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All Journal Jurnal Ilmiah Langue and Parole Jurnal Ilmiah Pendidikan Scholastic Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Ekasakti Jurnal Penelitian dan Pengabdian (EJPP) TELL - US JOURNAL Lingua : Journal of Linguistics and Language
Mac Aditiawarman
Fakultas Sastra Universitas Ekasakti
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Public Health Social Sciences Other

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Comparism Between Gunungsitoli and Teluk Dalam Dialect in Nias District Mac Aditiawarman; Herfanus Duha Herfanus Duha
Jurnal Ilmiah Langue and Parole Vol. 9 No. 2 (2026): Jurnal Ilmiah Langue and Parole
Publisher : Fakultas Sastra Universitas Ekasakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36057/jilp.v9i2.807

Abstract

This research entitled Comparison between Gunungsitoli and Teluk Dalam dialects in Nias Regency: Social Dialect Study aims to analyze the similarities, changes and differences in lexical forms and to determine the matrix language in the use of the Nias language along with the levels of speech used by the Gunungsitoli and Teluk Dalam communities, especially in the Nias communities in Lubuk Buaya and Pasar Obsolete. The method used in this study is qualitative and quantitative with a descriptive type, namely describing the form and shape and calculating the percentage comparison between the Gunungsitoli and Teluk Dalam dialects obtained from the results of interview data transcription. The data obtained are in the form of Nias dialect vocabulary. The data collection technique used is the observation technique using the interview method then transcription is carried out, so that the data can be analyzed according to the research instrument. The theory used in this study is the theory of lexical, dialect and matrix language. The results of the analysis indicate that GN is the dominant dialect (ML) and TD is a contributing dialect (EL) with a percentage level in the lexicon of the same form and the same meaning at 61.69%; lexical form changes meaning is the same in 8.65%; and lexical form different meaning is the same in 28.5% between GN and TD. The existence of similarities, changes and differences in form between Gunugsitoli and Teluk Dalam dialects in Nias is caused by geographical conditions which are the main cause.
A Comparison of Goiso Oinan and Masi Dialect In Mentawai Islands Mac Aditiawarman; Fernando Satepuk
Jurnal Ilmiah Langue and Parole Vol. 9 No. 1 (2025): Jurnal Ilmiah Langue and Parole
Publisher : Fakultas Sastra Universitas Ekasakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36057/jilp.v9i1.767

Abstract

This This research compares the Goiso Oinan and Masi dialects, which are part of the Mentawai language in the Mentawai Islands. The research aims to analyze the linguistic similarities and differences, particularly in the aspects of phonology, morphology, and lexicon between these two dialects. A qualitative descriptive method was employed, with data collected through direct interviews with native speakers of both dialects in the Goiso Oinan area located in the Sipora Utara District and the Masi area in the Siberut Barat Daya District. The data were analyzed using systematic techniques of data reduction, data presentation, and conclusion drawing. The findings reveal that there are words with similar phonemic forms and meanings in both dialects. However, morphological changes also occur through the addition, deletion, and substitution of phonemes in various word positions. Furthermore, there are dialectal variations with different word forms but the same meanings, reflecting the complexity and dynamic evolution of dialects influenced by geographical, social, and economic factors. The research also found that the Goiso Oinan dialect is the dominant dialect, while the Masi dialect serves as a contributing dialect. Approximately 60 percent of the lexical items share the same forms and meanings, while 40 percent differ in form but retain the same meanings. This study makes a significant contribution to the documentation and preservation of local dialects as part of the cultural heritage of Mentawai, as well as to the development of dialectology and Austronesian linguistics.
Violence Against Woman In Thomas Hardy’s Work Tess Of The D’Urbervilles Diyan Nofita Amelia; Mac Aditiawarman
Jurnal Ilmiah Pendidikan Scholastic Vol. 9 No. 3 (2025): Jurnal Ilmiah Pendidikan Scholastic
Publisher : Fakultas Sastra Universitas Ekasakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36057/jips.v9i3.789

Abstract

This research examines the forms of violence against women in Thomas Hardy’s Tess of the d’Urbervilles through the perspective of radical feminism as proposed by Rosemarie Tong (2009). The focus of the research is directed toward the depiction of Tess’s experiences as the main character who encounters physical, sexual, emotional, and verbal violence, while also exploring how the patriarchal social system influences the course of her life and destiny. The purpose of this research is to analyze how patriarchal power, as reflected through male characters and social institutions such as family, religion, and marriage, shapes Tess’s position as a woman who becomes a victim in a society biased against women, as well as to identify the various forms of violence experienced by Tess Durbeyfield in Hardy’s Tess of the d’Urbervilles. The approach applied is descriptive qualitative with the method of content analysis, in which the data are taken from narrative quotations, dialogues, and character interactions that portray practices of gender-based injustice. The findings reveal that Tess’s suffering is not merely the result of individual actions but is rooted in gender inequality institutionalized through cultural traditions, rigid social norms, and male dominance. Although Tess attempts to assert self-awareness, resilience, and courage to resist, her struggle often ends in defeat due to the strong grip of patriarchal values. In conclusion, Tess of the d’Urbervilles not only presents the tragic story of a woman’s life but also serves as a sharp social critique of gender-based power imbalances in the Victorian era, while remaining relevant in addressing discussions on gender equality and violence against women today.
Idiomatic Expressions Used In Miss Peregrine’  Home For Peculiar Children Movie : A Pragmatics Analysis Mac Aditiawarman; Dhenisa Novela Twins Dhenisa Novela Twins
Jurnal Ilmiah Pendidikan Scholastic Vol. 10 No. 1 (2026): Jurnal Ilmiah Pendidikan Scholastic
Publisher : Fakultas Sastra Universitas Ekasakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36057/jips.v10i1.802

