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PEMBAURAIN KOMUINITAS TIOINGHOA MUSLIM DI KUDUS 1961 - 1998 Santoso, Budi; Puguh, Dhanang Respati
Sabda: Jurnal Kajian Kebudayaan Vol 1, No 1: 2006
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This research discusses the assimilation process of Chinese moslem community in Kudus in the year 1961-1998 by using historical method. There are four factors which formed Chinese moslem community in Kudus, namely environment, education, marriage, and willingness. There are two unique typologies owned by Chinese moslem community, first, 'abangan'Chinese moslem and second, 'putihan' Chinese moslem. Behavioral configurations of social religiousness of abangan Chinese moslem still entangle ancestor's traditional procedures, such as doing worshiping to ancestor, celebrating Imiek, and installing to 'rajah' (tatto) Chinese. On the contrary, putihan Chinese moslem configurations have eliminated all ancestor's traditional procedures and they are active in running Islam teaching, like conducting shalat five times a day, holy fasting in ramadlan, zakat, and haji. The logical consequence from the assimilation process between Chinese moslem and native moslem is the decreasing orientation to ancestor's culture. The reduction orientation of the ancestor's culture can be seen from assimilation channels, such as name changing, marriage, communication and language, education, and earn living

Kamishibai dan Propaganda Jepang di Jawa pada Masa Perang Asia Timur Raya Budiarto, Gema; Yuliati, Dewi; Puguh, Dhanang Respati
Jurnal Sejarah Citra Lekha Vol 8, No 1 (2023): Propaganda Politik dan Katastrofisme
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v8i1.61988

During the war, the Japanese military occupation government of Java utilized various propaganda media to mobilize the Javanese people to support the war effort. One such medium was kamishibai, or picture story shows, which was introduced to Javanese society by Japan. Throughout the wartime period, the themes of kamishibai stories were controlled and dictated by the Japanese military government. As a form of propaganda media presented through performing arts, kamishibai effectively reached audiences of all ages, from children to adults. This article explores kamishibai as a visual performance art serving as propaganda in Javanese society during the Greater East Asian War. Employing historical research methodology, this study investigates the role of kamishibai in conveying specific messages, particularly those related to supporting the war effort. The findings of this research reveal that kamishibai, originally a Japanese performing art, was utilized by the Japanese military occupation government in Java to disseminate certain messages, particularly those aimed at boosting morale and spirit. The themes depicted in kamishibai stories often focused on efforts to uplift people's morale, glorify the Japanese Empire, foster anti-Western sentiment, and promote labor efforts.

Japanese Military Government Policy on Radio Broadcasting in Java Budiarto, Gema; Yuliati, Dewi; Puguh, Dhanang Respati
MOZAIK HUMANIORA Vol. 24 No. 1 (2024): MOZAIK HUMANIORA VOL. 24 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v24i1.50425

In World War II, radio was one of the effective communication media that could be used to spread news and propaganda. The Japanese military government in Java made efforts to control or censor radios owned by the public. Control and censorship efforts to prevent the public from listening to radio broadcast by the Allies. On the other hand, radio was also useful for Japan to spread propaganda in society. The purpose of this study is to examine the policy of the Japanese military government in controlling and utilizing radio as a propaganda media in Java during wartime. This study is a historical research, thus the method used in this study is the historical method. The primary data used were Asia Raya newspaper, Djawa Baroe magazine, and Kan Pō (the government news) published by the Japanese military government in Java in 1942-1945. The results of this study show that the Japanese military government paid great attention to radio broadcasting and was strict in controlling it, radio broadcasts from enemy countries (Allies) were strictly forbidden to be listened to by the public, even the Japanese military government will impose severe punishment on the people if anyone violates. However, the Japanese military government also employed radio as a media for disseminating propaganda such as radio speeches from Japanese military officials, government programs, news, and so on.

