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All Journal EDUKATIF : JURNAL ILMU PENDIDIKAN Melayu Arts and Performance Journal Musica: Journal of Music Jurnal Penelitian Pendidikan Indonesia Menulis: Jurnal Penelitian Nusantara
Ahmad Zaidi
Institut Seni Indonesia Padangpanjang
Arts Humanities Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Efektivitas Media Pembelajaran Musik Digital Berbasis Android untuk Meningkatkan Hasil Belajar Ricky Warman Putra; Lucky Pesona Sari; Raflesia Meirina; Yesriva Nursyam; Hamzaini Hamzaini; Ahmad Zaidi
EDUKATIF : JURNAL ILMU PENDIDIKAN Vol 4, No 3 (2022): June Pages 3201-5000
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/edukatif.v4i3.2732

Abstract

Tujuan penelitian ini adalah untuk mengetahui keefektifan media pembelajaran berbasis android pada matakuliah Musik Digital. Sebelumnya media ini telah dinyatakan valid oleh ahli media dan ahli materi, yang kemudian digunakan oleh mahasiswa. Metode penelitian yang digunakan dalam penelitian ini adalah quasi-experimental,, dengan desain penelitian time-series. Teknik pengumpulan data dengan pretest dan posttest. Keefektifan yang diperoleh dari hasil post-test dilihat dari ketuntasan klasikal, seluruh mahasiswa dinyatakan mendapatkan nilai lebih besar dari nilai minimal 66 yang menjadi batas akhir mendapatkan nilai B dan melalui perolehan skor dalam kategori sedang. Berdasarkan temuan penelitian ini disimpulkan bahwa media pembelajaran berbasis android efektif digunakan sebagai media pembelajaran dan meningkatkan hasil belajar. Penelitian ini merekomendasikan untuk diuji lebih luas dan memberikan konten yang lebih lengkap demi perbaikan dalam pengembangan media pembelajaran berbasis android ini.
Musik Programa Sebagai Alternatif Pendokumentasian Peristiwa Masa Lalu (Programme Music as an Alternative for Documenting Past Events) Vindo Alhamda Putra; Hafif HR; Ahmad Zaidi
MUSICA : Journal of Music Vol 1, No 2 (2021): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (37.888 KB) | DOI: 10.26887/musica.v1i2.1913

Abstract

Artikel ini memuat tentang karya musik programma yang berangkat dari peristiwa galodo yang terjadi di Bukik Tui Padangpanjang pada tanggal 4 Mei 1987. Peristiwa ini terjadi pada sore menjelang magrib dan memakan korban 133 jiwa. Pengkarya menghadirkan suasana sesuai alur cerita sebelum terjadinya galodo sampai setelah terjadinya peristiwa tersebut. Konsep garapan yang dihadirkan berupa musik multimedia, dengan menggunakan software Digital Audio Workstation. Masalah dalam artikel mencakup tentang bagaimana produksi musik digital yang dalam menjadi alternatif pendokumentasian peristiwa. Metode yang digunakan pada karya ini adalah eksplorasi dan eksperimen dari sample audio yang diolah, dimana bahan bakunya bersumber dari suara sound fx dan Virtual Sound Technology (VST) dengan menggunakan Cubase Pro 10.5 sebagai wadah pengolahannya. Tujuan penulisan artikel ini adalah menjabarkan karya Music of Screen: Galodo Bukik Tui yang dapat menjadi alternatif pendokumentasian peristiwa. Hasil dari artikel ini adalah gambaran langkah kerja produksi Music of Screen: Galodo Bukik Tui sebagai alternatif pendokumentasian peristiwa.Kata kunci: Peristiwa; Musik Programma; Musik Multimedia; Sound fx; Virtual Sound TechnologyABSTRACTThis article describes a musical program that started from the Galodo incident that occurred in Bukik Tui Padangpanjang on May 4, 1987. This incident occurred at sunset and claimed 133 lives. The author presents the atmosphere according to the storyline before the Galodo event until it occurs after the event. The concept presented is in the form of multimedia music, using Digital Audio Workstation software. The problem in the article covers how digital music production is an alternative for documenting events. The method used in this work is exploration and experimentation of processed audio samples, where the raw materials are sourced from sound fx and Virtual Sound Technology (VST) using Cubase Pro 10.5 as the processing container. The purpose of writing this article is to describe the work of Music of Screen: Galodo Bukik Tui which can be an alternative for documenting events. The result of this article is an overview of the steps in the music production of Music of Screen: Galodo Bukik Tui as an alternative for documenting events.Keywords: Incident; Program Music; Multimedia Music; Sound fx; Virtual Sound Technology
Nyemendo's Music Composition: Technical and Empirical Verification of the Transformation of the Three Philosophical Values of the Premarital Tradition of the Orang Rimba Hadaci Sidik; Aluna; Ferry Herdianto; Ahmad Zaidi; Weldi Syaputra
JPPI (Jurnal Penelitian Pendidikan Indonesia) Vol. 12 No. 1 (2026): JPPI (Jurnal Penelitian Pendidikan Indonesia)
Publisher : Indonesian Institute for Counseling, Education and Theraphy (IICET)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29210/020266887