Abstract

This research is titled "Idiomatic Expressions Used in Miss Peregrine's Home for Peculiar Children Movie: A Pragmatics Analysis." This study discusses the form, type, and pragmatic function of idiomatic expressions used by the characters in the film. This research uses a descriptive qualitative method with O'Dell and Michael's (2010) theory of idioms and Miles and Huberman's (1994) data analysis model. Data was obtained thru observation and documentation techniques, namely by watching the movie repeatedly, recording dialogs containing idioms, and verifying them with the film script. Based on the research findings, 61 idiomatic data were found, consisting of equations, binomials, trinomials, proverbs, clichés, and fixed statements. The most dominant type of idiom was fixed statements (42.62%), followed by clichés (32.79%), and similes (16.39%), while trinomials were the least frequently found (1.64%). From a pragmatic function perspective, idioms serve to provide emphasis, make language sound more natural, describe social and cultural relationships, convey meaning implicitly, show the speaker's attitude or emotions, and act as a cohesive tool in narratives. This shows that idioms in the film Miss Peregrine's Home for Peculiar Children not only embellish the language but also enrich the cultural, emotional, and communicative
Randai as Traditional Minangkabau Culture In Padang Pariaman: A Semiotic Analysis Mac Aditiawarman; Yulia Yulia
Jurnal Ilmiah Langue and Parole Vol. 8 No. 2 (2025): Jurnal Ilmiah Langue and Parole
Publisher : Fakultas Sastra Universitas Ekasakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36057/jilp.v8i2.722

Abstract

This research discusses linguistics signs in randai art originating from west sumatera, randai is a traditional minangkabau drama or theater performance art which is rich in art, noble values and linguistic element in each element of randai, namely, music, drama, gurindam, galombng or dance and silek. Linguistics elements that have meaning in each element are visualized in legaran movements in the form of circular patterns which function as a form of change in time between one scene and the next scene. This research aims to analyze and describe the lingual signs and body language signs found in randai elements and function in the context of minangkabau culture.The research method used is descriptive qualitative, with data collected through field observations, interviews, documentation in the form of videos and photos with art pioneers, members of legaran randai. Then the researcher conducted a literature study using Saussure and Barthes semiotics theory. The results of this research show that randai is a complex performing art that combines elements of movement or silek, music, dialogue and singing. The randai movement has distinctive characteristics that reflect the noble values and philosophy of Minangkabau culture, namely leadership and mutual cooperation and a sense of unity. Randai also has a function as a medium for education, entertainment that conveys moral messages or social criticism as well as a form of local minangkabau wisdom.
The Traditional Anak Daro Clothes Of Salayo, Solok District West Sumatera:A Semiotic Analysis Tamara Fauzia; Mac Aditiawarman
Jurnal Ilmiah Langue and Parole Vol. 8 No. 2 (2025): Jurnal Ilmiah Langue and Parole
Publisher : Fakultas Sastra Universitas Ekasakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36057/jilp.v8i2.721

Abstract

The purpose of this study is to reveal the meaning and signs of clothes worn by anak daro and introduce and preserve Minangkabau culture, especially in traditional wedding clothes in Nagari Salayo, Solok District. This research resulted in the meaning of the signs on the clothes and attributes worn by the bride during the wedding party. These meanings are categorized into 3 parts. These meanings are categorized into 3 parts. First, it reflects the state of flora and fauna in the surrounding nature, such as bungo sanggua banana saparak, dukuah rago, dukuah ramo-ramo, tali baju, tabua, galang munggu, galang leaves. Second, the Salayo community does not forget the rules of custom and religion, this can be seen in the attributes of dukuah pinyaram. The symbolic meaning of the marriage symbols as a whole is a form of respect, while the symbolic meaning contained in the traditional clothes of the Salayo children is a form of responsibility and life lived during marriage.The method used in this research is descriptive qualitative research method. The main data collection techniques in qualitative research are observation, in-depth interviews, and supplemented by documentation studies. The data analysis technique is to explain the clothing attributes and interpret each sign on the attributes using the theory proposed by Ferdinand de Saussure, namely Semiotics.
Co-Authors Agustina Agustinus Sakukuret Ahmad Nusi Amelia Yuli Astuti Anna Hilda Delima Febria Trinila Dewirahmadanirwati, Dewirahmadanirwati Dhenisa Novela Twins Dhenisa Novela Twins Diyan Nofita Amelia Faradillah, Nurul Fauzia, Tamara Fernando Satepuk Fitri Mardhatillah Gusri Dozan Herfanus Duha Herfanus Duha Husnul Hayati Indri Dwi Avinta Jhoti Maysona, Jhoti Maysona Kinara Vidolantia Linuwih, Endar Rachmawaty Maharani, Dara Natalion Nanda Putra Novita, Bella Nurizzati Nurizzati Octa Deski Aryan Oki Agustriawan Putriayunda, Putriayunda Rahmadanil Putra, Riski Renita Putri Elba Rera Abel Gemilang Rizki Ramadhan Rois Pangestu Sagugurat, Rosli Penji Sagustia, Poppy Sam Hermansyah Sandari, Winda Satepuk, Fernando Sonya Putri Rahmadani Sukamto, Ika Sumiyarsi Tamara Fauzia Tulia Sabojiat, Diana Yelnim Yulia Yulia Yulia Yulia