Article Per Year (5 Year)
p-Index From 2021 - 2026
2.56
P-Index
This Author published in this journals
All Journal Forum Ilmu Sosial Puitika ENTITA: Jurnal Pendidikan Ilmu Pengetahuan Sosial dan Ilmu-Ilmu Sosial Jurnal Abdi Insani Andalas International Journal of Socio-Humanities Tsaqofah: Jurnal Penelitian Guru Indonesia Mamangan Social Science Journal Jurnal Ceteris Paribus: Jurnal Sejarah dan Humaniora SASDAYA: Gadjah Mada Journal of Humanities Jurnal Serambi Ilmu
Noni Sukmawati
Fakultas Ilmu Budaya, Universitas Andalas Padang
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

Published : 15 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 15 Documents
Search

 1   2 
BAGURAU SALUANG DAN DENDANG DALAM PERSPEKTIF PERUBAHAN BUDAYA MINANGKABAU Sukmawati, Noni
Forum Ilmu Sosial Vol 35, No 2 (2008): December 2008
Publisher : Faculty of Social Science, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/fis.v35i2.1293

Abstract

Minangkabaunes art performance which is played by women, both traditional and modern(contemporary) art performance, is a change in Minangkabaunes culture life. We know that Minangkabaunessociety uses matrilineal system. It means that women have special position, especially in keeping“Minangkabaunes culture moral”. Women were like “the center of Minangkabaunes culture” as revealedin a proverb “pusek jalo pumpunan ikan”. In Minangkabaunes culture tradition, women are limited toexpress their selves in public art performance. Moreover, in professional art performance, it seems to beforbidden. Women only performed often in culture activity which was part of Minangkabaunes traditionalceremony. But the world changes, and so does Minangkabaunes society. In these four last decades, manyMinangkabaunes women have performed in Minangkabaunes art performance like bagurau saluangand dendang show. It is an interesting phenomenon in Minangkabaunes culture. The development ofMinangkabaunes women in show art reflects the change and movement in Minangkabaunes culture whenit is related to Minangkabaunes matrilineal culture tradition. There were many rules in Minangkabaunesculture which forbid women to perform in art performance activities. But now, that forbidden rule hasbeen a part of reality in Minangkabaunes culture itself.Keywords: Women, art, change
Analisis Novel Tentang Kamu Karya Tere Liye: Kajian Formula Cawelti Delfiya Rahayu; Noni Sukmawati; Zurmailis Zurmailis
Puitika Vol 17, No 1 (2021)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.17.1.15-32.2021

