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All Journal Texture : Art and Culture Journal Abdi Seni Deiksis Jurnal Desain International Journal of Visual and Performing Arts Cultural Syndrome SENADA : Semangat Nasional Dalam MengabdI Jurnal PkM (Pengabdian kepada Masyarakat) Human Narratives Kasta: Jurnal Ilmu Sosial, Agama, Budaya dan Terapan Indonesian Red Crescent Humanitarian Journal Cipta SENADA : Semangat Nasional Dalam Mengabdi Deskomvis: Jurnal Ilmiah Desain Komunikasi Visual, Seni Rupa dan Media Jurnal Desain Design Spectrum CREATIVE: Jurnal Pengabdian Masyarakat
Ahmad Faiz Muntazori
Universitas Indraprasta PGRI
Arts Humanities Computer Science & IT Dentistry Education Health Professions Languange, Linguistic, Communication & Media Medicine & Pharmacology Public Health Social Sciences Other

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Desain Rontek Banner Ramadhan untuk Masjid Baiturrahim Jakarta Timur Ahmad Alberd; Fahuzi Nazari; Yulianto Hadiprawiro; Ahmad Faiz Muntazori; Salwa Nadilah
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.7068

Abstract

The author conducts discussions with the Management of the Baiturrahim Mosque Prosperity Council (DKM) regarding what media needs are needed. DKM Baiturrahim needs to make visual media to welcome the holy month of Ramadan. DKM needs attractive persuasive media, to attract residents to come to the mosque. Based on the needs of DKM Baiturrahim, the author created a Rontek Banner design that contains an invitation to come to the mosque and optimize worship in the holy month of Ramadan. At the stage of the work-making process, the author uses the Design Design Thinking method for the work-making process. Design Thinking is a human-centered approach to innovation that consists of five iterative stages: empathize, define, ideate, process and test. Each stage plays an important role in developing solutions that effectively address user needs. As a result, the team created a rontek design with the topic of congregational prayer and the virtues of fasting in the month of Ramadan. The author produced 10 designs that were submitted and installed in the inner and outer areas of the mosque. Keywords: rontek banner dakwah; visual dakwah; visual media ramadhan
Peningkatan literasi hak cipta guru melalui sosialisasi kekayaan intelektual di SDIT Al Furqon Ahmad Faiz Muntazori; Hilda Hilaliyah
CREATIVE: Jurnal Pengabdian Masyarakat Vol. 1 No. 3 (2026): CREATIVE: Jurnal Pengabdian Masyarakat - Juli
Publisher : SCM PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.65881/creative.v1i3.152

Abstract

Tujuan: untuk meningkatkan literasi hak cipta guru SDIT Al Furqon Jakarta Selatan melalui sosialisasi kekayaan intelektual agar guru mampu mengenali, mendokumentasikan, dan mengelola karya intelektual di lingkungan sekolah. Metode: menggunakan sosialisasi yang dipadukan dengan diskusi dan tanya jawab. Kegiatan diikuti oleh 11 peserta yang terdiri atas unsur yayasan, kepala sekolah, dan guru SDIT Al Furqon Jakarta Selatan serta dilaksanakan secara daring melalui Zoom Meeting. Hasil: menunjukkan bahwa sosialisasi meningkatkan pemahaman awal guru mengenai konsep hak cipta, jenis karya yang berpotensi memperoleh perlindungan, serta perbedaan antara hak cipta dan pencatatan ciptaan. Selain itu, kegiatan menumbuhkan kesadaran akan pentingnya identifikasi, dokumentasi, dan pengelolaan karya intelektual di lingkungan sekolah serta mengidentifikasi kebutuhan pendampingan lanjutan dalam inventarisasi karya dan pencatatan ciptaan. Kesimpulan: sosialisasi hak cipta efektif sebagai langkah awal dalam meningkatkan literasi kekayaan intelektual guru serta membangun kesadaran untuk mengidentifikasi, mendokumentasikan, dan mengelola karya intelektual di lingkungan sekolah sebagai bagian dari aset intelektual yang perlu dilindungi. Kontribusi: meningkatkan kesadaran guru terhadap perlindungan karya intelektual serta menjadi dasar bagi pelaksanaan inventarisasi dan pencatatan ciptaan di sekolah.
The rhetoric of the image in the cover design of Laut Bercerita Fira Kania Pangestu; Ahmad Faiz Muntazori; Puri Kurniasih
Deskomvis: Jurnal Ilmiah Desain Komunikasi Visual, Seni Rupa dan Media Vol. 7 No. 1 (2026): Deskomvis: Jurnal Ilmiah Desain Komunikasi Visual, Seni Rupa dan Media
Publisher : Asosiasi Program Studi Desain Komunikasi Visual Indonesia (Asprodi DKV)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38010/deskomvis.v7i1.176

