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Wisata Kreatif dan Historis: Eksplorasi Bandar Grisse dan Taman Makam Bung Karno Octavia Putri; Naufal Resa A; Mohammad Insan Romadhan
SABER : Jurnal Teknik Informatika, Sains dan Ilmu Komunikasi Vol. 3 No. 3 (2025): Juli : SABER : Jurnal Teknik Informatika, Sains dan Ilmu Komunikasi
Publisher : STIKes Ibnu Sina Ajibarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59841/saber.v3i3.3095

Abstract

This article explores the integration of creative and historical tourism through a comparative examination of two prominent cultural destinations in East Java, Indonesia: Bandar Grisse in Gresik and the Bung Karno Memorial Park in Blitar. Bandar Grisse, a revitalized old-town district, exemplifies a unique urban tourism model that blends colonial architectural heritage with a contemporary pedestrian-friendly layout reminiscent of Malioboro Street in Yogyakarta. Central to its historical significance is the Garling (Gardu Suling), an iconic heritage structure equipped with a siren, strategically located amidst a multicultural urban fabric encompassing Dutch, Arab, Chinese, and indigenous settlements. The institutionalization of the “Bandar Grisse” tourism brand has catalyzed a series of recurring cultural events, including the annual Bandar Grisse Festival and the biweekly Cokro Ekraf Festival, fostering local creative economies. Complementing this urban heritage is the Bung Karno Memorial Park, a monumental site that not only serves as the final resting place of Indonesia’s first president but also as a locus of national remembrance and civic education. Employing a qualitative descriptive approach, this study underscores the symbiotic relationship between heritage preservation and cultural innovation in promoting sustainable tourism rooted in local identity and historical consciousness.
Komunikasi Identitas Destinasi dalam Wisata Sejarah Lintas Zaman: Representasi Tokoh Bangsa dan Wali Songo di Surabaya Rahmadani Rafik; M. Ryan Refano; Mohammad Insan Romadhan
Jurnal Ilmu Komunikasi Dan Sosial Politik Vol. 3 No. 1 (2025): Juli - September
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jiksp.v3i1.2993

Abstract

This study aims to examine how destination identity communication is constructed through the representation of national heroes and Wali Songo figures within the context of historical tourism in Surabaya. The city possesses a rich historical narrative, encompassing the era of Islamic dissemination by Wali Songo as well as the struggle for independence led by national figures. However, these two streams of representation are often separated in destination communication strategies—whether through visual media, narrative frameworks, or visitor experiences. This research employs a qualitative approach using a case study method, involving field observations at historical tourism sites (the November 10th Museum, Heroes Monument, and the Sunan Ampel Complex), in-depth interviews with site managers, tour guides, and community leaders, as well as analysis of promotional and visual media documentation. The findings indicate that destination communication tends to segregate religious narratives (Sunan Ampel) from nationalist ones (Bung Tomo and other independence figures), resulting in a fragmented city identity. Visual, audio, and digital representations are curated thematically without linking the historical continuity across time periods.