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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi eDimensi Arsitektur Petra PADJADJARAN Jurnal Ilmu Hukum (Journal of Law) Jurnal Seni Nasional Cikini VCD : Journal of Visual Communication Design Gestalt : Jurnal Desain Komunikasi Visual Judikatif: Jurnal Desain Komunikasi Kreatif Jurnal Pengabdian Seni calaccitra: jurnal film dan televisi Jurnal Bahasa Rupa Pengabdian Seni Jurnal Bahasa Rupa
William Sanjaya
Unknown Affiliation
Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Analisis Match Cut dalam Membangun Penceritaan dalam Film Everything Everywhere All at Once Sanjaya, William
Rekam Vol 20, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v20i1.9617

Abstract

Film “Everything Everywhere All At Once” (2022) merupakan film tentang seorang Ibu Rumah Tangga, Evelyn, yang dibawa ke semesta lain ketika ia dihadapkan dengan berbagai masalah pekerjaan dan keluarganya. Film “Everything Everywhere All At Once” (2022) merupakan film yang bertemakan keluarga, yang dikemas dengan kompleksitas perpidahan lokasi atau semesta. Film “Everything Everywhere All At Once” (2022) memiliki transisi match cut yang menarik untuk diangkat. Film “Everything Everywhere All At Once” (2022) juga berhasil mendapatkan 7 dari 11 nominasi penghargaan, salah satunya adalah Best Film Editing dari Academy Awards. Oleh karena itu, penelitian ini dilakukan untuk mengetahui penggunaan match cut dalam membangun tahap peneritaan dalam film “Everythung Everywhere All At Once” (2022). Metode yang digunakan adalah metode kualitatif dengan menggunakan teori match cut oleh Gael Chandler dan teori struktur 5 babak oleh John Yorke. Dari analisis yang telah dilakukan, disimpulkan bahwa match cut memiliki peran dalam membangun cerita. Match cut mengarahkan perhatian penonton sehingga penonton mampu memahami tindakan karakter utama yang berpindah – pindah semesta.
Analisis Visual Dalam Fotografi Sejarah Kemerdekaan Indonesia Karya Alex dan Frans Mendur Kaparang, Martinus Eko Prasetyo; Sanjaya, William
Jurnal Bahasa Rupa Vol. 7 No. 1 (2023): Bahasa Rupa Desember 2023
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v7i1.1357

Abstract

Photojournalism can depict events that hold meaning. In Indonesia, the inception of photojournalism was led by Alex Mendur and Frans Mendur. Alex and Frans Mendur were photojournalists who captured images of events during the periods of independence, the New Order era, and the Reform era. Besides documenting these events, they also photographed the atmosphere and ordinary people after the independence period. This research aims to understand the role of composition in the photographic works of Alex and Frans Mendur and the extent to which composition was applied. To prove and understand this, the research is necessary. The theory used in this study is the photography composition theory proposed by Budhi Santoso. The research method employed is qualitative descriptive, utilizing the theories of Budhi Santoso and Paul Hill as analytical tools. Based on the analysis conducted, it is concluded that the photographic works of Alex and Frans Mendur employ various compositions. These compositions are used to guide the viewer's focus on specific parts of the image. Furthermore, these compositions highlight subjects such as heroic figures and landscapes, creating an impact within the images. This research is expected to serve as a reference in the field of basic journalistic photography, emphasizing the importance of applying visual composition in capturing a narrative moment, making it easier for the audience to understand and interpret the visual message being conveyed, a practice that dates back to the period of Indonesian Independence.
Komposisi Visual Dalam Membangun Dramatisasi Kekuasaan Pada Lirik Lagu Video Musik “Kamu Anggap Apa” Sanjaya, William
Jurnal Bahasa Rupa Vol. 7 No. 3 (2024): Jurnal Bahasa Rupa Agustus 2024
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v7i3.1587

Abstract

The music video “Kamu Anggap Apa” narrates the story of a woman who is disregarded by her lover. The visual composition employed in the video effectively constructs a dramatization of power throughout its scenes. This study aims to elucidate the role of visual composition in constructing a dramatization of power within the lyrics of the song, thereby ensuring the proper conveyance of its message. The research methodology employed is qualitative, with purposive sampling employed to select research objects, specifically screenshots, as explanatory materials for the study objects. The study involves a detailed description of the song lyrics and screenshots. Subsequently, a discussion ensues on the application of visual composition in constructing a dramatization of power, which is subsequently correlated with the realization of the song’s message. The research findings reveal diverse applications of visual composition that depict power and a secure environment. These portrayals symbolize the protagonist’s success and liberation in achieving their objectives. The utilization of visual composition facilitates the effective communication of the song’s message to the audience.
Pemanfaatan Split-Screen dan Motion Graphic Dalam Penyampaian Pesan Pada Video Musik “Drunk Text” Sanjaya, William
GESTALT : JURNAL DESAIN KOMUNIKASI VISUAL Vol. 7 No. 2 (2025): Jurnal Gestalt : Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual. Fakultas Arsitektur dan Desain Jalan Raya Rungkut Madya, Gn.Anyar, Surabaya, Jawa Timur 60294

