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Pengembangan Website Desa sebagai Media Komunikasi dan Informasi Publik Desa Pererenan Pratama, I Putu Adi; I Putu Adi Saskara; Nelce; Adi Wijaya, I Gede Satya; Candrananda, Made Aditya; Praditya, I Made Bayu
Sevanam: Jurnal Pengabdian Masyarakat Vol 3 No 2 (2024): September
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sevanam.v3i2.4006

Abstract

Desa Pererenan, yang memiliki potensi wisata yang kaya, menghadapi tantangan dalam penyampaian informasi dan pelayanan publik yang efektif kepada warganya. Oleh karena itu, pengembangan website desa menjadi solusi strategis untuk meningkatkan aksesibilitas informasi, transparansi, dan partisipasi warga. Proses pembuatan website melibatkan identifikasi kebutuhan masyarakat, perancangan struktur dan konten yang relevan, serta pelatihan bagi perangkat desa untuk mengelola dan memperbarui informasi secara mandiri. Hasil dari kegiatan ini adalah sebuah platform digital yang dapat diakses oleh seluruh warga dan pengunjung, yang menyediakan informasi terkait pelayanan publik, kegiatan desa, berita terkini, dan potensi lokal. Website ini diharapkan dapat menjadi alat yang efektif untuk meningkatkan komunikasi antara pemerintah desa dan masyarakat, serta mempromosikan potensi desa kepada khalayak yang lebih luas. Melalui digitalisasi ini, Desa Pererenan dapat mewujudkan tata kelola yang lebih transparan, responsif, dan inklusif.
Rancang Bangun Sistem Optimasi Penggunaan Bahan Baku Dengan Metode Simpleks Pratama, I Putu Adi; Prasetya Hogantara, Kadek Anggie
Jurnal Sistem Informasi dan Komputer Terapan Indonesia (JSIKTI) Vol 3 No 2 (2020): December
Publisher : INFOTEKS (Information Technology, Computer and Sciences)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1006.064 KB) | DOI: 10.33173/jsikti.87

Abstract

Maximizing profit is a key objective for companies, particularly in industries with production constraints. Republic of Soap, a soap manufacturing company, faces challenges in optimizing its production process due to limited raw materials. The company produces soaps in three variants: 40 grams, 100 grams, and 125 grams. Given the limitations of available raw materials, this study proposes an optimization system to determine the maximum achievable profit. By implementing the Simplex algorithm, the proposed system calculates the optimal allocation of raw materials to maximize profits. The results show that the optimal production plan involves 20.20 batches of 40-gram soap, yielding a total profit of IDR 4,251,151.52. System testing confirmed the ability of the optimization model to generate optimal profits, demonstrating its effectiveness in supporting decision-making for raw material utilization in production. This research provides a valuable approach to addressing production constraints while enhancing profitability.
Memories Of The Creativity: A Visual Criticism Of The Evolution Of Creativity In The Era Of Artificial Intelligence: Memories Of The Creativity: A Visual Criticism Of The Evolution Of Creativity In The Era Of Artificial Intelligence Ahmad Naswin; I Putu Adi Saskara; I Putu Adi Pratama
Warna Komunikasi Vol 1 No 1 (2025): Les-Guet's
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/lg.v1i1.4847

Abstract

Alit Kumala Dewi's "Memories of the Creativity" poster is a powerful visual response to the shifting meaning of creativity in the posthuman era, where artificial intelligence (AI) technology is beginning to redefine creative processes that were previously closely tied to human experience. By combining the image of an old man with closed eyes, a collage of manual art activities, and the symbolism of AI invasion in a contrasting visual composition, the poster highlights the existential tension between the memory of traditional creativity and the new, increasingly digitalized reality. This work is not only an aesthetic statement, but also a philosophical reflection on the changing role of humans in artistic creation. This article analyzes the poster using a theoretical approach based on the concepts of posthumanity, simulacra, creative nostalgia, and a critique of cultural automation. Through an in-depth reading, it is revealed how the poster functions as a social critique and a contemplative invitation to the position of humans in the creative landscape of the future.