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All Journal Gorga : Jurnal Seni Rupa BAHAS ELEMENTARY SCHOOL JOURNAL PGSD FIP UNIMED JURNAL PENGABDIAN KEPADA MASYARAKAT Jurnal Penelitian Pendidikan IPA (JPPIPA) Journal of Education, Humaniora and Social Sciences (JEHSS) Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran
Gamal Kartono
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Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Education Health Professions Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Mathematics Physics Public Health Social Sciences Other

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Revitalisasi Identitas Melayu: Studi Penerapan Ragam Hias Tradisonal Melayu pada Bangunan Modern di Kota Medan Zulkifli Zulkifli; Wahyu Tri Atmojo; Gamal Kartono; Nurwani Nurwani
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 3, No 3 (2021): Journal of Education, Humaniora and Social Sciences (JEHSS) April
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (324.236 KB) | DOI: 10.34007/jehss.v3i3.421

Abstract

Etnik Melayu kaya dengan kesenirupaannya, khususnya dalam bentuk ragam hias. Secara tradisi, ragam hias Melayu banyak terungkap melalui arsitekturnya, di samping pada produk pakai lainnya. Yang menarik sekarang adalah adanya trend penerapan ragam hias tradisional Melayu pada bangunan modern di Kota Medan, Indonesia. Artikel ini mengkaji, sejauhmana identitas Melayu kembali menguat di Kota Medan. Selain itu, artikel ini juga mengkaji bagaimana potensi teknis dan estetis yang terkandung dalam karakteristik ragam hias Melayu. Pembahasan dilakukan melalui pendekatan sosiologi seni dan metode visual cultural. Hasil kajian menunjukkan bahwa: 1) Bentuk dan karakteristik ragam hias Melayu yang banyak diterapkan pada bangunan modern di Kota Medan merujuk pada bentuk pucuk rebung, ricih wajid,lebah begantung, terali biola, bidai, dan tampuk pinang; 2) Potensi teknisnya didukung oleh karakteristik ragam hias Melayu yang berbentuk terawang, dan potensi estetisnya terungkap melalui bentuk permukaan yang rata dengan garis motif yang tajam; dan 3) Identitas Melayu melalui penerapan ragam hias terungkap pada bangunan perkantoran, tempat umum, lokasi wisata, dan fasilitas umum.
Analisis Penerapan Prinsip Layout, Tipografi, Warna, dan Gambar Pada Sampul Majalah Dinamika Heri Setiawan; Gamal Kartono
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 4, No 1 (2021): Journal of Education, Humaniora and Social Sciences (JEHSS), August
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (452.219 KB) | DOI: 10.34007/jehss.v4i1.660

Abstract

This study aims to analyze and describe how the cover of the student press magazine Dinamika State Islamic University of North Sumatra applies magazine cover design based on the principles of layout, typography, and color selection and images. This study uses a qualitative descriptive method. The subject of this research is the student press magazine Dinamika UIN SU edition 29 to edition 50 with a total of 15 magazine covers using purposive sampling technique. The results of this study explain the number of magazine covers that apply the very good category layout principle as many as 5 covers (33%), 5 good (33%), 3 good enough (20%), and 2 cover (14%) less good. The application of the principles of typography in very good categories was 4 covers (27%), 6 good (40%), 1 (6%) good enough, and 4 covers (27%) not good enough. Color selection for very good categories was 7 covers (47%), good 3 (20%), good enough 4 (27%), and less good as many as 1 cover (6%). In the selection of images, there were 3 covers (20%), 6 (40%), 2 (14%) good enough, and 4 (27%) not good. Overall, the results of this study concluded that the quality of the application of the principles of layout, typography, colors, and images on the cover design of the UIN SU student press magazine Dinamika was categorized as quite good.
PENERAPAN ORNAMEN TRADISIONAL SUMATERA UTARA PADA TOPLES MAKANAN SEBAGAI SARANA REVITALISASI Mesra Mesra; Gamal Kartono; Anam Ibrahim
Gorga : Jurnal Seni Rupa Vol 11, No 1 (2022): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v11i1.33639

