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Mengungkap Karakter Kreatifitas 3 Karya Nirmana Dwi Matra Yuliansyah, Hendy
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1339

Nirmana dwi matra as one and the basis for the introduction of works of art into works is still rare but is in demand by the public. It is an interesting visualization but it is difficult to understand the meaning or meaning in the work of nirmana dwi matra. The various types of nirmana dwi matra works with visualization going hand in hand with certain goals have led to an increase in peopleâ€™s insight into the work of nirmana dwi matra. Through this research, using descriptive analysis method, through art theory and classification, nirmana dwi matra has the potential to become an expert in the form of material, aesthetics, imagination, color harmonization, crossing the concept of performance, recording media, and visualization.Keywords: expert, aesthetics, imagination, nirmana, art, color.

Mengungkap Karakter Kreatifitas 3 Karya Nirmana Dwi Matra Hendy Yuliansyah
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1336

Nirmana dwi matra as one and the basis for the introduction of works of art into works is still rare but is in demand by the public. It is an interesting visualization but it is difficult to understand the meaning or meaning in the work of nirmana dwi matra. The various types of nirmana dwi matra works with visualization going hand in hand with certain goals have led to an increase in people’s insight into the work of nirmana dwi matra. Through this research, using descriptive analysis method, through art theory and classification, nirmana dwi matra has the potential to become an expert in the form of material, aesthetics, imagination, color harmonization, crossing the concept of performance, recording media, and visualization.Keywords: expert, aesthetics, imagination, nirmana, art, color.

Selisik Leluhur Lagu Anak Sunda Untuk Prestasi Belajar Siswa Hendy Yuliansyah
PANTUN Vol 2, No 2 (2017): Konservasi, Visualisasi, Tradisi, dan Mitos
Publisher : Pascasarjana ISBI Bandung

A song is one of the universal human products. As the work of art, a folk song is rarely appreciated by the public. However, it saves signifcance which can certainly be applied for the beneft of education. The research tries to disclose three children Sundanese songs, they are, ucang-ucang angge, cing caripit kajapit, and oray-orayan. The lyrics and the song embody the creativity that can help children learning. Although not directly related to religious teachings, this song becomes a good stimulus for the students to be consistent in learning.Keyword: Culture, Creativity, Song, Work of Art

Mengungkap Identitas Sosial Iklan Komersial Bank Panin Dan Iklan Religius Dompet Dhuafa Yuliansyah, Hendy
PANTUN: Jurnal Ilmiah Seni Budaya Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Advertising as it faces a state of society, can be understood as an easy way to get to know in brief social identity. With a variety of a!ributes imposed in an ad, then the level of maturity, life style as well as the vision of a society can be portrayed. Commercial advertising Panin Bank offers ease in all types of banking transactions, which raises the need for new base. While advertisement designed by DompetDhuafa offers the easy way how to do the belief in Islam, and this is the ultimate key of all religious advertising of Dompet Dhuafa. So that the vision in all advertisement of Dompet Dhuafa is how to increase awareness of Moslem in Islamic teaching with zakat or shadaqah.Keywords: advertise, commercial, religious

Revealing the Visual Structure of the 1981 and 2019 Versions of Ratu Ilmu Hitam Film Posters yuliansyah, hendy
PANTUN: Jurnal Ilmiah Seni Budaya Vol 9, No 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3316

The horror film Queen of Black Magic, which is a remake of the film with the same title, was released in 1981 and 2019. This film was released with the same title, but with different characters. The 1981 version features Suzzanna as the horror queen as the main character, while the 2019 version does not feature Suzzanna and the main character is not famous. This film with the title black magic has become an iconic film, because it emphasizes the word science for horror stories. The word black, which is synonymous with magic, is juxtaposed with the word science, thus forming a paradoxical word relationship. The queen is a figure and incarnation of a ghost, which directly places the ghost in a noble and respected position. The posters for the two films have different designs because of the strength of the ideas, social and cultural atmosphere that exist in the two posters with the large distance between the years of release. This research aims to determine the differences in design concepts between two film poster designs. This analysis is based on Levi Strausss version of structuralism theory which reveals that the 1981 version of the Queen of Black Magic poster emphasizes the importance of Suzzanna as a figure or queen of horror who attracts public attention, while the 2019 version of the Queen of Black Magic poster emphasizes the exploration of the formation of visual elements that lead to the meaning of black magic.

Revealing the Visual Structure of the 1981 and 2019 Versions of Ratu Ilmu Hitam Film Posters yuliansyah, hendy
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3316

The horror film Queen of Black Magic, which is a remake of the film with the same title, was released in 1981 and 2019. This film was released with the same title, but with different characters. The 1981 version features Suzzanna as the horror queen as the main character, while the 2019 version does not feature Suzzanna and the main character is not famous. This film with the title black magic has become an iconic film, because it emphasizes the word science for horror stories. The word black, which is synonymous with magic, is juxtaposed with the word science, thus forming a paradoxical word relationship. The queen is a figure and incarnation of a ghost, which directly places the ghost in a noble and respected position. The posters for the two films have different designs because of the strength of the ideas, social and cultural atmosphere that exist in the two posters with the large distance between the years of release. This research aims to determine the differences in design concepts between two film poster designs. This analysis is based on Levi Strauss’s version of structuralism theory which reveals that the 1981 version of the Queen of Black Magic poster emphasizes the importance of Suzzanna as a figure or queen of horror who attracts public attention, while the 2019 version of the Queen of Black Magic poster emphasizes the exploration of the formation of visual elements that lead to the meaning of black magic.

Mengungkap Identitas Sosial Iklan Komersial Bank Panin Dan Iklan Religius Dompet Dhuafa Yuliansyah, Hendy
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.743

Advertising as it faces a state of society, can be understood as an easy way to get to know in brief social identity. With a variety of a!ributes imposed in an ad, then the level of maturity, life style as well as the vision of a society can be portrayed. Commercial advertising Panin Bank offers ease in all types of banking transactions, which raises the need for new base. While advertisement designed by DompetDhuafa offers the easy way how to do the belief in Islam, and this is the ultimate key of all religious advertising of Dompet Dhuafa. So that the vision in all advertisement of Dompet Dhuafa is how to increase awareness of Moslem in Islamic teaching with zakat or shadaqah.Keywords: advertise, commercial, religious

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