PENGGUNAAN HISTORIOGRAFI TRADISIONAL JAWA UNTUK PENULISAN SEJARAH: Studi tentang Pengasingan Sunan Paku Buwana VI ke Ambon, 1830-1849 Puguh, Dhanang Respati
Jurnal Sejarah Indonesia Vol. 7 No. 1 (2024): Jurnal Sejarah Indonesia
Publisher : Perkumpulan Program Studi Sejarah Se-Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62924/jsi.v7i1.33024

This article explains the use of Javanese traditional historiography proposed by Sartono Kartodirdjo. This article was prepared using the literature study method. The literature used is in the form of undergraduate theses, dissertations, and books prepared using and discussing Javanese traditional historiography. Overall, the chronicle about the exile of Sunan Paku Buwana VI in Ambon has a historical picture. The strength of this text as a historical source lies in its description of the mental turmoil and experiences of a king who was removed from his throne and had to live in exile. The existence of candra sengkala written following important events described in the chronicles further proves that these chronicles contain strong historical elements. In addition, as a historical source, the chronicle about Sunan Paku Buwana VI's exile contains important material not found in colonial archives.

Mohammad Sjafei: A Nationalist Educator in West Sumatra Wati, Listia Anita; Rochwulaningsih, Yety; Puguh, Dhanang Respati
Indonesian Historical Studies Vol 8, No 2 (2024)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v8i2.19692

This article discusses Mohammad Sjafei's nationalist thoughts in the fields of politics and education from 1914 to 1958. This research uses historical methods. The article contains a description of how the educational system under the Ethical Policy program provided opportunities for the rise of nationalism among the indigenous people. The expansion of education encouraged openness of mind and knowledge among the indigenous population. This process of nationalist awakening stimulated the emergence of national thinkers who played a role in the struggle during the movement era. The role and contribution of these national thinkers are important to study in order to enhance understanding and knowledge in the field of intellectual history. One such national thinker examined in this article is Mohammad Sjafei. He was a national education figure who had nationalist thoughts in the fields of politics and education. His nationalist thoughts in politics encompassed values of unity, national loyalty, and love for the nation. His nationalist thoughts in education emphasized the importance of forming the nation’s identity and promoting education that is Indonesiacentric. Sjafei implemented these two nationalist thoughts in his educational practices at Indonesisch Nederlandsche School Kayutanam. The school was used as a medium to disseminate nationalistic awareness, sharpen intellectual intelligence, and develop skills.

“De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 Nugroho, Khairana Zata; Sulistiyono, Singgih Tri; Puguh, Dhanang Respati
Indonesian Historical Studies Vol 7, No 2 (2023)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v7i2.19148

This article discusses the endeavors to build a harmonious relationship between the colony of the Dutch East Indies and the motherland, the Netherlands, through the association politics in Indische toneel (Indies play) performances of Karina Adinda and Boeddhakind in 1913-1933. In the midst of the natives movement, where the natives put in motion their thoughts and ideas against the oppressive colonial government, a new cultural consciousness that desired a dialogue between East and West also appeared as the consequences of the implementation of the Dutch Ethical Policy. One of its aspects was performing art. Through historical method, this anomaly is examined through the performances of two Indische toneel namely Karina Adinda and Boeddhakind, Indische toneel that combined West dramaturgy with Javanese performances such as gamelan and traditional dances. The performances were produced in cooperation with organizations such as Vereeniging Oost en West, Het Nederlandsch-Indonesisch Verbond van Jongeren-Organisaties (NIVJO), and other Indonesian students in the Dutch East Indies and the Netherlands. The performances garnered disapproval from nationalists and praise from ethnicists

Kathryn “Kitsie” Emerson Sebagai Pelopor Penerjemahan Secara Simultan Pertunjukan Wayang Kulit (2005-2023) Sari, Setiani Novita; Puguh, Dhanang Respati; Hartatik, Endah Sri
PURBAWIDYA Vol. 14 No. 2 (2025): 14(2) November 2025
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/purbawidya.2025.11255

This study examines Kathryn “Kitsie” Emerson’s role as a pioneer of simultaneous or spontaneous translation in wayang kulit performances from 2005 to 2023. The purpose of this study is to analyze Kathryn “Kitsie” Emerson’s strategy as a pioneer in simultaneous translation in wayang kulit performances. This research uses the historical method by collecting sources through in-depth interviews and related documents. The results of this study describe Kathryn “Kitsie” Emerson’s journey in studying wayang kulit performances to when she discovered and developed a strategy for simultaneous translation of wayang kulit performances for puppeteers performing in Indonesia and abroad. Kathryn “Kitsie” Emerson is a practitioner of Surakarta Javanese karawitan and a simultaneous translator of wayang kulit performances. She is from the United States. Kathryn “Kitsie” Emerson’s simultaneous translation strategy helps foreigners to understand live wayang kulit performances. However, Kathryn “Kitsie” Emerson’s role as a simultaneous interpreter of wayang kulit performances has never been discussed in any research. This study shows that Kathryn “Kitsie” Emerson’s strategy of simultaneous translation of wayang kulit performances has played a role in the dissemination of Javanese traditional performing arts to foreign countries.

