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All Journal Wardah JIA (Jurnal Ilmu Agama) Religious: Jurnal Studi Agama-Agama dan Lintas Budaya TEMALI : Jurnal Pembangunan Sosial Majalah Ilmu Pengetahuan dan Pemikiran Keagamaan Tajdid Khazanah Sosial Khazanah Theologia Khazanah Pendidikan Islam Khazanah Theologia Jurnal Studi Agama Al-Adyan: Journal of Religious Studies JURNAL AL-AQIDAH Abrahamic Religions: Jurnal Studi Agama-Agama Dedikasi: Jurnal Pengabdian Masyarakat Jurnal Fuaduna: Jurnal Kajian Keagamaan dan Kemasyarakatan Journal of Contemporary Rituals and Traditions
Dwi Wahyuni
Universitas Islam Negeri Imam Bonjol Padang
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Journal : Majalah Ilmu Pengetahuan dan Pemikiran Keagamaan Tajdid

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Sikakap Bercadar : Pola Internalisasi di Kalangan Perempuan Desa Sikakap Kepulauan Mentawai Ummi Kalsum; Darmaiza Darmaiza; Dwi Wahyuni
Majalah Ilmu Pengetahuan dan Pemikiran Keagamaan Tajdid Vol 24, No 2 (2021)
Publisher : Universitas Islam Negeri Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/tajdid.v24i2.3410

Abstract

The spread of the veil in da’wah program of Tablighi has implications for the use of the veil among women in Sikakap Village, Mentawai Islands. Raising several questions such as how does the veil spread?; and what is the pattern of internalization of the veil that is instilled by the Tablighi? This research was conducted by direct observation and interviews with 9 informants equipped with documentation data. Then the data was analyzed using Miles and Huberman’s interactive analysis which includes three things, namely reduction data, presentation data, and conclusions. This study found that Taklim Masturoh became a media used by Tablighi in distributing the veil in Sikakap Village, Mentawai Islands. The pattern of internalizing the veil in Sikakap Village is carried out in the Taklim Masturoh activity with four stages, first, introducing oneself and religion called ta’aruf. Second, ta’allub, connecting with new members by explaining that fellow Muslims are brothers, the purpose of being brothers is so that one another has the right to remind one another, save one another and pray for one another. Third, targhib, adding motivation and support to taklim members or giving encouragement in carrying out Allah’s command and all things that Allah has forbidden. Fourth, tasyki, invite members slowly.
The Meaning of Symbols in The Sedekah Bumi Tradition Holina Holina; Dwi Wahyuni
Majalah Ilmu Pengetahuan dan Pemikiran Keagamaan Tajdid Vol 26, No 1 (2023)
Publisher : Universitas Islam Negeri Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/tajdid.v26i1.6230

Abstract

This article provides an explanation of the meaning of symbols in the Sedekah Bumi tradition in the village of Air Putih Ilir, Musi Banyuasin Regency, South Sumatra Province. The research method used in this study is case-study qualitative research. The data were obtained through observation, interview, and documentation techniques, then analyzed by dialogue on Barthes's semiology theory and empirical data obtained at the research location. This article shows that Sedekah Bumi has been carried out continuously from one generation to the next. Sedekah Bumi is also called Sedekah Puyang Tumamia or Puyang Burung Jauh, which is a sacred figure to the villagers of Air Putih Ilir. Sedekah Bumi is a tradition that is carried out after harvesting rice as a form of gratitude to God Almighty. Apart from that, Sedekah Bumi is also meant to ward off disaster and become a medium to strengthen ties between the residents of Air Putih Ilir village. The meaning of symbols in the equipment for the Sedekah Bumi tradition is: first, incense is used because it is thought to speed up the answering of prayers because the spirits of the dead are pleased with the fragrance of incense. Second, heirlooms that are sacred to the residents are sacred objects that have a symbol of struggle from their ancestors. Third, lemang gives a symbol of the life of a society that is so palpable but has a white and sincere heart in it. Fourth, Padi Arang symbolizes the bad nature of humans that must be abandoned.
Co-Authors Ahmad Ali Nurdin Anjali Sabna Anjali Sabna Ashadi, Andri Bunawolo, Widyaningsih Busro, B. Darmaiza Darmaiza Darmaiza, Darmaiza Fadhiil Novriadi Pratama Fauzi Harlis Yurnalis, Syukri Al Holina Holina Idris, Mhd Julita Lestari Karen Karista Karlina, Intan Lisman, Resta MARIA BINTANG Marta Liza Martalia Martalia Muhammad Hidayat Rahmadhani Rahmadhani Ricky Ronaldo Sefriyono Sefriyono Sihombing, Nurma Sari Sulthan Ahmad Sulthan Ahmad Susilawati Susilawati Ummi Kalsum Utami, Viviana