Abstract

The purpose of this study is to find out the effectiveness of the preservation of traditional North Sumatra ornaments, by revitalizing. The steps are 1. Resocializing traditional North Sumatra ornaments to the next generation, 2. Display ornaments in the form of cutting stickers, and 3. Apply the cutting sticker on the outer surface of the food jar. Research methods conducted: 1. re-record the traditional ornament forms of North Sumatra, 2. determine the selected ornament as a sample, 3. re-design the shape of the ornament with a computer, 4. Apply the design to cutting sticker, 5. identify the shapes of the jar to be applied ornaments, 6. sticking cutting sticker on jar, 7. socialize jar products to the community through exhibitions. The results of the study were obtained forms of ornaments that were modified and obtained various forms of traditional Ornate jars of North Sumatra as a product of local genius.Keywords: revitalization, traditional ornaments, cutting stickers. AbstrakTujuan penelitian ini untuk mengetahui efektivitas pelestarian ornamen tradisional Sumatera Utara, dengan dengan cara melakukan revitalisasi. Langkah-langkahnya yaitu: 1. mensosialisasikan ulang ornamen tradisional Sumatera Utara kepada generasi penerus, 2. menampilan ornamen dalam bentuk cutting sticker, dan 3. mengaplikasikan cutting sticker tersebut pada permukaan luar toples makanan. Metode penelitian yang dilakukan : 1. mendata ulang bentuk-bentuk ornamen tradisional Sumatera Utara, 2. menetapkan ornamen yang dipilih sebagai sampel, 3. meredisain bentuk ornamen dengan komputer, 4. Mengaplikasikan desain menjadi cutting sticker, 5. menidentifikasi bentuk-bentuk toples yang akan diterapkan ornamen, 6. menempelkan cutting sticker pada toples, 7. mensosialisasikan produk toples kepada masyarakat melalui pameran. Hasil penelitian yaitu diperoleh bentuk-bentuk ornamen hasil modifikasi dan berbagai bentuk toples berornamen tradisional Sumatera Utara sebagai produk local genius.Kata Kunci:revitalisasi, ornamen tradisional, cutting sticker. Authors:Mesra : Universitas Negeri MedanGamal Kartono: Universitas Negeri MedanAnam Ibrahim : Universitas Negeri Medan References:Asaniyah, N. (2017). Pelestarian Informasi Koleksi Langka: Digitalisasi, Restorasi, Fumigasi. Buletin Perpustakaan, 85-94.A.W,Sukimin dan Edy Sutandur. (2008). Terampil Berkarya Seni Rupa 1. Solo: Pt Tiga Serangkai Pustaka Mandiri.Gall and Borg (1983). Educational Research, An Introduction. New York and London: Longman Inc.Gustami, SP. (1980). Nukilan Seni Ornamen Indonesia. Yogyakarta: STSRI ”ASRI”.Hadi, Y. Sumandiyo. (2018). Revitalisasi Tari Tradisional. Yogyakarta: Penerbit Dwi Quantum.Hartoko, Alfa. (2010). Modifikasi Mobil dan Motor dengan Cutting Stiker. Yogyakarta: Penerbit Multicom (Anggota IKAPI).Kantun, Sri. (2013). Hakitat dan Prosedur Penelitan Pengembangn. Jember: Repository Universitas Jember.Meyer, Franz. (1892). Handbook of Ornament. New York: Dover Publication. IncPlomp, T. (2013). Educational Design Research: An Intoduction. Academia Edu.Richey, Rita C.; Seels, Barbara. (1994). Defining a Field: A Case Study of the Development of the 1994 Definition of Instructional Technology. New York: Educational Media and Technology Yearbook, v20.Sari, S. M., & Pramono, R. S. (2008). Kajian Ikonografis Ornamen pada Interior Klenteng Sanggar Agung Surabaya. Dimensi Interior, 6(2).Sirait Baginda. (1980). Pengumpulan dan Dokumentasi Ornamen Tradisional di Sumatera Utara. Medan: IKIP Medan.Sukaya, Y. (2009). Bentuk dan Metode dalam Penciptaan Karya Seni Rupa. Jurnal Seni Dan Pengajarannya, 1(1), 1-16.Sunaryo, A. (2009). Ornamen Nusantara Kajian Khusus tentang Ornamen Indonesia. Semarang: Dahara Prize.Saragi, D. (2018). Pengembangan Tekstil Berbasis Motif dan Nilai Filosofis Ornamen Tradisional Sumatra Utara. Panggung, 28(2), 161-174.Y, Sudarjo. (1989). Ornamentik Indonesia. Surakarta: Sebelas Maret University Press.Hayati, R. (2014). Pemanfaatan Bangunan Bersejarah sebagai Wisata Warisan Budaya di Kota Makassar. Jurnal Jumpa, 1(01).Hergenhahn & Olson, Matthew H. (2008). Theoties of Learning. Jakarta: Kencana.Iskandar, M. S. (2011). Pembentukan Persepsi Visual pada Iklan Televisi. Jurnal Visualita DKV, 3(1), 1-21. Kartika, Sony Dharsono. (2007). Estetika. Bandung: Penerbit Rekayasa Sains.Kusumaningrum, Khomsiana. (2003). Skripsi: Trend Mode Remaja Dalam Iklan. Surakarta: Fakultas Ilmu Sosial dan Politik Universitas Sebelas Maret.L. Jason, R. Josh & C. Ross. (2014). Infografis: Kedasyatan Cara Bercerita Visual. Jakarta: PT. Gramedia Pustaka Utama.Pujiriyanto. (2005). Desain Grafis Komputer (Teori Grafis Komputer). Yogyakarta: Andi.Visual, I. (2007). Dari Toekang Reklame Sampai Komunikator Visual. Yogyakarta: Jalasutra.Puspita Sari, Vijar Maya. (2010). Tugas Akhir: Desain Komunikasi Visual Sebagai Strategi Perancangan Promosi Pariwisata Pantai Watukarung Kabupaten Pacitan. Surakarta: Fakultas Sastra dan Seni Rupa Universitas Sebelas Maret.Rustan, Surianto. (2010). Huruf Font Tipografi. Jakarta: Gramedia Pustaka Utama.Rustan, Surianto (2008). Layout Dasar dan Penerapanya. Jakarta: Gramedia Pustaka Utama.Santosa, Sigit. (2009). Creative Advertising. Jakarta: Penerbit PT. Elex Media Komputindo.Tjiptono, Fandy. (2000). Manajemen Jasa. Yogyakarta: Penerbit Andi.Tinarbuko, Sumbo. (2009). Semiotika Komunikasi Visual. Yogyakarta: Penerbit Jala Sutra.
KOSA RUPA : Himpunan dan Analogika Gambar Di Sekolah Dasar Gamal Kartono; Adek Cerah Kurnia Azis
ELEMENTARY SCHOOL JOURNAL PGSD FIP UNIMED Vol 13, No 2 (2023): ELEMENTARY SCHOOL JOURNAL PGSD FIP UNIMED
Publisher : FIP Unimed

