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All Journal JURNAL ITENAS REKARUPA Rekam : Jurnal, Fotografi, Televisi Animasi MUDRA Jurnal Seni Budaya Panggung Ultimart: Jurnal Komunikasi Visual Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Jurnal Rupa Jurnal Akrab (Aksara agar Berdaya) Wimba: Jurnal Komunikasi Visual Panggung
Yasraf Amir Piliang
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Religion Arts Humanities Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Social Sciences Other

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Wonderful Archipelago As The Result Of Culture Diaspora Through Carnavals In Indonesia Lois Denissa; Yasraf Amir Piliang; Pribadi Widodo; Nuning Yanti Damayanti Adisasmito
Mudra Jurnal Seni Budaya Vol 31 No 3 (2016): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v31i3.49

Abstract

The Fashion Carnaval, which is a phenomenon in district city of Jember, has been held every July to August since 2003. The existence ofthis event has a positive impact for the peopleliving in Jember. It does not only encourage the creativity of young people, but also improves the social life, economy, culture, politics and tourism of Jember.Jember Fashion Carnaval is in the process of becoming an iconic event of Jember, We knew this event from cross-border communication, mass media and its routine roadshow in the country and abroad, as well as its achievements in various international beauty contests, The successful Jember Fashion Carnaval (JFC) has made the city of Jember more internationally recognized and this has a positive impact on other cities in Indonesia in a way that this motivates those cities to create something interesting about them. The other regions are motivated to discover their local potency and make it in such a way that it can become a similar successful fashion carnaval. Indonesian people have been familiar with such art festival that is held on the streets and a part of ritual. This kind of activity has been a strongly rooted tradition since many years ago until now.Changing an art event into a contemporary performing art in the form ofa fashion carnaval is not something contrary to the culture of Indonesian society. Both have visual similarity and use the streets as their venues. Their purpose is the only difference. The Jember Fashion Carnaval, that has successfully become the icon of the city, has encouraged what is known as Wonderful Archipelago, a carnaval culture diaspora phenomenon, which is easily absorbed, spread and becomes fruitful across the countryKey Words: Culture Diaspora, Jember Fashion Carnaval, Wonderful Archipelago
‘Gerak’ Pada Film Sebagai Kode Budaya Studi Kasus Film ‘Setan Jawa’ Karya Garin Nugroho: Studi Kasus Film 'Setan Jawa' Karya Garin Nugroho Agustina Kusuma Dewi; Yasraf Amir Piliang; Irfansyah Irfansyah; Acep Iwan Saidi
Mudra Jurnal Seni Budaya Vol 35 No 3 (2020): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v35i3.826

Abstract

‘Gerak’ adalah proses perpindahan dari satu tempat ke tempat lain untuk mencapai tujuan. Tranposisi kreatif ‘gerak’ pada film sebagai wahana diskursus budaya mengkonstruksi makna dengan modifikasi luas menjadi proses intersemiosis kebudayaan menjadi kode dan elemen nonlinguistik. Film ‘Setan Jawa’ karya Garin Nugroho (2016) yang menjadi studi kasus merupakan film sine-orkestra yang memunculkan dialektika di luar konvensi film dengan memisahkan bunyi menjadi berada di luar film memunculkan kode-kode kultural mencakup mitos, teologi primitif yang ditampilkan dalam wujud sebuah tatanan dunia yang dibayangkan sebuah masyarakat Jawa. Penelitian ini bertujuan untuk menelaah transposisi identitas kultural dalam film ‘Setan Jawa’ melalui ‘gerak’ pada film, sebagai satu media diskursus budaya yang menurut psikoanalisis dapat memunculkan hipnotik massal kebudayaan. ‘Gerak’ menjadi kode kultural yang secara visual menawarkan paradigma baru bagi film sebagai sebuah karya seni. Metode penelitian menggunakan uji respon estetik sebagai bentuk tanggapan atas sebuah karya seni, konstruksi respon estetik sebagai indikator penelitian dikembangkan dari penelitian H. Hoege (1984), Roger Long (1979), Erving Goffman (1959); sebagai bentuk pengujian konsep ‘gerak’ atau dinamika dalam film ‘Setan Jawa’ yang merupakan unsur yang membangkitkan atau merangsang perasaan (emosi). Hasil pengujian kemudian didiskusikan menggunakan metode Focus Group, menghasilkan temuan bahwa ‘gerak’ dapat berperan sebagai kode yang bersifat intensional, sebuah kode kultural yang mengomunikasikan identitas kultural sekaligus juga menawarkan estetika lain dalam paradigma postmodern bagi penciptaan film sebagai karya seni (dan desain) di era Revolusi 4.0.
Kode-kode Psikis dalam Film '27 Steps of May' (2019): Sebuah Analisis Teks Shofani Azhari; Yasraf Amir Piliang
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.3983