Abstract

Penelitian ini bertujuan untuk mengetahui formula yang ada didalam novel Tentang Kamu karya Tere Liye, sehingga teori sastra formula digunakan untuk mengetahui hal tersebut. Kata, frasa, kalimat, paragraf, dan peristiwa yang ada dalam novel merupakan data utama. Metode kerja yang digunakan dalam penelitian ini adalah metode analisis formula menjadi dua rumusan yaitu karakteristik yang terdiri dari mitos dan simbol yang membentuk pola besar dan ketertarikan artistik dan kultural untuk menciptakan formula. Hasil kajian memperlihatkan formula yang terdapat dalam novel Tentang Kamu terdiri dari formula melodrama sosial.Karakterisktik utama melodrama sosial adalah kombinasi sejumlah aksi dan latar untuk membangun pandangan dunia imajinasi seperti benar atau salah, baik atau benar. Arketipe melodrama sosial merupakan latar sosial yang dikembangkan secara terperinci yang menciptakan pemuasaan emosional dengan ketertarikan yang melekat dalam analisis fenomena sosial secara detail. Alur utama melodrama yang layak dikokohkan adalah setelah adanya kesengsaraan dan penderitaan, adanya kebahagiaan dan kemenangan.Formula detektif klasik Cerita detektif klasik dapat dilihat dari pahlwan dan individu yang mengatasi halangan dan bahaya untuk memenuhi beberapa misi yang penting. Fokus ketertarikan utama cerita detektif adalah tokoh pahlawan dan halangannya harus diatasi. Eskapisme sebagai daya tarik novel Tentang Kamu. Formula dalam eskapisme adalah formula dalam karya sastra hanya bisa diungkapkan dengan eskapisme. Pelarian pembaca dari dunia nyata merupakan konsep dari eskapisme. Eskapismes memiliki kaitan dengan sastra formula. Bentuk-bentuk formula yang ada dalam isi cerita memancing daya tarik pembaca. Dasar-dasar yang menimbulkan pembaca ingin tahu adalah adanya petualangan-petualangan yang dilakukan oleh para tokoh dalam novel Tentang Kamu. Petualangan ini mengungkapkan teka-teki yang mendasarkan pada formula melodrama sosial dan detektif klasik yang telah mengajak pembaca untuk berpetualang dalam dunia imajinasi membuat mereka ingin tahu, dan tidak berhenti bila belum menemukan hasil akhir cerita.Menjadi daya tarik dalam novel Tentang Kamu adalah cerita, latar dan tokoh sesuai dengan peran yang dimiliki tokoh dan isi cerita yang sesuai dengan latar terjadinya cerita. Adanya unsur petualangan, mengungkapkan teka-teki, dan mistersi yang membuat pembaca terus membaca hingga ahkir cerita dalam novel Tentang Kamu. Proses membaca merupakan proses melarikan diri untuk membuat perasaan lega bagi diri pembaca. Aktualisasi proses pembaca yang ditemukan unsur eskapisme .
Kemiskinan dalam Naskah Hah Karya Putu Wijaya (Tinjauan Sosiologi Sastra) Yessi Andriani; Syafril Syafril; Noni Sukmawati
Puitika Vol 18, No 1 (2022)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.18.1.76-88.2022

Abstract

Penelitian ini dilatarbelakangi oleh ketertarikan penulis dengan naskah HAH karya Putu Wijaya yang mengangkat tentang permasalahan sosial yang sering terjadi dilingkungan masyarakat. Pada akhirnya memfokuskan penelitian pada masalah sosial yaitu kemiskinan dalam naskah HAH ini.Penelitian ini menggunakan pendekatan sosiologi sastra. Landasan teori yang digunakan adalah teori kemiskinan yang dikemukakan oleh Chambers, yang menjelaskan kemiskinan dibagi menjadi empat jenis, yaitu kemiskinan absolut, relatif, kultural dan struktural. Metode yang digunakan dalam penelitian ini yaitu metode kualitatif yang menghasilkan data tertulis dari teks yang mengacu pada masalah sosial. Teknik yang digunakan yaitu pengumpulan data, analisis data, dan penyajian hasil analisis data.                Setelah dilakukan penelitian ditarik kesimpulan, bahwa jenis kemiskinan yang ada dalam naskah HAH karya Putu Wijaya ini yaitu berupa kemiskinan absolut, kemiskinan relatif, dan kemiskinan kultural. Penyebab terjadinya kemiskinan dalam naskah HAH karya Putu Wijaya ini terdapat beberapa faktor. Yang pertama yaitu disfungsi keluarga, dan tingkat pendidikan yang rendah. Kemudian terdapat beberapa masalah atau akibat yang ditimbulkan oleh kemiskinan tersebut, seperti putus asa dan ingin bunuh diri, dan dikucilkan oleh lingkungan sekitar. Juga terdapat beberapa bentuk kemiskinan dalam naskah HAH karya Putu Wijaya, yaitu miskin materi, miskin hati, miskin agama, dan miskin ilmu.
Seni Tradisi di Pasaman: Yang Hilang dan Yang Bertahan Noni Sukmawati; Zaiyardam Zubir
Jurnal Ilmu Sosial Mamangan Vol 4, No 2 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (563.631 KB) | DOI: 10.22202/mamangan.v4i2.1311

