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A NEW IDENTITY IN THE FOLKLORE OF THE TRANSMIGRATION SOCIETY IN THE DHARMASRAYA REGENCY (IDENTITAS BARU DALAM FOLKLOR MASYARAKAT TRANSMIGRASI DI KABUPATEN DHARMASRAYA) Samsiarni Samsiarni; Emil Septia; Yulia Sri Hartati; Armet Armet
Jurnal Gramatika Vol 8, No 2 (2022)
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/jg.2022.v8i2.6231

Dharmasraya Regency is known for its multicultural society. The presence of transmigration communities to the area has made Dharmasraya a region with a very rich cultural diversity. There are two large groups that live side by side while maintaining their respective cultures, namely the Minangkabau people as natives and the Javanese as immigrants. The diversity of cultures that exist in Dharmasraya also affects the folklore that develops in the area, one of which is people's belief. This study uses a qualitative approach. so the purpose of this study specifically wants to show the trust of the transmigration community in Dharmasraya which is a multicultural society in relation to the social identity of the community towards a new identity. The results showed that in the folklore of the transmigration community there was a shift from the area of origin. If in the area of origin, folklore is magical and mystical, when mixed with a new society, folklore also changes its function into a new identity for the transmigration community which is the result of mixing indigenous peoples and transmigration communities.

HOW THE LITERARY PERSPECTIVE OF THE PROPHET IS REVEALED IN THE MODERN NOVELS HABIBURRAHMAN EL SHIRAZY AND AHMAD FUADI (BAGAIMANA PERSPEKTIF SASTRA NABI DIUNGKAPAKAN DALAM NOVEL MODERN HABIBURRAHMAN EL SHIRAZY DAN AHMAD FUADI) Emil Septia; Wahyudi Rahmat; Samsiarni Samsiarni; Yulia Sri Hartati
Jurnal Gramatika Vol 9, No 1 (2023)
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/jg.2023.v9i1.6767

Prophetic is imitating the actions of the Prophet. Muslims should strike a balance between learning about their religion and the modern world, so studies of the prophets might become research material. They should work together to solve the issues confronting an Allah-inspired society. However, as contemporary science advances, religious science is abandoned, and humankind moves further away from ethical principles, humanization, transcendence, and liberty. Following what Muhammad taught as a prophet and the Messenger of Allah, creating prophetic science courses is an important matter to be addressed to merge the abundance of human knowledge with revelation. This research aimed to characterize the prophetic in the works of Habiburrahman El Shirazy and Ahmad Fuadi. Qualitative research methods were used for this study. In this study, content analysis was the methodology of choice. The information was presented as descriptions of the prophetic in the story in the form of words, sentences, and speeches. Kembara Rindu, Ayat-ayat Cinta 2 by Habiburrahman, El Shirazy, and Ahmad Fuadi's Menara 5: Negeri were the three books used for the research. According to the findings, the prophetic humanization sub-indicators connecting fraternity, mutual respect, responsibility, and caring may be noticed in those three novels. Helping the wrong people and being willing to make sacrifices are discovered to be indicators of the liberation prophecy. In contrast, the prophetic transcendence includes markers (prayer, dhikr, and prayer) of human dependence on God, affirms an absolute difference between God and humanity, and attributes recognition of God's absolute rules to human reason.

HOW THE LITERARY PERSPECTIVE OF THE PROPHET IS REVEALED IN THE MODERN NOVELS HABIBURRAHMAN EL SHIRAZY AND AHMAD FUADI (BAGAIMANA PERSPEKTIF SASTRA NABI DIUNGKAPAKAN DALAM NOVEL MODERN HABIBURRAHMAN EL SHIRAZY DAN AHMAD FUADI) Emil Septia; Wahyudi Rahmat; Samsiarni Samsiarni; Yulia Sri Hartati
Jurnal Gramatika Vol 9, No 1 (2023)
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/jg.2023.v9i1.6767

