Hat Pujiati
English Department, Faculty Of Letters, Universitas Jember Jln. Kalimantan 37, Jember 68121

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Journal : Haluan Sastra Budaya

VIOLENCE BEYOND THE UTOPIAN SOCIETY IN LOIS LOWRY'S THE GIVER Rendry Hanifa Ak Mallyta; Hat Pujiati
Haluan Sastra Budaya Vol 2, No 1 (2018)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v2i1.16430

Abstract

This article discusses violence in a constructed utopian society in The Giver, Lois Lowry's distopian novel. We assume that 'sameness' as the governing system in the novel is the source of violence. Therefore, this article aims to reveal the real conditions beyond the utopian society. Applying genetic structuralism by Lucien Goldmann, we analyze the presentation of society in the novel through the narrative structure and relate them to discourses of American society in 1990s with Author as the bridge of the fiction and real life.  The result of this analysis shows that comfort facilities provided by the government in a society is potential to hegemonize people and dehumanize them for the sake of power.Keywords: utopian society, genetic structuralism, worldview. AbstrakArtikel ini mendiskusikan tentang kekerasan dalam masyarakat utopis yang dikontruksi dalam novel distopian berjudul The Giver karya Lois Lowry. Kami mengganggap 'sameness' sebagai sistem pemerintahan di masyarakat yang ada dalam novel sebagai sumber dari kekerasan tersebut. Selanjutnya, artikel ini bertujuan untuk menggungkapkan kondisi sebenarrnya dibalik masyarakat utopis ini. Dengan menggaplikasikan teori strukturalisme genetik milik Lucien Golmann, kami menganalisa tampilan dari masyarakat di novel ini melalui struktur naratif dan menghubungkannya dengan wacana tentang masyarakat Amerika pada tahun 1990an dengan kehidupan penulis sebagai penghubung antara fiksi dan dunia nyata. Hasil dari analisa ini menunjukkan bahwa fasilitas kenyamanan yang disediakan oleh pemerintah dalam masyarakat tersebut merupakan cara untuk mendominasi dan menghilangkan rasa kemanusiaan mereka hanya untuk kepentingan kekuasaan.Kata kunci: masyakat utopis, strukturalisme genetik, pandangan dunia.
FORMULAIC STRUCTURE IN THROUGH THE LOOKING GLASS BY LEWIS CARROLL Zafirna Arrofifah; Hat Pujiati; Irana Astutiningsih
Haluan Sastra Budaya Vol 5, No 1 (2021)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v5i1.45263

Abstract

This article focuses on the formulaic stucture in a popular children’s literature entitled “Through the Looking Glass” by Lewis Carroll. This is aimed to analyze the formulaic stucture of the novel and the elements that caused the novel to become a popular children’s literature in Victorian era, which is undoubtedly related to the Victorian values in Britain.Formula theory by John G. Cawelti is used to analyze the novel. The story of the novel is about a little girl named Alice who wants to be the queen when she is stranded in another world called Looking Glass after leaning into a mirror in her painting room. Result of this research shows that Lewis Carroll’s “Through the Looking Glass” is written using adventure typologyshown through a hero with a goal to reach. The novel also uses fantasy and Victorian era setting to support the suspense.Furthermore, what made the story popular in the era is the need of escape provided by the novel for Victorian children through Alice’s adventure.
AMERICAN MYSTICISM AND FEMINISM IN CASSANDRA CLARE'S CLOCKWORK ANGEL: A POSTMODERNIST FICTION Asih Putri Wardhani; Hat Pujiati; Ikwan Setiawan
Haluan Sastra Budaya Vol 4, No 1 (2020)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v4i1.39343

Abstract

Postmodern as a stage of civilization after traditional and modern tends to accommodate the two previous stages with its newness. This article studies the postmodern strategies depicted in Cassandra Clare’s The Infernal Defices: Clockwork Angel in Brian McHale’s perspective which emphasize his idea of postmodernist fiction based on ontological dominant while the modernist is epistemological dominant. How the ontological is constructed in the novel become the aims to reveal in this article. Through Hrusovski’s three dimensional semiotics concept that is developed by McHale, this article starts the analysis of ontological landscape from words, worlds and construction of the novel. The result is that heterocosmos are built in intertextualzones  based on pre-Victorian, Victorian and post-Victorian poems which become the epigraph in every chapter of the novel using interpolation and superimposition strategies.Beyond the ontological landscape, this novel shows the spirit of American mysticism and feminism.