Abstract

There are five characters or area of art and culture live in Pasaman, generally. (1), art tradition in Minangkabau society; (2) Art and cultural traditions in society Tapanuli; (3) art and cultural traditions caused by cultural interaction between Minangkabau and Tapanuli / Mandahiling; (4) art and cultural traditions caused by influence of Islamic culture; and (5) new cultural art that is modern. Four characters and territory cultural art (except orgen tunggal), can live side by side in harmony until now, even for a few cases were found acculturation extraordinarily interesting, for example Ronggeng in District Duo Koto that live in both of Minangkabau and Mandahiling culture. In everyday life, the two major ethnic groups in Pasaman, the Minangkabau and Tapanuli / Mandahiling, also looks harmonious and culture can be considered harmonious. Start marginalization of various forms of traditional arts, in addition due to the onslaught of modern art or urban as a single organ, also due to the control of the religious values of IslamSecara garis besar ada lima karakter atau wilayah seni budaya yang hidup di Kabupaten Pasaman, yakni (1), seni tradisi yang tumbuh di lingkungan masyarakat Minangkabau; (2) seni budaya tradisi yang tumbuh di lingkungan masyarakat Tapanuli; (3) seni budaya tradisi yang tumbuh karena interaksi budaya Minangkabau dan Tapanuli/Mandahiling; (4) seni budaya tradisi yang tumbuh karena pengaruh budaya Islam; dan (5) seni budaya baru yang bersifat modern. Empat karakter dan wilayah seni budaya ini (minus seni budaya orgen tunggal), sampai sejauh ini terlihat bisa hidup saling berdampingan dengan harmonis, bahkan untuk beberapa kasus ditemukan bentuk-bentuk akulturasi budaya yang luar biasa menariknya, misalnya pada seni budaya ronggeng di Kecamatan Duo Koto, merupakan masyarakat yang hidup dalam dua dimensi kebudayaan, yakni Minangkabau dan Mandahiling. Dalam keseharian, dua kelompok etnik besar yang di Kabupaten Pasaman, yakni Minangkabau dan Tapanuli/Mandahiling, juga terlihat serasi dan secara kebudayaan bisa dianggap harmonis. Mulai terpinggirkannya berbagai bentuk kesenian tradisi tersebut, selain akibat gempuran seni modern atau urban seperti orgen tunggal, juga disebabkan adanya kontrol dari nilai-nilai keagamaan Islam
A Phenomenological and Stylistic Review of the Anthology of Penunggu Makam Poetry Roma Kyo Kae Saniro; Noni Sukmawati
Andalas International Journal of Socio-Humanities Vol. 5 No. 2 (2023)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/aijosh.v5i2.51

Abstract

The purpose of this study is to reveal the phenomenological and stylistic aspects of the Penunggu Makam (Grave Keeper) poetry anthology. The study in this study is based on the theory of phenomenology or stratum norms and stylistic theory. This study uses a qualitative approach. The method used is descriptive qualitative method, namely by describing and analyzing poetry from phenomenological aspects or normative and stylistic strata. The phenomenological aspect of the poems in the anthology of Penunggu Makam is thematically colored by the issue of death which is colored by sadness, sadness and loneliness. The problem of death is also a general concept of human life that all of them will surely die. In the stylistic aspect, there are several language explorations. Exploration of natural images appears in most of the poems. Figure of speech also appears in this poem with dominant personification figure of speech wrapped in natural images. At the level of diction, there is also an exploration of concrete dictions with their inherent characteristics. The words used in this poem are widely known by the public. Nevertheless, the diction used by the poet makes this poem have such a deep meaning and makes the reader immersed in the atmosphere and feelings felt by the poet in line after line of his poem or poem.
Eksistensi Tokoh Perempuan dalam Novel Mustika Zakar Celeng Karya Adia Puja: Analisis Feminisme Eksistensial Ramadhan, Maharani Syifa; Zurmailis, Zurmailis; Sukmawati, Noni
TSAQOFAH Vol 4 No 5 (2024): SEPTEMBER
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/tsaqofah.v4i5.3541