Prophetic is imitating the actions of the Prophet. Muslims should strike a balance between learning about their religion and the modern world, so studies of the prophets might become research material. They should work together to solve the issues confronting an Allah-inspired society. However, as contemporary science advances, religious science is abandoned, and humankind moves further away from ethical principles, humanization, transcendence, and liberty. Following what Muhammad taught as a prophet and the Messenger of Allah, creating prophetic science courses is an important matter to be addressed to merge the abundance of human knowledge with revelation. This research aimed to characterize the prophetic in the works of Habiburrahman El Shirazy and Ahmad Fuadi. Qualitative research methods were used for this study. In this study, content analysis was the methodology of choice. The information was presented as descriptions of the prophetic in the story in the form of words, sentences, and speeches. Kembara Rindu, Ayat-ayat Cinta 2 by Habiburrahman, El Shirazy, and Ahmad Fuadi's Menara 5: Negeri were the three books used for the research. According to the findings, the prophetic humanization sub-indicators connecting fraternity, mutual respect, responsibility, and caring may be noticed in those three novels. Helping the wrong people and being willing to make sacrifices are discovered to be indicators of the liberation prophecy. In contrast, the prophetic transcendence includes markers (prayer, dhikr, and prayer) of human dependence on God, affirms an absolute difference between God and humanity, and attributes recognition of God's absolute rules to human reason.

Semiotical Interpretation of Romance in Joko Pinurbo's Poetry: A Peircean Analysis Audri Israh Muslimah; Samsiarni; Emil Septia
Jurnal Bebasan Vol 11 No 2 (2024)
Publisher : Kantor Bahasa Provinsi Banten and Perkumpulan pengelola Jurnal Bahasa dan Sastra Indonesia serta Pengajarannya (PPJB-SIP).

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/bebasan.v11i2.244

This study aims to describe the semiotic meaning (index) in depicting romance in the poetry of Joko Pinurbo, using Charles Sanders Peirce's semiotic theory. The research employs a content analysis method, with data drawn from a selection of Joko Pinurbo's poems, including "Sebelum Memasuki," "Sungai Kecil," "Menyambut Tahun Baru," "Jalan Korona," "Tangga Tinggi," "Tidur Nyenyak," "Maut Tersenyum," "Elegi, 2020," "Solilokui Sebelum Buruk," "Bakso Lezat," and "Di Meja Makan.". The technique used for data collection is reading and note-taking. The analysis of index signs within Joko Pinurbo's poems reveals six different romantic expressions, each highlighted through semiotic indices. The findings emphasize the interpretation of these indexical signs to uncover the romantic currents that flow throughout the poems. This research provides a comprehensive understanding of how index signs can be utilized to analyze the romantic themes present in Joko Pinurbo's poetic works, contributing to the broader field of semiotic studies and literary interpretation.

Exploring Feminine Identity in Nano Riantiarno’s Opera Primadona: A Feminist Literary Analysis Yolla Fitria; Iswadi Bahardur; Samsiarni
Jurnal Bebasan Vol 11 No 2 (2024)
Publisher : Kantor Bahasa Provinsi Banten and Perkumpulan pengelola Jurnal Bahasa dan Sastra Indonesia serta Pengajarannya (PPJB-SIP).

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/bebasan.v11i2.266

This research is motivated by the depiction of the image of female characters depicted by male authors. This study aims to describe the image of women in the Opera Primadona drama script. The method used is a qualitative descriptive method. The data source used in the study is the Opera Primadona drama script book. In this study, the researcher used investigator triangulation to check the data. The data collection technique is by using the reading-note technique. Data reduction, analysis, and conclusion are used to analyse data. The study results show that First , women's self-image includes physical and psychological aspects depicted in the Opera Primadona drama script by Nano Riantiarno. The physical characteristics depicted are about the characters Kejora and Kecubung, who are adult women. In contrast, the characteristics of the psychological aspect are female characters who have responsibilities to themselves and others. Second, the social image of women can be seen from the social image in the family and society. The social image in the family is that the characters Kejora and Kecubung try to be good wives and mothers even though they face several problems. While the social image in society is depicted, Kejora and Amethyst became part of the opera in performances among the people.

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