Jejak Budaya Lokal Dalam Perkembangan Semarang Night Carnival 2011–2022 Putri, Melody Aria; Susilowati, Endang; Puguh, Dhanang Respati
PURBAWIDYA Vol. 14 No. 2 (2025): 14(2) November 2025
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/purbawidya.2025.12952

This article explores the Semarang Night Carnival (SNC) as a means of cultural preservation and a reinforcement of the local identity of Semarang City within the realms of tourism and the creative industry. Since its inaugural event in 2011, SNC has developed into an annual cultural festival featuring costumes with local and national cultural themes presented through costume parades and visual narratives. This study employs a descriptive qualitative approach with historical methods, utilizing primary and secondary data in the form of archives, documentation, interviews, and scholarly references. The findings reveal that SNC is not merely a performance but also serves as a medium for education, cultural promotion, and the empowerment of local artists and costume artisans. Themes such as Warak Ngendog, Paras Semarang, Kemilau Nusantara, and Trilogy serve as visual representations of harmony, acculturation, and the richness of local culture. Strengthening cultural events based on local wisdom can be an effective strategy to enhance the city’s image, increase tourism appeal, and foster a sustainable creative economy ecosystem.

“Perebutan Ruang Udara:” Kontestasi Jaringan Radio di Bawah Pengawasan Pemerintah Kolonial Hindia Belanda, 1934-1942 Teofani, Debora Alfi Dwidi; Puguh, Dhanang Respati; Rochwulaningsih, Yety
Jurnal Sejarah Citra Lekha Vol 10, No 1 (2025): Sejarah Sosial, Praktik Budaya, dan Dinamika Kekuasaan
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v10i1.68636

This article examines the contestation between the Dutch East Indies colonial government's radio networks and locally-owned private radio stations as political instruments for control and propaganda dissemination within the colony. Utilizing historical and archival research methods, this study identifies the Nederlandsch-Indische Radio Omroep Maatschappij (NIROM) as the sole government-sanctioned radio network following the enactment of the 1934 broadcasting legislation. Although under colonial ownership, NIROM incorporated Malay-language programming, initially intended as a strategic medium to neutralize nationalist movements. However, the medium underwent a functional shift as Indonesian youth co-opted radio to mobilize nationalist sentiment. This shift was propelled by the emergence of "Eastern broadcasts" (siaran ketimuran) managed entirely by indigenous youth, fostering a competitive environment between the state and local private entities. The findings demonstrate that radio served as a vital propaganda medium for independence, successfully subverting the constraints of colonial surveillance.

ISLAM, SANTET, AND COLLECTIVE VIOLENCE: TRANSITIONAL POLITICS AND MEMORY IN BANYUWANGI, 1998–1999 Kusairi, Latif; Dhanang Respati Puguh; Yety Rochwulaningsih
Al-A'raf : Jurnal Pemikiran Islam dan Filsafat Vol. 22 No. 2 (2025)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ajpif.v22i2.12808

This article investigates how the discourse of witchcraft (santet) was mobilized into collective violence in Banyuwangi in 1998–1999, and how Islam, local tradition, and the political stigma of anti-communism intersected in the escalation of killings. The article combines event reconstruction and discourse reading with theoretical lenses drawn from Charles Tilly’s framework on collective violence, Johan Galtung’s concept of structural violence, and Claude Lévi-Strauss’s insights on myth and collective imagination. It’s connect structural conditions, actor mobilization, and the production of cultural meaning. This article argue that the violence—claiming more than 194 lives—cannot be reduced to a spontaneous religious clash or a purely cultural aberration. Instead, it was a product of transitional politics, in which economic crisis, uncertain authority, and the lingering anti-communist stigma enabled santet to operate as a moral classificatory instrument facilitating labelling, dehumanization, and the legitimation of killing. In the aftermath, the tragedy reshaped Banyuwangi’s social narratives through transformations in collective memory, identity reconstruction, and the articulation of new religious and cultural narratives during the Reformasi period. This article contributes to the understanding of santet by integrating structural, mobilizational, and cultural-imaginary dimensions to explain it not merely as a “local belief,” but as a politically consequential mechanism in the production of collective violence in Banyuwangi.

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