Abstract

The novel Mustika Zakar Celeng by Adia Puja was chosen as the object of research. This study focuses on how the marginalization of women as Others in a patriarchal environment and how they resist as a form of existence, as depicted by the characters Nurlela, Lilis Komariah, and Kelanti. The three female protagonists are assertive female characters who struggle to be accepted as equal beings with men who especially have the freedom to reject things that are not in line with their existence. In this study, researchers chose a feminist approach. Because this research has a female perspective, the genre chosen for this research approach is feminism. Simone de Beauvoir's theory became the theoretical basis for this research analysis. According to Simone de Beauvoir, women are just the Other for men in life. Men are subjects and women are objects. According to Beauvoir, existentialism is a state when women are no longer objects but subjects in themselves. Descriptive research methodology with a qualitative approach is used in this research. Critical phenomenology, especially existentialist feminist phenomenology, is the research methodology used in this study to reveal and show the existence of women and the relationship between the subject and object of study. There are three forms of marginalization of female characters as Others in this study, including: 1) stereotyping of women, 2) subordination of women, 3) violence against women. From these forms of marginalization, there are three forms of resistance of female characters as a form of existence, including: 1) working 2) doing intellectual activities in daily life 3) rejecting the internalization of her womanhood through words and actions.
Selamatan Bayi Versi Orang Jawa: Kajian Linguistik Antropologis Arif Budiman; Ari Wulandari; Noni Sukmawati
Sasdaya: Gadjah Mada Journal of Humanities Vol 6 No 2 (2022): 2022 Nomor 2
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (449.486 KB) | DOI: 10.22146/sasdaya.6114

Abstract

Selamatan bayi is a form of gratitude and a prayer request for congratulations for the baby. This study aims to describe the local wisdom of selamatan bayi using an anthropological linguistic approach to the contextual design of Javanese tradition. Data collection refers to the technique of recording, participatory observation, and interviews. The results of this study prove that selamatan bayi has a philosophical meaning based on Javanese cultureThere are seven kinds of selamatan bayi among the Javanese, namely (1) brokohan (birthday greetings), (2) sepasaran (5th birthday celebration), (3) selapanan (35-day baby celebration), (4) telonan (3 months birthday greetings), (5) pitonan (7 months of baby's birth), (6) setahunan (1 year of baby's birth), and (7) aqiqah (selamatan bayi for Javanese Muslims). The local wisdom of Javanese in selamatan bayi can be seen from five things, namely (1) the definition, (2) types, (3) ubarampe ‘equipment’, such as sega ingkung, sega gudangan, bubur abang putih, and so on; (4) the method of implementation, and (5) the development of the times. In every selamatan bayi contains the local wisdom of the Javanese to always maintain a balance between human relationships, the natural environment, and God.
Pendidikan Karakter Berbasis Kearifan Lokal Masyarakat Lampung pada Novel Negarabatin: Negeri di Balik Bukit : Negeri di Balik Bukit (2022) Roma Kyo Kae Saniro; Andina Meutia Hawa; Dyani Prades Pratiwi; Noni Sukmawati
Jurnal Serambi Ilmu Vol. 25 No. 1 (2024): Jurnal Serambi Ilmu
Publisher : Universitas Serambi Mekkah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32672/jsi.v25i1.1292

Abstract

This research aims to describe the values of local wisdom in the novel Negarabatin: Negeri di Balik Bukit by Udo Z. Karzi (2022). The research method used is descriptive analysis with a literary anthropology approach elaborated with the presence of character education values. The result of the research indicating several values of local wisdom of the Lampung community in their perspective of life. These include the use of the name "Uyung" to bridge existing gaps as a form of tolerance and peace; the practice of reciting the Quran and the tradition of "bediom" followed by circumcision as religious values; and "ngusi" (clearing potential to serve as tools for character education, representing the Lampung community that can be passed on to the younger generation of Lampung and Indonesia more broadly. The implications of this research emphasize the importance of utilizing local literature as a source of values in developing character education, which can help shape positive character traits in children and adolescents within the context of their culture and society. Schools and educational institutions can consider integrating local literary materials into the curriculum to make it easier for students to access and understand these values. Furthermore, efforts are needed to document and promote local literary works as sources of inspiration in developing character education modules.
Literature as a Transformation of Social Education in Supporting SDGs in Indonesia Saniro, Roma Kyo Kae; Hawa, Andina Meutia; Pratiwi, Dyani Prades; Sukmawati, Noni
Entita: Jurnal Pendidikan Ilmu Pengetahuan Sosial dan Ilmu-Ilmu Sosial Special Edition: Renaisans 1st International Conference of Social Studies
Publisher : IAIN Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ejpis.v1i.19141