Abstract

The premarital tradition of Nyemendo indigenous Orang Rimba in Jambi contains three philosophical values: active patience, practical competence, and communal decisions. These three values have been ethnographically documented by researchers before, but they have never been transformed into musical works and their success has been verified. This article discusses the creation of a three-part musical composition program (exposition, development, recapitulation) with the aim of answering musical questions, namely: what kind of sound represents active patience, what kind of sound represents practical competence, what musical parameters translate active patience into habitus, and what kind of instrumentation represents communal decision. This study uses three theoretical frameworks: Bourdieu's habitus for the social dimension, Tarasti's musical semiotics for the musical sign dimension, and Feld's acoustemology for the dimension of sound as knowledge. Based on this framework, three compositional concepts were formulated: static minimalism for active patience, gestural virtuosity for practical competence, and discontinuous alternation without soloist initiative for communal decisions. The musical material comes from the main notes of the Orang Rimba ritual mantras as well as the sounds of the forest which are treated as materials equivalent to the tone. The results of technical verification through score analysis proved the existence of the three concepts in 139 beats with a duration of 18 minutes. The results of empirical verification through a hearing test with three respondents (composers, art practitioners, and Tumenggung Urip as traditional elders) showed an average score of 4.33 for active patience, 4.67 for practical competence, and 4.33 for communal decisions (scale 1–5). This composition succeeded in filling the research gap by presenting Nyemendo's philosophical values into a verified sound medium.
Produksi Komposisi Mini Album Pop Alternatif “Ruang Tengah” Dengan Penyajian Berbasis Multimedia Misia Agape Barus; Weldi Syaputra; Ahmad Zaidi; Hadaci Sidik
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 4 (2026): Menulis - April
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i4.1112

Abstract

Penciptaan tugas akhir ini berupa produksi komposisi mini album pop alternatif berjudul “Ruang Tengah” dengan penyajian berbasis multimedia yang dipublikasikan melalui platform musik digital. Tujuan penciptaan adalah menghasilkan komposisi musik pop alternatif dalam bentuk mini album yang menjadi produk industri kreatif berupa mini album digital (EP) yang dipasarkan melalui platform digital. Metode penciptaan menggunakan kerangka Proses Kreatif Empat Tahap Graham Wallas (Preparation, Incubation, Illumination, Verification), dengan dukungan teori musik program, komposisi kontemporer, sosiologi musik populer, serta praktik teknik rekaman modern. Karya terdiri dari enam track yang dibagi dalam tiga bagian besar: Exposition (Overture), Development (Bagiku Sedih itu Siklus, Biru dan Kusam), dan Resolution (Chiro Said WDGAF, Ngalir Aja?, Hidup). Hasil penciptaan menunjukkan bahwa mini album “Ruang Tengah” tidak hanya memiliki nilai artistik sebagai refleksi personal pengkarya, tetapi juga relevansi akademis dan praktis dalam pengembangan keilmuan produksi musik populer berbasis multimedia.
The Role And Function Of Mantau Arts In The Community Of Merangin District, Jambi Province Ahmad Zaidi; Weldi Syaputra
Melayu Arts and Performance Journal Vol 8, No 1 (2025): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v8i1.4639

Abstract

Mantau is a traditional music from Bangko District, Merangin Regency, Jambi Province. Mantau historically comes from a rhyme song carried by the Anman tribe who arrives at the port of Central Sumatra Island. The performance of mantau is sung by one person and the poems are arranged spontaneously into a rhyme form. Mantau underwent several changes on it’s performance, such as the formation of players, and the addition of musical instruments. In the past, mantau was only sung by one person, both male and female, but now mantau can be sung by two or more peoples, both male and female, from children, teenagers, to adults. The musical instruments are also varied. Nowaday mantau uses other musical instruments such as violin, drum, gong, and wooden kelintang for the vocal accompaniment which previously did not exist in mantau. Uniquely mantau music still survives and popular for it's community. This study seeks to see how mantau can survive and analyzed it through the musical aspect as well as the social aspect. The theory used to answer the problem proposed in this study is the "use" and "function" theory which is formulated by Alan. P. Merriam. The research method that used in this research is the ethnographic method. This study found that in its musical aspect, mantau has its own characteristics that make it different from other music in the archipelago, especially Jambi Province. The uniqueness lies in "sentak" which exist in the melody of the Mantau song. Meanwhile, in the social aspect, mantau is used by its supporting community as a medium for expression both for the older generation and young generation
Co-Authors Aluna Ferry Herdianto Hadaci Sidik Hadaci Sidik Hafif HR Hamzaini, Hamzaini Lucky Pesona Sari Misia Agape Barus Putra, Ricky Warman Raflesia Meirina Vindo Alhamda Putra Weldi Syaputra Yesriva Nursyam