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33005/gestalt.v7i2.511

Abstract

Split-screen merupakan salah satu teknik editing yang digunakan untuk menunjukkan perspektif lain dalam sebuah adegan, sedangkan motion graphic digunakan untuk menyampaikan informasi dengan kombinasi grafis dan pergerakkan. Penelitian ini membahas tentang pemanfaatan split-screen dan motion graphic dalam mendukung penyampaian pesan pada video musik "Drunk Text". Metode yang digunakan adalah kualitatif, sedangkan pendekatannya menggunakan pusposive sampling. Teori yang digunakan merupakan teori split-screen yang dikemukakan oleh Gael Chandler dan motion graphic yang dikemukakan oleh Austin Shaw. Penelitian dilakukan dengan melakukan penjabaran jenis dan fungsi penerapan split-screen dan motion graphic di video musik "Drunk Text". Dari penelitian yang dilakukan, disimpulkan bahwa terdapat dominasi penerapan split-screen yang digunakan untuk menunjukkan cerita tentang kedekatan dan perpisahan karakter. Motion graphic digunakan untuk menonjolkan perasaan yang dialami oleh karakter. Dengan demikian, split-screen dan motion graphic mampu membantu penyampaian pesan tentang perasaan seseorang terhadap orang yang disukai dalam video musik "Drunk Text".
VISUAL COMPOSITION IN BUILDING DRAMATIZATION OF SONG LYRICS IN THE MUSIC VIDEO “MELAWAN RESTU”: KOMPOSISI VISUAL DALAM MEMBANGUN DRAMATISASI LIRIK LAGU PADA VIDEO MUSIK “MELAWAN RESTU” Sanjaya, William
VCD: Journal of Visual Communication Design Vol. 8 No. 2 (2023): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v8i2.4007

Abstract

Cinematography is about combining and capturing images to form a series of images that tell a story. In practice, cinematography has several compositions, such as the rule of thirds, visual composition, and camera angles. "Melawan Restu" is a music video that applies visual composition to highlight the theme of romance. Unlike other music videos, many visual compositions emphasize the meaning of each song’s lyrics. This study aims to show the visual composition that builds dramatization of the song lyrics in the music video "Melawan Restu". The method used is qualitative by using a purposive sampling technique. This study uses Gustavo Mercado's theory which discusses visual composition in cinematography. The results of this study indicate that visual composition not only provides aesthetics but also the meaning of each shot so that it can be understood by the audience. In the music video for "Melawan Restu", there is an application of the visual composition showing serenity which connotes the lyrics of the song. While several other visual compositions show sadness, powerless, and turmoil in the bad situations experienced by the female characters in the story.
Scene Continuity in Building The Message of The Song in “Jiwa Yang Bersedih” Music Video Sanjaya, William
VCD: Journal of Visual Communication Design Vol. 9 No. 2 (2024): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v9i2.4295

Abstract

A music video is a short film used to accompany a song. "Jiwa Yang Bersedih" is a music video that tells the story of a woman's struggle with sadness and her vulnerability in seeking happiness. "Jiwa Yang Bersedih" music video has the application of continuity of content, movement, position, and time in each series of images. These continuities help show the message in the story through each scene shown. This research was conducted to discuss the application of continuity in each shot in building the message of the song in "Jiwa Yang Bersedih" music video. The research method used is qualitative. Meanwhile, the approach used is purposive sampling, namely by taking samples as a description of the research material. The theory used for discussion is continuity theory explained by Blain Brown. From the research that has been carried out, it is concluded that there is application of continuity of content, position, and time throughout the scene. Meanwhile, continuity of movement only applies to scenes 1, 4, 5, 10 and 11. On the other hand, discontinuity in content, position, and time occurs in several scenes. These discontinuities disrupt the storyline, causing an acceleration in the character's actions in a scene. Furthermore, a discontinuity that is not consistent between shots in each scene could mislead the viewers from the original storyline. Meanwhile, continuity shows the storyline about Ghea's struggle to find happiness through her shadow.
Visual Effects Analysis in Building Messages Through Sequence in Anti-Hero Music Video Sanjaya, William
VCD: Journal of Visual Communication Design Vol. 10 No. 1 (2025): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v10i1.4986

Abstract

 Visual effects are image manipulation and the creation of illusions from shooting that lead the audience to see the illusion of reality in the scenes. Visual effects can dramatize scenes so that messages can be conveyed to the audience. Thus, visual effects that are created in the right context could enhance the overall story. "AntiHero" is a music video that tells a story about nightmares and disturbances in the mind that change situations in real life. As a director and songwriter, taylor swift used visual effects to dramatize the scene through narrative point, so that messages of song's lyric could be conveyed to the audience. This study was conducted to discuss the application of visual effects in building messages through the story stage in the music video "Anti-Hero". This research used qualitative method with purposive sampling approach. The theory used is the theory of visual effects proposed by Eran Dinur. The study was conducted by describing the sequence, song lyrics, and types of visual effects applied from director and songwriter's point of view. From the results of the study, it can be concluded that there is an application of visual effects in the form of morphing, cloning, and giant effects that occur throughout the music video. The application of morphing shows the unreal world and wounds experienced by Taylor at the beginning of the story. The clone effect shows the different nature or "anti-hero" of Taylor Swift. The giant effect shows a different nature in size, making Taylor isolated from those around her. Taylor Swift, as both director and songwriter, utilized visual effects to convey profound messages from the lyric of her song through the narrative of each scene. Swift’s storytelling prowess extends beyond mere narrative planning, as she skillfully integrates various visual effects to enhance the impact of her lyrics. By employing diverse characters, both “good” and “bad Taylor”, with distinct characteristics within her surreal world, Taylor elevates her storytelling to new heights. The seamless integration of visual effects throughout the sequences ensures that the song’s lyrics are effectively conveyed, creating a cohesive and immersive experience for the audience.
Co-Authors Bambang Budi Siswanto Eko Prasetyo, Martinus Kaparang, Martinus Eko Prasetyo Marian, Hannalayne