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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi UNEJ e-Proceeding Semiotika JURMA : Jurnal Program Mahasiswa Kreatif Arif: Jurnal Sastra dan Kearifan Lokal Pancaran Pendidikan Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia
Dewi Angelina
Fakultas Ilmu Budaya, Universitas Jember
Arts Humanities Chemistry Computer Science & IT Education Languange, Linguistic, Communication & Media Physics Public Health Social Sciences

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Journal : Semiotika

 1 
MITOS RADHIN SAGHÂRÂ DALAM KAJIAN STRUKTURALISME LEVI-STRAUSS Dewi Angelina
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 18 No 2 (2017): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (285.748 KB) | DOI: 10.19184/semiotika.v18i2.6462

Abstract

Levi-Strauss's the theory of structuralism is used as an analytical model to interpret the myth of Radhin Sahgârâ. Using this theory, there are two steps to analyze the structure of the myth. The first step, to find mytheme-mytheme in myth.In the second step, there are some figures who have an important role in the life of the community at that time, and it influenced some Madurese beliefs today. The role of Kè Polèng for Madurese, especially in Pamekasan area is a mantra for traditional healing media.Kè Polèng is believed the character that adapted the Bima's character. So, the batik craftsmen call the batik with the black-and-white characteristic as Bâtè’ Polèng. Besides, the other example that related with the myth of Radhin Saghârâis a prohibition for the fisherman to catch andkill the dolphin. The belief that is still practiced by the Madurese is a form of sacred tribute to the myths in Madura. Keyword: myth, Madurese culture, Levi-Strauss’ Structuralism.
FALSAFAH MADURA DALAM NOVEL TANJUNG KEMARAU KARYA ROYYAN JULIAN: KAJIAN ANTROPOLOGI SASTRA Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad; Bambang Aris Kartika; Dewi Angelina
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36803

Abstract

The culture of an ethnic group can be known through its reflection in literary works. The Tanjung Kemarau novel by Royyan Julian tells about the complexities of the socio-cultural life of the Madurese people in Branta Pesisir Village, Pamekasan Regency, Madura. This study aims to describe the Madurese philosophy contained in the novel Tanjung Kemarau by Royyan Julian. The method used in this study is a qualitative method with descriptive analysis. This study uses the theory of literary anthropology to examine the main problem in the Tanjung Kemarau novel, namely the Madurese philosophy. The results of the study show that the Madurese philosophy reflected in the Tanjung Kemarau novel is abhântal sahâdât, smokepo' faith, apajung Èslam, (bearing creed, covered with faith, covered with Islam). Moreover, there are also found bhuppa', bhâbhu', ghuru, rato, (father, mother, teacher, and king or leader). The other phylosophy terms are abhântal ombâk, smokepo' angèn, apajung langngè', (cushioned by the waves, covered with wind, under the sky's umbrella) also Ango'an potèa tolang è tembhâng potè mata (better white bones than whites of eyes). Kar ngarkar colpè' (paw continuously pecking), Rampa' naong bâringèn korong (shady shady, banyan brackets) are stated in the novel. All the Madurese philosophy revealed in the novel describes the philosophy in the social reality of the Madurese people.
NOVEL SUSU DAN TELUR KARYA MIEKO KAWAKAMI TERJEMAHAN ASRI PRATIWI WULANDARI: KAJIAN FEMINISME RADIKAL Arlilianda, Wahyu Gaesesita; Maslikatin, Titik; Umniyyah, Zahratul; Angelina, Dewi; Muhamad, Abu Bakar Ramadhan
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 25 No 1 (2024): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v25i1.45656

Abstract

The topic of feminism in Japan is something that society has not yet fully accepted. This is the reason why researchers chose the novel Susu and Eggs to be used as the object of study. The discrimination that occurs against female characters in the novel leads to extreme actions and thoughts regarding women's freedom regarding their rights. Therefore, the novel Susu and Eggs is studied using radical feminism theory. The aim of this research is to describe the structural analysis and aspects of radical feminism in the object of study. Data discovery was carried out using the library study method, namely reading the novel in its entirety. The description of the data is carried out through qualitative descriptive methods. The research results show that there is a relationship between the title, theme and characterization in the novel. The title relates to the major theme which is supported by the minor theme. The theme is depicted through events that support the characters' characters. On the other hand, the aspects of radical feminism found are divided into five parts, namely: (1) women and their bodies which are related to Midoriko and Natsuko. Midoriko as a teenager who hates the nature of women, then Natsuko as a single woman who cannot find pleasure in sex, but wants to have children through a sperm donor; (2) the inequality of roles in the household which is depicted through the character Yusa Rika who hates her ex-husband; (3) women's beauty standards which include women's body shape and nipple color; (4) stereotypes about women's bodies that discuss women's instincts to get pregnant and societal stigma that prioritizes the penis over the vagina; (5) and sexual violence which includes the act of rape against the character Zen Yuriko.
Co-Authors Abu Bakar Ramadhan Muhamad agustina dewi Agustina Dewi Agustina Dewi S. Akhmad Sofyan Akhmad Sofyan Arlilianda, Wahyu Gaesesita Astri Widyaruli Anggraeni Bambang Aris Kartika, Bambang Aris Hanif, Akmal Rahman Heru S.P. Saputra Maharani Sri Devi Memy Dwijayanti Panakajaya Hidayatullah Panakajaya Panakajaya Raden Mohamad Herdian Bhakti Ramadhan Muhamad, Abu Bakar Samosir, Meilani Setyari, Agustina Dewi Titik Maslikatin umniyyah, zahratul