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/esjpgsd.v13i2.45494

Abstract

Tujuan dari penelitian ini menghasilkan sebuah buku Kosa Rupa yang berisikan himpunan-himpunan gambar dengan menganalogikan bahwa Kosa Rupa sama halnya dengan Kosa Huruf, hal ini akan mempermudah guru dan anak dalam menggambar seperti memahami kosa huruf. Guru dan peserta didik akan mudah menggambar apabila menguasai Kosa Rupa ini, dan akan menyelesaikan semua permasalahan yang dihadapi oleh guru ketika mengajarkan tentang menggambar kepada peserta didik, dalam kondisi inipun peserta didik juga lebih mudah memahami dan mempraktikkan cara menggambar yang baik dan benar. Sampel dalam penelitian ini yaitu guru kelas Sekolah Dasar (SD). Pelaksanaan penelitianpun dilakukan secara blanded dan luring. Berdasarkan indikator penilaian dalam penelitian ini diperoleh hasil sebagai berikut, hal ini dapat dilihat dari segi aspek komposisi gambar yang dihasilkan berada pada rentangan skor 83,8, kemudian dilihat dari aspek bentuk gambar yang dihasilkan mencapai skor 84,89, selanjutnya dari segi warna dari gambar yang dibuat berada pada nilai 85,56, maka hal ini menunjukkan bahwa terdapat peningkatan serta keberhasilan pada setiap indikator penelitian tentang pemanfaatan buku Kosa Rupa dengan rata-rata pencapaian 84,75.Keywords: Kosa rupa, Sekolah Dasar
Digitalisation of Teaching Materials for Toba Batak Ethnic Decorative Variety with Procreate Media Based on p-Books and e-Books Adek Cerah Kurnia Azis; Siti Khodijah Lubis; Gamal Kartono; Muhammad Anggie Januarsyah Daulay
Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran Vol 9, No 3 (2023): September
Publisher : Universitas Pendidikan Mandalika (UNDIKMA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jk.v9i3.8746

