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Journal : Historia

Djawa Baroe sebagai Media Propaganda Jepang di Jawa (1943-1945) Imroatul Sholekah; Nurhadi Sasmita
Historia Vol 4 No 2 (2021): Historia : Jurnal Ilmu Sejarah
Publisher : Program Studi Ilmu Sejarah Fakultas Ilmu Budaya Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (310.005 KB) | DOI: 10.19184/jhist.v4i1.28442

Abstract

This study discusses Djawa Baroe as a Japanese Propaganda Media in Java in 1943-1945. Djawa Baroewas a pictorial magazine published during the Japanese Occupation Government in Java as a medium for transferring information to the Dutch East Indies population containing propaganda news. The problems studied in this study are the press policy of the Japanese Occupation Government in Java, the form of Japanese Occupation Government propaganda in the fields of education, literature and art, socio-culture, and military as appearing in Djawa Baroe, as well as examining the impact of Japanese Occupation Government propaganda in the fields. The method used in this study was the historical method from Louis Gottschalk, which includes the stages of data collection, source criticism, interpretation and historiography. This study uses a political science approach and propaganda theory developed by Miriam Budiarjo and Laswell. When controlling the Dutch East Indies, the Japanese Occupation Government used the press as a means of propaganda, one of which was through Djawa Baroe. The pictures displayed in Djawa Baroe form a picture of every activity carried out by the Dutch East Indies in the fields of education, literature and art, socio-culture and military as an activity that seemed perfect for wartime. In fact, in real life, the activities displayed in Djawa Baroe are not the same, because the Javanese people experienced many hardships in life during the war.
MENJADI KOTA DEFINITIF Nurhadi Sasmita
Historia Vol 2 No 1 (2019): Historia : Jurnal Ilmu Sejarah
Publisher : Program Studi Ilmu Sejarah Fakultas Ilmu Budaya Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (391.278 KB)

Abstract

Abstract : Jember as the most rapid growth city in Besuki Residency. Traditionally Jember has actually existed, but turned into a definitive modern city after being inhabited and managed by the Dutch. The capital invested in Jember to develop the plantation encourages the growth and development of other sectors so that Jember is developing very rapidly. This study seeks to reconstruct the changes and dynamics of Jember into a modern city and the evidence of infrastructure that supports it. NV LMOD has an important role in the process. The method used is the method of history, including heuristic stages, criticism, interpretation, and historiography. The approach used is government administration, especially on decentralization. Keywords : City of Jember, plantation, NV LMOD, exploitation.
Perkembangan Perkebunan Partikelir di Jember (1850-an – 1930-an) Retno Winarni; Ratna Endang Widuatie; Tri Chandra Aprianto; Nurhadi Sasmita
Historia Vol 4 No 2 (2021): Historia : Jurnal Ilmu Sejarah
Publisher : Program Studi Ilmu Sejarah Fakultas Ilmu Budaya Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (301.181 KB) | DOI: 10.19184/jhist.v4i1.28427

Abstract

This study was aimed to track how the history of plantations in Jember from the 1850s-1930s. When did plantations arise in Jember? What types of plants were developed on Jember plantations? How was the development of the plantation quantitatively? And what was the impact of the existence of plantations on the development of Jember and its people. The method in this study is a historical method which includes heuristic, criticism, interpretation and historiography. The results of this study are that plantations in Jember developed along with the development of colonial power in the Belada Indies, precisely since the VOC era, but experienced rapid development starting from the implementation period culture stelsel, but reached its peak in liberal times, and plantations also experienced a period of ebb as colonial power receded as well. The conclusion is that there is a parrarel relationship between plantation development and the development of colonial power.
Penataan Ruang Perkotaan di Gresik Masa Pemerintahan Bupati Sambari Halim Radianto tahun 2010-2020 Sulaiman, Muhammad; Sasmita, Nurhadi
Historia Vol 5 No 2 (2022): Historia : Jurnal Ilmu Sejarah
Publisher : History Department, Faculty of Humanities, University of Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jh.v5i2.36318

Abstract

Penelitian ini membahas Penataan Ruang Perkotaan di Gresik Masa Pemerintahan Bupati Sambari Halim Radianto Tahun 2010-2020. Permasalahan penelitian adalah apa faktor yang menyebabkan perlunya penataan Kota Gresik, bagaimana proses penataan ruang kota di Gresik, dan apa upaya Bupati Sambari Halim Radianto dalam mengelola dan menata ruang kota di Gresik tahun 2010-2020. Metode sejarah digunakan untuk rekonstruksi peristiwa, yang meliputi heuristik, kritik, interpretasi dan historiografi. Sumber kajian berasal dari arsip, laporan, buku, jurnal, dan karya penelitian lainnya yang relevan. Teori yang digunakan adalah teori perencanaan tata ruang. Hasil penelitian menunjukkan bahwa, penataan Kota Gresik awalnya pada kepemimpinan Bupati Soefelan tahun 1973-1978, dengan melakukan pemindahan pusat pemerintahan, rumah dinas bupati, dan seluruh kantor instansi yang ada. Penataan kota selanjutnya dilakukan oleh Bupati Robbach Ma’sum tahun 2000-2010, dengan membagi sistem permukiman perkotaan sesuai dengan hirarki dan fungsi kota. Herarki dibagi atas tiga bagian, Kota Orde I, Kota Orde II, dan Kota Orde III. Tahun 2010, Sambari Halim Radianto terpilih menjadi bupati, kemudian kembali melakukan penataan kota. Penataan kota dengan memindahkan Gedung DPRD, Mapolres, dan membangun Mall Pelayanan Publik untuk keperluan pelayanan masyarakat. Bupati Sambari juga membuat landmark sebagai identitas Kota Gresik. Landmark tersebut adalah Tugu Lontar yang terletak di Putat Luar, Sukorame. Kedua adalah Tugu Gajah Mungkur yang terletak di sudut perlimaan Sukorame. Ketiga, Tugu Menara Gardu Suling yang terletak di Pulopancikan, Kec. Gresik. Keempat, adalah Tugu Keris Sumilang Gandring. Hasil penelitian menunjukkan bahwa penataan Kota Gresik dilaksanakan masa Bupati Sambari. Penataan kota berguna untuk meningkatkan daya tarik kota dan meningkatkan perekonomian masyarakat.
PERANAN BADAN KOORDINASI BANTUAN PEMANTAPAN STABILITAS NASIONAL (BAKORSTANAS) DAERAH JAWA TIMUR TAHUN 1988-2000 Wulandari, Dela; Sasmita, Nurhadi; Widuatie, Ratna Endang
Historia Vol 4 No 1 (2021): Historia : Jurnal Ilmu Sejarah
Publisher : History Department, Faculty of Humanities, University of Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (174.313 KB)