Abstract

This study examines how the cover design of the 2017 softcover edition of Leila S. Chudori's Laut Bercerita represents the novel's narrative of political violence, loss, and collective memory. Using a qualitative descriptive approach, the study applies Roland Barthes's Rhetoric of the Image, with particular attention to the linguistic message, uncoded iconic message, coded iconic message, and anchorage. The primary data consist of the front cover and its dominant verbal and visual units, while the secondary data are drawn from design studies, semiotic studies, and studies on the novel's historical-fiction context. The findings indicate that the cover constructs a tightly integrated verbal-visual system in which the title and author line frame an underwater scene dominated by chained feet, fish, coral formations, and blue tonal fields. In the discussion, these elements are interpreted as a rhetoric of suppression and remembrance, through which the sea shifts from a decorative setting to a symbolic archive of disappearance and historical trauma. The study concludes that the cover functions not only as a marketing surface but also as a visual argument that condenses the novel's humanitarian and ideological concerns.
The semiotic construction of bourgeois femininity: A peircean analysis of social identity in Monet’s Woman with a Parasol Niky Putri Santoso; Ahmad Faiz Muntazori; Nurulfatmi Amzy
Jurnal Desain Vol 13 No 2 (2025): Jurnal Desain
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jd.v13i2.1144

Abstract

This study deconstructs the visual representation of 19th-century French social identity through a Peircean semiotic analysis of Claude Monet’s masterpiece, Woman with a Parasol (1875). While traditional art criticism often views the work as a spontaneous impression of light, this research reveals a deliberate semiotic construction of bourgeois femininity. Using Charles Sanders Peirce’s triadic model—specifically the Proposition → Indexical → Legisign framework—the study examines how visual elements such as the parasol, the white summer dress, and the low-angle perspective function as signs of social status and gender roles. The analysis finds that the painting serves as a visual claim for the 'leisure class' identity, where the female figure (Camille) is elevated both physically and psychologically as a symbol of domestic harmony and modern urbanity. By mapping the interaction between spontaneous brushstrokes (index) and rigid social conventions (legisign), this research concludes that Monet’s impressionism is not merely a formal innovation but a manifestation of the cultural ideology of the 19th-century French bourgeoisie. These findings provide critical insights for visual communication design in understanding how aesthetic choices can be used to construct and communicate complex social identities.
Co-Authors Abu Maskur Ahmad Alberd Arief Rahman Pratama Bambang Sunarto Bambang Sunarto Dendi Pratama Dinar Soliha Fahuzi Nazari Fira Kania Pangestu Galuh Raga Paksi Hilda Hilaliyah Ibrahim, Fauzie Yuzal Irae Fiqi Risnanda Irawan, Irfan Listya, Ariefika Muhammad Iqbal Qeis Muhammad Rizky Srihardi Niky Putri Santoso Nurulfatmi Amzy Puri Kurniasih Puri Kurniasih Riyan Januadikara Salwa Nadilah Teungku Agam Tommy Christomy Tommy Christomy Tommy Christomy Winny Gunarti Widya Wardani Wirawan Sukarwo WULANDARI Yuliansyah, Robby Yulianto Hadiprawiro