Abstract

This research aims to develop teaching materials in the form of digitalisation of Toba Batak Ethnic Decorative Variety with p-book and e-book-based procreate media that are valid, practical, and effective in the Fine Arts Department. This research method uses research and development with the 4-D development model (Four-D Models), namely define, design, develop, and disseminate. This research instrument uses a questionnaire with a Likert scale, while the data analysis technique consists of analysing the validity, practicality and effectiveness of teaching materials. The results of this study indicate that: a) p-book and e-book-based teaching materials with the title of the book/module/teaching material "Gorga Batak Toba", with the acquisition of a category that is quite valid with an average score of 78%, b) teaching materials are quite practical to be used by students in the North Sumatra Ethnic Decorative Variety Course (RHESU) with a score of 77%, and c) teaching materials fall into an effective category where students from four categories such as reading teaching materials, asking questions, answering questions, and completing assignments given by lecturers, can be observed in the learning process and student learning outcomes are 83.26%. So, from the scores and test results of the research results above, it can be said that the teaching materials are quite valid, quite practical, and effective to be applied in learning the North Sumatra Ethnic Decorative Variety Course (RHESU) at the Department of Fine Arts, Faculty of Language and Arts, Universitas Negeri Medan.
A Science Education for Textural Creation and Iconic Forms of Infrastructure at Medan Gamal Kartono; Mesra Mesra; Zulkifli Zulkifli; Barli Kifli
Jurnal Penelitian Pendidikan IPA Vol 9 No SpecialIssue (2023): UNRAM journals and research based on science education, science applic
Publisher : Postgraduate, University of Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/jppipa.v9iSpecialIssue.7234

Abstract

Medan City, as the center of the Deli Malay Sultanate and the colonial administration in the past, boasts numerous iconic forms. The distinctive characteristics of these iconic forms hold significant potential for development as references in creating contextual texture painting art. Unfortunately, this potential remains largely unexplored. Therefore, this research aims to explore the potential of iconic forms in Medan City with the goal of developing them as references for the creation of textural painting art as a tourism product for Medan City. This study employs a descriptive qualitative approach, conducted both in the field and in the studio. The methods employed include surveys and creative creation, applying Graham Wallas' theory of creativity. Research data is collected from various sources using relevant techniques, subjected to data triangulation, and analyzed following an interactive model: data reduction and presentation, verification, and drawing conclusions. The research results indicate that the potential of iconic forms as references for abstract textural painting art emerges from their representation of Medan City's character, alongside the dynamic nature they embody. The exploration of abstract textural art becomes tangible during the painting process, which, in this study, involves deformative processes, particularly simplification and stylization. Abstract textural painting art is explored based on the principles of visual art and tourist art, resulting in artworks that possess both aesthetic and technical qualities as tourism products.
Co-Authors Adek Cerah Kurnia Azis Anam Ibrahim Anisa Anisa Azis, Adek Cerah Kurnia Barli Kifli Elisa Julianti Heri Setiawan Heri Soeprayogi Kasmawati Kasmawati Kustoro Budiarta Mesra Mesra Muhammad Anggie Januarsyah Daulay Nurwani - Rahma Khairunisa Rasita Purba Sembiring, Rinawati Sri Wiratma Sugito Sugito Sumarsono Sumarsono Wahyu Tri Atmojo Yohana Agatha Kembaren Zulkifli Zulkifli