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All Journal LiNGUA: Jurnal Ilmu Bahasa dan Sastra El-HARAKAH : Jurnal Budaya Islam EGALITA Prosiding Seminas Competitive Advantage Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Adabiyah Islam Futura Celt: A Journal of Culture, English Language Teaching & Literature Journal of Language and Literature Register Journal Kandai Jurnal Madah Pioneer: Journal of Language and Literature Litera Kultura Jurnal Pembelajaran Sastra Afshaha: Jurnal Bahasa dan Sastra Arab Jurnal Kawistara REGISTER JOURNAL
Mundi Rahayu
Universitas Islam Negeri Maulana Malik Ibrahim Malang
Religion Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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Journal : EGALITA

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FEMININITAS GEISHA DALAM NOVEL ARTHUR GOLDEN MEMOIRS OF A GEISHA Rahayu, Mundi
EGALITA EGALITA (Vol 4, No 1
Publisher : Pusat Studi Gender UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (284.428 KB) | DOI: 10.18860/egalita.v0i0.1980

Abstract

Geisha is an entertaining artist in Japan during Edo period (1603-1868) when cities were growing up and wealthy spread out among merchant class. The wealthy was followed by the building of teathers, restaurants, clothes and several entertaining places. Then, the identity of womanship for a geisha can be easily recognized through her beautiful and elegant performance. This sort of performance which makes geisha is different from other commercial worker women. Her feminity is also shown by her ability to entertain original japanese society that is her ability to play japanese traditional music tools such as drum and shamisen. She is also able to sing and dance. She has also the ability in dringking tea ceremony service. Geisha’s feminity is relatively similar with women’s feminity in common which is agreed by society. What makes them different is that geisha’s feminity is developed professionally and is made as survival way and even as an access to get into broader economics and politics. Ironically, to some extent, that brings a risk for a geisha due to her position as a client for her patronage.
Co-Authors Anshory, Abdul Muntaqim Al Arrifah, Zannuba Bahtiar, Jessica Yunanda Deny Efita Nur Rakhmawati Harahap, Zulfadhli I Gusti Ngurah Antaryama Ihwanarotama Bella Indriasandi Irwan Irwan Lia Emelda M. Misbahul Amri Maulidiyah Nur Cholisa Hafshah Milal, Mukhamad Syaiful Mu'id, Iqbalul Muhammad Agus Muljanto Muhlisin, Iqbatul Munjiah, Ma'rifatul Muttaqwiati, M Nushrotun Nida Siti Aisyah SYAHRIL, MUHAMAD Vayevienda Muhammad Vita Nur Santi Wening Udasmoro