Abstract

This paper discusses the role of the National Stability Assistance Coordination Agency (Bakorstanas) of East Java in 1988-2000. The purposes of this study are to provide an overview of the background of the establishment of East Java Bakorstanasda, to examine the role of East Java Bakorstanasda, and to investigate the impact of the existence of East Java Bakorstanasda. The method used in this study was a historical method consisting of four stages, namely: heuristics, source criticisms, interpretation, and historiography. The approach used is political sociology with hegemony theory and democracy theory. The results of this study indicate that East Java's Bakorstanasda was an institution formed by Suharto as the controller of the New Order's authority in its social and political authoritarianism. Bakorstanada East Java had an important role in the Suharto government. During the Soeharto government, East Java's Bakorstanasda was used as a means of controlling Suharto's power at the regional level especially East Java. The existence of East Java Bakorstanasda also had a negative impact. The negative impact caused by the duty and authority of the police was limited, the East Java Bakorstanasda also obscured the negative sides of its members because it was reluctant to accept criticism from the public accompanied by acts of deprivation, interrogation, kidnapping, and repressive actions to civilians. Keywords: Bakorstanasda; East Java; social politics.
Perkebunan dan Transportasi Eksploitasi: Pembangunan Jaringan Kereta Api menuju Blitar, 1884-1942 Sasmita, Nurhadi
Historia Vol 5 No 2 (2022): Historia : Jurnal Ilmu Sejarah
Publisher : History Department, Faculty of Humanities, University of Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jh.v5i2.36315

Abstract

Artikel ini membahas mengenai korelasi positif antara perkembangan perkebunan di Blitar dengan dibangunnya jaringan kereta api. Persoalan menarik yang dikaji adalah: (1) bagaimana perkembangan perkebunan di daerah tersebut, seberapa besar produksinya ? (2) bagaimana pengaruh perusahaan-perusahaan perkebunan terhadap pemerintah kolonial dalam membangun jalur kereta api di daerah tersebut ? Pembahasannya merupakan narasi sejarah transportasi dengan teori modernisasi transportasi. Kesimpulan dalam pembahasan ini adalah bahwa : (1) kebijakan pintu terbuka oleh Pemerintah Kolonial Belanda berdampak positif bagi Blitar dan sekitarnya karena banyak investor yang menanamkan modalnya di daerah tersebut; (2) tingginya produktivitas perkebunan di daerah Blitar dan sekitarnya mendorong Pemerintah Kolonial Belanda membangun jaringan kereta api; (3) kereta api menjadi moda transportasi yang efektif untuk melancarkan eksploitasi wilayah Blitar dan sekitarnya.
SUMITRO HADI: SENIMAN TARI DI BANYUWANGI TAHUN 1968 - 2020 Sa'adah, Ririn Wahidatus; IG Krisnadi; Sasmita, Nurhadi
Historia Vol. 8 No. 1 (2025): Kewilayahan dan Kebudayaan
Publisher : History Department, Faculty of Humanities, University of Jember

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Abstract

This study is a biographical study that discusses the life of Sumitro Hadi, a dance artist in Banyuwangi from 1968 to 2020. The research questions in this study are: (1) What was the background of Sumitro Hadi becoming a dance artist in Banyuwangi? (2) How did Sumitro Hadi's creativity develop as a dance artist in Banyuwangi? (3) How did Sumitro Hadi influence the socio-culture and the final period of his becoming a dance artist in Banyuwangi. The method used in this writing is the historical method which consists of 5 stages, namely topic selection, heuristics, criticism, interpretation and historiography. The results of this study are (1) a complete biography of Sumitro Hadi's life as a dance artist in Banyuwangi which was formed from the habitus of the family environment, educational environment and community environment. (2) Sumitro Hadi's creativity in developing dance arts through education and attracting the interest of the younger generation to preserve Banyuwangi dance arts as well as the cultural achievements obtained by Sumitro Hadi as a Banyuwangi dance artist who can deliver Banyuwangi arts both in the National and International arenas (3) new dance studios began to emerge when Sumitro Hadi's Sanggar Jingga Putih was no longer active and most of the studio owners were Sumitro Hadi's students who had studied at Sanggar Jingga Putih. Sumitro Hadi's final journey as a dance artist who was creative in dance arts ended in 2020 because Sumitro Hadi died on December 26, 2020 due to Corona Virus Disease (Covid-19).