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Journal : perspektif

Pola Komunikasi Interpersonal Ayah dan Anak dalam Membentuk Kepercayaan Diri Anak di Kota Tegal Zaskia Nur Septiani; Diryo Suparto; Sarwo Edy
PERSPEKTIF Vol. 15 No. 3 (2026): PERSPEKTIF Juli
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v15i3.18093

Abstract

This study aims to analyze communication patterns between fathers and children in shaping children’s self-confidence in Tegal City. This research employed a qualitative approach with a descriptive design. The informants were selected using purposive sampling and consisted of eight father–child pairs. Data were collected through in-depth interviews, observation, and documentation, then analyzed through data reduction, data presentation, and conclusion drawing. The findings show that interpersonal communication between fathers and children plays an important role in developing children’s self-confidence. Open and empathetic communication makes children feel safe, heard, and valued. Fathers’ support and positive attitudes encourage children to try new experiences, participate in social activities, and develop positive self-perception. Meanwhile, equality in communication creates warm and pressure-free relationships, allowing children to express their opinions more confidently. Conversely, the lack of father involvement may create emotional distance and communication barriers that lead to functional fatherlessness. This study confirms that children’s self-confidence is shaped not only by internal factors but also by the quality of father-child communication that is emotionally present, consistent, and meaningful.
Representasi Propaganda dan Ideologi Perang dalam Anime Spy x Family melalui Analisis Semiotika Roland Barthes Fita Yauma Sabita; Sarwo Edy; Ike Desi Florina
PERSPEKTIF Vol. 15 No. 3 (2026): PERSPEKTIF Juli
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v15i3.18095

Abstract

This study analyzes the representation of propaganda and war ideology in the anime Spy x Family episodes 39–40. The research focuses on Loid Forger’s childhood, which reveals how war narratives, hostility toward the enemy, and militaristic values are constructed through media, family, social environment, and children’s play. This study employs a qualitative descriptive approach using Roland Barthes’ semiotic analysis, which includes denotation, connotation, and myth. Jacques Ellul’s propaganda theory is also used to classify the forms of propaganda represented in the selected scenes. The findings show that war propaganda is represented through integration, vertical, horizontal, sociological, and political propaganda. Sociological propaganda appears as the most dominant form because war ideology operates subtly through daily habits, social language, peer pressure, and children’s games. These findings indicate that Spy x Family functions not only as entertainment, but also as a medium of social criticism against the normalization of war, the dehumanization of enemies, and the formation of military identity from an early age. This study emphasizes the importance of critical media literacy in interpreting ideological messages embedded in popular culture
Representasi Animisme & Spiritualisme dalam Tari Sintren: Kajian Komunikasi Budaya Lita Gunawan; Ike Desi Florina; Sarwo Edy
PERSPEKTIF Vol. 14 No. 3 (2025): PERSPEKTIF Juli
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v14i3.15011

Abstract

This study explores the representation of animism and spiritualism in Sintren Dance through the perspective of cultural communication. Sintren is a traditional Javanese dance performance rooted in mystical beliefs, particularly involving ancestral spirits and the spirit realm. The study aims to identify the role of Sintren Dance as a medium of cultural communication that conveys deeply embedded values of animism and spiritualism. A qualitative method with an ethnography of communication approach was employed. Data were gathered through direct observation, in-depth interviews, and documentation, including photos and video recordings. The research focuses on three communities in the northern coastal region of Central Java: Paguyuban Sintren Sekar Arum (Tegal), Paguyuban Sintren Satria Nada (Brebes), and Paguyuban Sintren Satria Budaya (Pemalang). Findings reveal that Sintren functions as a symbolic channel of communication involving sacred objects (incense, chicken cages, black glasses, shawls, and flowers) that represent animism. Spiritualism is reflected in the ritual use of mantras and the belief in spirit possession, where the dancer enters a trance. The pawang acts as a spiritual intermediary, while the dalang manages the performance. The saweran tradition and audience interaction also reflect deep emotional and spiritual engagement. Ultimately, Sintren is more than entertainment—it is cultural heritage and spiritual expression that communicates ancestral values across generations.