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Journal : PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan

Garap Sekar Caturan: Embrio Drama Swara dan Gending Karesmén Karya Mang Koko windyagiri, sony; Sukmawati Saleh
Paraguna Vol 11 No 1 (2024): INTERKULTURAL - INTERTEKSTUAL
Publisher : LP2M ISBI Bandung

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Abstract

Mang Koko has contributed various kawih wanda anyar patterns, such as kawih anggana sekar, kawih sekar caturan, kawih rampak sekar and others. From these various patterns, it turns out that there is a connection between one type of kawih and another, which implies that the first kawih pattern is the embryo of the second pattern and so on. This connection can be seen in the work of kawih sekar caturan which became the embryo of the drama swara and gending karesmén. The method I used is a qualitative research method (J. Moleong, 1990), that intends to understand the facts behind reality through direct observation or on-field review, while for the theory I refer to the theory garap by Rahayu Supanggah. The working process on the creation of the sekar caturan song carried out by Mang Koko is one of the steps in creating his larger works, namely drama swara and gending karesmén. The three types of Mang Koko's works have one thing in common, dramatical music, where the karawitan elements (sekar and gending) must be a medium for aesthetic expression that strengthens the dramatic elements. In his work, he goes through every process by learning, trying and repeating. The creative process that he has gone through has made Mang Koko a great artist
Implementasi Teknik Bracing pada Organologi Kacapi indung Karya Endo Suanda Oktaviani andriyanti, Sania Putri; pepep; saleh, sukmawati
Paraguna Vol 11 No 1 (2024): INTERKULTURAL - INTERTEKSTUAL
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kacapi indung is one of the traditional musical instruments from Cianjur, West Java, known as an important part of the art of Tembang Sunda Cianjuran. Based on its organology, Tembang Sunda Cianjuran is made of Kenanga wood. The object of this research is an analysis of organology with a focus on the implementation of bracing techniques on Kacapi indung performed by Endo Suanda. The method used is descriptive qualitative with an organological approach. Data collection was carried out by means of observation, interviews and documentation. The result of this research is that the bracing technique implemented in Kacapi indung is based on changes in raw materials which were originally made from wood and then replaced by bamboo. Bamboo has a different thickness from wood, requiring Kacapi indung to add bracing so that Kacapi indung can be sturdier and stronger.