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Teguh Hartono Patriantoro
Universitas Dian Nuswantoro
Arts Humanities Education

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Identitas Gaya Fesyen Islami pada Sivitas Akademika di Perguruan Tinggi Kota Semarang (Identity of Islamic Fashion among Academic Staffs at Higher Education in Semarang City) Arni Ernawati; Erna Zuni Astuti; Teguh Hartono Patriantoro; Rustono Farady Marta; Jouns Candy Felice Lang
Jurnal Dakwah Risalah Vol 31, No 2 (2020): December 2020
Publisher : Universitas Islam Negeri Sultan Syarif Kasim Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24014/jdr.v31i2.11087

Abstract

Identity characterizes each individual, especially for scholars, both lecturers, and students. This study aims to explore the identity of Islamic fashion styles within the scope of higher education in the city of Semarang. This research uses a qualitative approach with a case study method. The research informants consisted of four lecturers and four students at private and public campuses in the city of Semarang. The findings of this study indicate that one way to express an identity for muslim scholars to use islamic clothing or clothing. Clothing has now gone beyond its function to protect the body but has become a means of communication that can express one's identity. With the development of the times, clothing also has a role that changes with time. Now islamic fashion is a necessity for muslim scholars to follow trends while maintaining self-respect and covering their aurat (i.e. body parts required by Islam to be covered).
Fungsi dan Makna Desain Karakter Wayang Potehi Lakon Shi Jhin Kwie Teguh Hartono Patriantoro
PANGGUNG Vol 30, No 1 (2020): Polisemi dalam Interpretasi Tradisi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (929.206 KB) | DOI: 10.26742/panggung.v30i1.728

Abstract

The object of this research is to analyze the functions and meanings of the characters of Wayang Potehi or Potehi puppet by taking the play of Shi Jin Kwie. The play is a popular fiction story which was later adapted into the story of Prabu Lisanpuro in Javanese theater (ketoprak). The results of the research found the organology structure of Wayang Potehi. It consists of 2, namely (1) parts of the body; head, hand, feet, and (2) clothing; along with ornaments and additional accessories such as swords and hats. The head section can be identified as the interpretation of the puppet character. For instance, an antagonist character depicted as if he was using a Balinese leak mask with his mouth open and angry. The clothes could be the interpretation of social status. For example, the villagers wear plain clothes without ornaments, while the nobles use yellow, red clothing with a dragon/ phoenix pattern. There are 4 types of character design in this show, specifically (1) the firm/ wise character, (2) the entertaining character, (3) the functionaries/ officials/ priyayi character, (4) the antagonist character. Especially for entertaining characters, it has a dual function; to return the underlying causes of the story and become the spy of the enemy. The methods used in this research are personality theory and functional theory approaches. Keywords: potehi character design, Shi Jin Kwie, Function of potehi
Fungsi dan Makna Desain Karakter Wayang Potehi Lakon Shi Jhin Kwie Teguh Hartono Patriantoro
PANGGUNG Vol 30 No 1 (2020): Polisemi dalam Interpretasi Tradisi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i1.728

Abstract

The object of this research is to analyze the functions and meanings of the characters of Wayang Potehi or Potehi puppet by taking the play of Shi Jin Kwie. The play is a popular fiction story which was later adapted into the story of Prabu Lisanpuro in Javanese theater (ketoprak). The results of the research found the organology structure of Wayang Potehi. It consists of 2, namely (1) parts of the body; head, hand, feet, and (2) clothing; along with ornaments and additional accessories such as swords and hats. The head section can be identified as the interpretation of the puppet character. For instance, an antagonist character depicted as if he was using a Balinese leak mask with his mouth open and angry. The clothes could be the interpretation of social status. For example, the villagers wear plain clothes without ornaments, while the nobles use yellow, red clothing with a dragon/ phoenix pattern. There are 4 types of character design in this show, specifically (1) the firm/ wise character, (2) the entertaining character, (3) the functionaries/ officials/ priyayi character, (4) the antagonist character. Especially for entertaining characters, it has a dual function; to return the underlying causes of the story and become the spy of the enemy. The methods used in this research are personality theory and functional theory approaches. Keywords: potehi character design, Shi Jin Kwie, Function of potehi
Co-Authors Arni Ernawati Erna Zuni Astuti Jouns Candy Felice Lang Rustono -