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Ngakan Putu Sueca
Program Studi Magister Teknik Arsitektur Universitas Udayana
Arts Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Education Electrical & Electronics Engineering Engineering Environmental Science Industrial & Manufacturing Engineering Mechanical Engineering Public Health Social Sciences

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Journal : International Journal of Engineering and Emerging Technology

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Ornamental Variety of Garuda and Wilmana on Padmasana Architecture at Kahyangan Jagat Temple in Bali, Indonesia Ngakan Ketut Acwin Dwijendra; Ida Bagus Idedhyana; Ngakan Putu Sueca; Ida Bagus Wirawibawa
International Journal of Engineering and Emerging Technology Vol 5 No 1 (2020): January - June
Publisher : Doctorate Program of Engineering Science, Faculty of Engineering, Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/IJEET.2020.v05.i01.p08

Abstract

Garuda was known in prehistoric India, where his paintings were found in the Harappa (Sindhu River valley), then spread to all corners of the world affected by Indian civilization. Its head, beak and claws are eagles, the light of the gods shining from its body. While Wilmana as a picture of a space vehicle that moves beyond the speed of thought. Wilmana is also a worldwide character, presented in the world of the internet, film and games. Padmasana architecture is a sacred building as a place/position of God, on the back is often carved by the two kinds of decoration. This research about ornamental variety is research in the context of traditional architecture, as an exploration of building concepts that have been developed in the past and are useful to apply to contemporary architecture. This study aims to re-express the meaning of Garuda and Wilmana and how they are placed on Padmasana architecture. The steps taken are to record the Padmasana in the Kahyangan Jagat Temple in Bali, followed by comparing the use of these two types of decoration on each Padmasana. The next step is to interpret the meaning by connecting the object with its past (expanding the horizon of the researcher). The results of the study show that the use of Garuda and Wilmana decoration in the Padmasana architecture is not a necessity. The use of Garuda points to the message that humans must try to free themselves from the bondage of worldly passions. While the use of Wilmana refers to the sky vehicle that carries passengers, both Giant and Dewata to the place they want. Both are symbolic decoration types, have the same position, placed on the body behind the padmasana. The position of the two becomes different if applied together, Garuda is placed in a position above Wilmana, because only a soul that has been freed from worldly slavery can ride Garuda.
Architect’s Perceptions of a Requirement of Building Architecture on Design Process siluh putu natha primadewi; Ngakan Putu Sueca; Ngakan Ketut Acwin Dwijendra; Ni Ketut Ayu Siwalatri
International Journal of Engineering and Emerging Technology Vol 6 No 1 (2021): January - June
Publisher : Doctorate Program of Engineering Science, Faculty of Engineering, Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/IJEET.2021.v06.i01.p05

Abstract

Concerns about the waning identity of Balinese architecture led the Provincial Government of Bali to issue Perda No. 2, 3, 4 of 1974, which was later revised to No. 5 of 2005 concerning Architectural Requirements of the Building. . This requirement emphasizes that building architecture in Bali must have the characteristics of Balinese traditional architecture, especially in tourism areas where there are many tourist accommodations. But on the other hand, there are various perceptions and interpretations according to the interests of each architect regarding the Architectural Requirements of the Building. Architects as practitioners in architectural design have a responsibility to maintain environmental quality, especially architecture in Bali. This study aims to identify the Architectural Requirements from an architect's point of view. The subject is architects who practice in Bali, selected by purposive sampling technique with the keyword tourist accommodation architectural designers in Bali. The variables of the design process that are the focus of the study are aspects of creativity dan critical issues. This study uses a qualitative descriptive analysis method, namely by using a questionnaire with a Likert scale. Data analysis was performed by ranking each statement variable to obtain a comparison between the architect's interpretation variables. This study identifies two broad categories, namely how architects view traditional Balinese architecture as a priority issue that must be considered in designing and how the architect's cognitive response to Architectural Requirements in the design process.
Co-Authors A.A Ayu Diah Rupini Agung Angga Wira Raditya Ciptadi Trimarianto Dadang H Purnama Desyandri Desyandri Dwi Setiawan Galih, Komang Ayu Sari Gusti Ayu Made Suartika I Dewa Gede Putra I Gusti Agung Adi Wiraguna I Gusti Bagus Adistanaya I Made Adhika I Made Wirata I Nyoman Widya Paramadhyaksa Ida Ayu Armeli Ida Ayu Armeli Ida Bagus Gde Wirawibawa Ida Bagus Idedhyana Ida Bagus Wirawibawa Juliarthana, I Nyoman Harry Ketut Ayu Siwalatri, Ni Marta Dinata Ngakan Ketut Acwin Dwijendra Ni Ketut Agusintadewi Ni Ketut Ayu Siwalatri Pradnyani, Ida Ayu Eka Putu Andre Wicaksana Putra Putu Putri Puspita Dewi Sura, Ni Sayu Putu Peny Purnama Wati siluh putu natha primadewi Tjok Istri Widyani Utami Dewi Tri Anggraini Prajnawrdhi Zuber Angkasa