tjok Istri Agung Mulyawati R