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All Journal Humaniora Abdi Seni Acintya Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Pendhapa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT International Journal of Educational Research and Social Sciences (IJERSC) Sanggitarupa Indonesian Proceedings and Annual Conference of Islamic Education (IPACIE) Social Science Academic Sirajuddin : Jurnal Penelitian dan Kajian Pendidikan Islam Sirajuddin: Jurnal Penelitian dan Kajian Pendidikan Islam
Tri Prasetyo Utomo
Fakultas Seni Rupa Dan Desain, Institut Seni Indonesia Surakarta
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Education Environmental Science Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Journal : Pendhapa

 1 
Estetika Arsitektur Dalam Perspektif Teknologi Dan Seni Utomo, Tri Prasetyo
Pendhapa Vol 1, No 1 (2009)
Publisher : Pendhapa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (35.059 KB)

Abstract

Philosophical Aesthetics here is considered to center on these latter-day developments. Some aesthetic effects available in architecture, technology, and visual arts include tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movements, rhythm, unity, and proportion. An aesthetic experience is just the experience of aesthetic properties and formal relations of a work. But this leads to problems concerning the attribution of aesthetic properties and whether we detect them or they are merely projected. Carroll suggests that the mere fact that we disagree about the attribution of aesthetic properties gives us at least some minimal reasons to presume that aesthetic properties are objective. Our response to art is unique and not precisely intellectual; beauty and perfection that we find in works of art do not consist of concepts but sense impressions. Key words : aesthetics, architecture, technology, art.
PERANCANGAN INTERIOR RESTORAN JUNG JAVA DI PESISIR PANTAI JEPARA Ahmad Abdur Rois; Tri Prasetyo Utomo
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2301.425 KB) | DOI: 10.33153/pendhapa.v9i2.2413

Abstract

ABSTRACTThe restaurant’s interior design Jong Java will be designed with the theme “Ship Jung Java” which takes the form of objects that were on board until the vessel Jung Java it self, and packed with style metaphor. The style can be identified by visual metaphor real and philosophically in the shape that gives an appropriate form of intact objects analogy. Making style is an embodiment of architectural styles to provide imagery on a building along with presented nuance ship Jung Java along with the history of the town of Jepara in an Interior Design Jung Java Restaurants in Coastal Jepara. Advantages in terms of facilities and style, “ Perancangan Interior Restoran Jung Java di Pesisir Pantai Jepara “ more interesting to be one of the culinary tourism in Jepara, as well as an effort to preserve one of the seafood dishes typical Jepara and Jepara maritime history.Keywords: Interior Design, Jung Java, Coastal Restaurant, Jepara
ESTETIKA ARSITEKTUR DALAM PERSPEKTIF TEKNOLOGI DAN SENI Tri Prasetyo Utomo
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (360.425 KB) | DOI: 10.33153/pendhapa.v1i1.1687

Abstract

Philosophical Aesthetics here is considered to center on these latter-day developments. Some aesthetic effects available in architecture, technology, and visual arts include tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movements, rhythm, unity, and proportion. An aesthetic experience is just the experience of aesthetic properties and formal relations of a work. But this leads to problems concerning the attribution of aesthetic properties and whether we detect them or they are merely projected. Carroll suggests that the mere fact that we disagree about the attribution of aesthetic properties gives us at least some minimal reasons to presume that aesthetic properties are objective. Our response to art is unique and not precisely intellectual; beauty and perfection that we find in works of art do not consist of concepts but sense impressions. Key words : aesthetics, architecture, technology, art.
Co-Authors Ahmad Abdur Rois Aulia, Rachel Diyan Asmawati Sya’ban Djono Djono Eko Sri Haryanto Eko Sri Haryanto Fahmi, Hanan Ari Fernanda Dwi Cahyani Galih, Maria Candhika Wening Haryanto, Eko sri Herry Prilosadoso, Basnendar Hesti Heriwati, Sri I Nyoman Suyasa Laksani, Hening Maqnunah, Lu'luil Mardjono, M., Muslihah, Isnawati Nurhadi Panindias, Asmoro Nuriz, Adib Fuadi Putri Sekar Hapsari Putri Sekar Hapsari Rahmat Ardi Candra Dwi Atmaja, Nur saleh, ragil amiruddin Siti Badriyah Siti Badriyah Slamet Subiyantoro Sulistyani, Harmilyanti Uddin Haq, Ahmad Rafi Yiyik Nurdiana