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Intimate Language in Traditional Markets: Challenging Public Space Norms through Kristeva’s Intertextuality Musliha, Ayu; Rosa, Dien Vidia; Prasetyo, Hery
Jurnal Filsafat "WISDOM" Vol 34, No 2 (2024)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.93036

Abstract

The use of intimate language in public spaces is a phenomenon that emerges in the interactions of economic actors in traditional markets. Therefore, language intimacy deconstructs social norms that should not be displayed in public spaces. However, language intimacy has emerged in traditional markets for a long time in the interactions of economic actors, including sellers, buyers, porters, parking attendants, and the social gathering community. This research explores how intimate language is articulated in an economic space closely related to the ethnic identity of economic actors in traditional markets in the Jember region. The ethnic diversity in question includes Javanese, Madurese, Chinese/Chinese, and Arab. This phenomenon was researched qualitatively using a post-structuralist approach and applying Julia Kristeva's theory of intertextuality. Data analysis uses two Kristeva concepts, namely intertextuality and suprasegmental. The data is processed by looking at the text production process originating inside and outside the text. The research results show that the intimacy of language, usually used in the private sphere, has succeeded in breaking down the rigidity of language in the public sphere, besides dissolving social relations between economic actors with various ethnicities and social classes. Thus, the use of greetings in intimate language closely related to ethnic identity is experiencing development and merging with the space of familiarity and closeness built by economic actors in traditional markets.
Optimalisasi Strategi Bisnis BUMDes "Sidomulyo Bahagia" Kecamatan Silo, Jember melalui Pendampingan Usaha Berbasis Business Model Canvas untuk Meningkatkan Kinerja dan Keberlanjutan Resha Dwi Ayu Pangesti Mulyono; Dien Vidia Rosa; Maulidya Nisa’ul Karimah; Devina Elmira Soeprapto
Catimore: Jurnal Pengabdian Kepada Masyarakat Vol 4 No 1 (2025): Catimore: Jurnal Pengabdian kepada Masyarakat
Publisher : LSM Catimore dan Sahabat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56921/cpkm.v4i1.254

Abstract

One of the prerequisites for a village to achieve self-reliance is authority and potential or assets. Building a Village-Owned Enterprise (BUMDes) is a crucial step towards realizing economic independence in the village. BUMDes aims to empower and enhance the productivity of rural communities by establishing business units within the community through management practices that align with current business models. A distinguishing indicator is the consistent preparation of business plan documents. One approach to creating a business plan is the Business Canvas Model (BMC), a tool that helps in understanding and identifying business models in a more practical way. The objectives and targets of this service activity are to improve the quality and quantity of business units at BUMDes Sidomulyo, enhance the capabilities of the human resources (HR) involved in managing BUMDes and the village community, increase village revenue (PAD) through scaling up BUMDes operations, and reduce the unemployment rate in the surrounding area. The outputs of this service activity include a module on the Business Canvas Model applied to BUMDes Sidomulyo, a scientific article in a national journal or conference proceeding, and a video of the activities uploaded to the YouTube channel of LP2M, University of Jember.
Two Versions of Lah Bako Dance: Representing Agricultural Working Class and Identity Creation Hery Prasetyo; Dien Vidia Rosa; Restu Puji Astuti; Ramadana Tahta Satria; Rifki Dwi Ramadani; Ayu Dinda Permata; Sagita Dwi Ambarwati
KARSA Journal of Social and Islamic Culture Vol. 27 No. 2 (2019)
Publisher : Universitas Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v27i2.2133

Abstract

This article discusses the politics of identity in dance representations. Lah Bako dance is one of the Jember icons that was created to build an image of the tobacco farmers' culture. This dance is performed by women who represent the tobacco production process. However, the practical needs that are framed through aesthetic motions present a new form of how women are positioned in agricultural societies. In this context, the Lah Bako dance becomes an instrument to create new meanings for women and also becomes an imaginary space for tobacco farming. The article discusses two main points: first, the Lah Bako dance became an integral part of government’s project to construct mass memories in the relations of production in the tobacco sector, and the second is women as subjects representing a farmer’s spirit which is formed as a new figuration that fluid and changeable as political image that transcended existing experimental conditions. An addition point highlighted in this article was the emergence of Islamic values in a dance version which is accomodated the elite interest of Jember’s identity slogan formation. Reseachers use Stuart Hall’s cultural representation and ethnography method to narrate the identity. This research found that the Lah Bako dance is constructed in dominant cultural formations that are legitimized by the structure of the regional government bureaucracy. Furthermore, it is crucial to criticize the space for voicing farmers’ subjectivity and class politics, which has been muddled from the elite network. The problem appears as a paradox for creating aesthetic reality through art, where the symbolic form can be enjoyed without touching inequality that continually arises.