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All Journal Ekspresi: Indonesian Art Journal Jurnal Teknologi Informasi dan Ilmu Komputer Panggung Jurnal Otomasi Kontrol dan Instrumentasi KOMIK (Konferensi Nasional Teknologi Informasi dan Komputer) Tonil, Jurnal Kajian Sastra, Teater dan Sinema Insearch: Information System Research Journal Jurnal Pengabdian Kepada Masyarakat Meambo Cermin Dunia Kedokteran
Fitri Rahmah
Institut Teknologi Sepuluh Nopember, Surabaya
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Education Electrical & Electronics Engineering Engineering Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Medicine & Pharmacology Nursing Public Health Social Sciences Other

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Teknologisasi Pertunjukan Dalam Kontestasi Dramaturgi Tradisi dan Modern Bagi Ketahanan Nasional Yudiaryani; Kuardhani, Hirwan; Pungkiawan, Pius Rino; A. Purba, Silvia; Haryono, A. Janu; Rahmah, Fitri
PANGGUNG Vol 36 No 1 (2026): Echoes of Archipelago Mythos: Interweaving Tradition, Symbolism, and Narrative i
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i1.4434

Abstract

Theatre develops through shifting relations among body, space, and technology. Digital mediation does not merely introduce new aesthetic instruments but reconfigures dramaturgical structures and modes of knowledge production. Dramaturgy, therefore, must be understood as an epistemic practice organizing interactions among body, media, and spectatorship rather than as textual composition alone. This article reads the technologization of theatre as a shift from representation toward performativity and interactivity. The encounter between traditional and contemporary practices reveals technology as a negotiated field: disruptive within certain value systems yet generative of new aesthetic and conceptual possibilities. Through dramaturgical analysis, three interrelated configurations are identified—mimetic, epicising, and interactive—through which technologization operates as an epistemic condition. Theatre thus appears not only as artistic production but as practice-as-research, where knowledge emerges through performative processes.
Co-Authors A. Purba, Silvia Agustina, Dina Agustina Eko Mursito Budi Haryono, A. Janu Hidayanti, Fitria Hirwan Kuardhani Innah, Mutma Irma Nurmala Dewi Islamy, Bunga Jayawarsa, A.A. Ketut Mahpudoh, Mahpudoh Noviandri, Ramanda Nuralamsyah, Fahmi Pius Rino Pungkiawan Rano Sumarno Rasuanta, Muhammad Putra Romdhoningsih, Diana Sakina, Adriani Sanjaya, Claryssa Maylan Sinaga, Jenti Sartika Ucuk Darusalam Wiyono, Adi Yudiaryani