Abstract

Literature plays a crucial role as a medium for social education transformation, particularly in supporting sustainable development in Indonesia. This study aims to explore how local literary works can be integrated into education through the lens of literary anthropology to strengthen character formation and promote the values aligned with sustainable development goals. The research focuses on two contemporary Indonesian novels rooted in local cultures, analyzing their potential to convey ethical, cultural, and social values relevant to inclusive and transformative education. Using a qualitative descriptive method, the study applies content analysis and thematic interpretation guided by literary anthropology. Two novels—Gampo: Robohnya Rumah Gadang Kami and Negarabatin: Negeri di Balik Bukit—were selected as the primary corpus. Cultural symbols, narrative structures, and value systems embedded in these texts were examined and interpreted in relation to educational objectives and sustainable development themes. The findings reveal that both novels reflect rich local wisdom, including values such as communal cooperation, religious devotion, familial responsibility, and indigenous leadership. These values are strongly aligned with core educational goals, especially those related to quality education, social inclusion, and peaceful institutions. Cultural symbols like the Minangkabau rumah gadang and the Lampung term uyung serve not only as literary elements but also as pedagogical tools for character education. Furthermore, the study demonstrates how these texts can be integrated into contextual learning models, encouraging critical literacy, ethical reasoning, and cultural empathy among students. The study concludes that local literature is not merely a cultural artifact but a strategic educational resource capable of advancing inclusive and value-based education. By adopting literary anthropology as both an interpretive and pedagogical framework, the research contributes to the design of culturally grounded curricula that support transformative learning and sustainable development in Indonesia.
A Phenomenological and Stylistic Review of the Anthology of Penunggu Makam Poetry Saniro, Roma Kyo Kae; Sukmawati, Noni
Andalas International Journal of Socio-Humanities Vol. 5 No. 2 (2023)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/aijosh.v5i2.51

Abstract

The purpose of this study is to reveal the phenomenological and stylistic aspects of the Penunggu Makam (Grave Keeper) poetry anthology. The study in this study is based on the theory of phenomenology or stratum norms and stylistic theory. This study uses a qualitative approach. The method used is descriptive qualitative method, namely by describing and analyzing poetry from phenomenological aspects or normative and stylistic strata. The phenomenological aspect of the poems in the anthology of Penunggu Makam is thematically colored by the issue of death which is colored by sadness, sadness and loneliness. The problem of death is also a general concept of human life that all of them will surely die. In the stylistic aspect, there are several language explorations. Exploration of natural images appears in most of the poems. Figure of speech also appears in this poem with dominant personification figure of speech wrapped in natural images. At the level of diction, there is also an exploration of concrete dictions with their inherent characteristics. The words used in this poem are widely known by the public. Nevertheless, the diction used by the poet makes this poem have such a deep meaning and makes the reader immersed in the atmosphere and feelings felt by the poet in line after line of his poem or poem.
Co-Authors Ari Wulandari Delfiya Rahayu Dyani Prades Pratiwi Hawa, Andina Meutia Ilmiawan, Nuzul M. Yusuf Rahayu, Delfiya Ramadhan, Maharani Syifa Roma Kyo Kae Saniro Syafril Syafril Syafril Syafril Syafril Tiara Meljo, Davinna Veithzal Rivai Zainal Yessi Andriani Yessi Andriani zaiyardam zaiyardam Zulfitri, Amelya Zurmailis Zurmailis