Abstract

Film is an important medium to represent the social reality that occurs in society. This can be seen from how a film can present a portrait of reality in symbolic forms full of meaning. The symbolic forms in the film can be related to the psychoanalytic theory in the film. The psychoanalysis in the film can be attributed to the signs in the film. One of the films full of psychic codes is 27 Steps of May (2019). This film directed by Ravi Bharwani tells about the trauma of survivors of sexual violence. May (played by Raihaanun) was the victim of gang rape when she was 14 years old. Due to deep trauma, his life later turned into a life without connection, emotion and even communication. This film shows how trauma greatly affects a person's life. The purpose of this study was to determine the psychic meaning of the codes in the film 27 Steps of May. The method used is a text analysis method with a structural semiotic approach. Semiotics is used to reveal the connotative meaning hidden behind the media text as a whole. The semiotics used is Roland Barthes' semiotics model. The results of this study are in the form of a description of the psychic codes in the film and how the body language and codes of the actors are related to psychological expressions. The results of this study were May, who hallucinated a hole in the wall inside her bedroom. This refers to the gestures and body language that are displayed in the scene as well as the psychic condition of May who is a schizophrenic, where she cannot understand the world around her normally because she is hallucinating.
Wacana Visual Talk Show ‘Mata Najwa’: Melihat Bahasa Tubuh Partisipan sebagai Kekuatan Visual Winny Gunarti W.W.,; Yasraf Amir Piliang; Achmad Syarief
PANGGUNG Vol 23 No 4 (2013): Membaca Tradisi Kreatif, Menelisik Ruang Transendental
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v23i4.149

Abstract

ABSTRACT Ahead of the 2014 election, political and social issues become topics that are often raised on the television talk shows. The existence of a talk show as visual discourse is interesting to study because it can influence public opinion on an issue which involves public figures. In addition to raising the popular issue, the talk show is also designed to perform a professional host and resource person who is in the issue. Mata Najwa talk show on Metro TV is one of the talk shows that features the visual power. By using the studio design as a talk space background, this program focuses on the visual power of Najwa Shihab as the host and resource person appearances where the body of participants become a construction of media to attract the audience’s attention. This study discusses one of epi- sodes of ‘Mendadak Capres’ that presents a public figure Rhoma Irama as resource person. Qualita- tive analysis with Social Semiotic approach puts participants  as part of discourse elements in the production.  The focus of discussion include visual signs which consist of facial expressions, hand gestures and body position of the host and the resource person to build their identity and power in the visual discourse of the conversation. The body language of participants becomes important because it can build the audience perception and support atmosphere for discussion. This study can also be a model  that the power of a talk show lies not only on the topic, but also on the visual power of the participants through their body language. Keywords: visual discourse, body language, and visual power  ABSTRAK Menjelang Pemilu 2014, isu sosial politik menjadi topik yang sering diangkat dalam pro- gram bincang-bincang  (talk show) di televisi. Keberadaan talk show sebagai sebuah wacana visual menarik untuk dikaji karena mampu mempengaruhi opini publik tentang suatu isu yang melibatkan tokoh publik. Selain mengangkat isu populer, tontonan bincang-bincang juga didesain menampilkan pembawa acara profesional serta narasumber yang tengah menjadi isu. Talk show Mata Najwa di Metro TV adalah salah satu tontonan bincang-bincang yang menampilkan kekuatan visual tersebut. Dengan menggunakan latar desain studio se- bagai ruang bincang-bincang, kekuatan visual dipusatkan pada penampilan Najwa Shihab selaku pembawa acara dan narasumber di mana tubuh partisipan menjadi bagian dari kon- struksi media untuk menarik perhatian penonton. Studi ini membahas salah satu episode‘Mendadak Capres’ yang menghadirkan figur publik Rhoma Irama sebagai narasumber. Analisis kualitatif dengan pendekatan Semiotika Sosial menempatkan  paritisipan sebagai bagian dari  elemen wacana di dalam produksi. Fokus pembahasan meliputi tanda-tanda visual yang terdiri dari ekspresi wajah, gerakan tangan serta posisi tubuh pembawa aca- ra dan narasumber untuk membangun identitas dan kekuasaan di dalam wacana visual perbincangan. Bahasa tubuh partisipan menjadi penting karena dapat membangun per- sepsi penonton dan mendukung suasana perbincangan. Studi ini sekaligus dapat menjadi sebuah model bahwa kekuatan tontonan bincang-bincang tidak hanya terletak pada topik, tetapi juga pada kekuatan visual partisipan melalui bahasa tubuh. Kata kunci: wacana visual, bahasa tubuh, dan kekuatan visual
Co-Authors Acep Iwan Saidi Achmad Syarief Agustina Kusuma Dewi Elda Franzia Ferric Limano I Nyoman Larry Julianto Irfansyah Irfansyah Irma Damajanti Lois Denissa Mansoor, Alvanov Z. Noval Sufriyanto Talani Nuning Yanti Damayanti Nuning Yanti Damayanti Adisasmito Pribadi Widodo Rahina Nugrahani Rismiyati E. Koesma Savitri Putri Ramadina Shofani Azhari Siti Adlina Rahmiaty Winny Gunarti Widya Wardani