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All Journal Harmonia: Journal of Research and Education Eksplorium : Buletin Pusat Pengembangan Bahan Galian Nuklir Jurnal Pro Hukum : Jurnal Penelitian Bidang Hukum Universitas Gresik Acintya Gelar : Jurnal Seni Budaya Greget Eksplorium : Buletin Pusat Pengembangan Bahan Galian Nuklir
Suharji Suharji
Pusat Teknologi Bahan Galian Nuklir – BATAN
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Earth & Planetary Sciences Education Energy Engineering Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Social Sciences

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Journal : acintya

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TARI TAYUB SEBAGAI SARANA UPACARA RITUAL DI DESA WONOSOCO KECAMATAN UNDAAN KUDUS Suharji, Suharji
Acintya Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (216.377 KB) | DOI: 10.33153/acy.v6i1.191

Abstract

Wonosoco village, district of Undaan, Kudus has a unique tradition called ritual after planting paddyby farmers. This ritual is arranged by a group of three farmers to expel paddy’s pest symbolicallyespecially rat. This research aims to: a) describe ritual ceremony which uses tayub dance as its toolsin Wonosoco, b) describe factors that support ritual of tayub performance, c) write down a journalarticle. For that reasons, this research uses inductive descriptive analytical method with qualitativedata. There are some steps in research writing included data sampling based on field study, observationof tayub performance, interview with guest speaker and informant. For data processing, it usesserial triangulation system such as data reduction, data reformation or data display, and conclusion.This research also uses dance sociological method (as a science that concerns with correlation amongsociety, dance, and its artist).The findings of this research show that dance performance has major meaning in terms of gratitudeand demand to God for giving people bless, being restraint from trouble, granting for all prays, andall of soul as village’s guardian feel happy so increase interest for working hard and reach success.Tayub dance performance that has taken place during four years has been ritual, association, andfriendship tools and has given an entertainment to make life balance.Keywords: dance, tayub, ritual ceremony.
TARI TAYUB SEBAGAI SARANA UPACARA RITUAL DI DESA WONOSOCO KECAMATAN UNDAAN KUDUS Suharji, Suharji
Acintya Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i1.191

Abstract

Wonosoco village, district of Undaan, Kudus has a unique tradition called ritual after planting paddyby farmers. This ritual is arranged by a group of three farmers to expel paddy’s pest symbolicallyespecially rat. This research aims to: a) describe ritual ceremony which uses tayub dance as its toolsin Wonosoco, b) describe factors that support ritual of tayub performance, c) write down a journalarticle. For that reasons, this research uses inductive descriptive analytical method with qualitativedata. There are some steps in research writing included data sampling based on field study, observationof tayub performance, interview with guest speaker and informant. For data processing, it usesserial triangulation system such as data reduction, data reformation or data display, and conclusion.This research also uses dance sociological method (as a science that concerns with correlation amongsociety, dance, and its artist).The findings of this research show that dance performance has major meaning in terms of gratitudeand demand to God for giving people bless, being restraint from trouble, granting for all prays, andall of soul as village’s guardian feel happy so increase interest for working hard and reach success.Tayub dance performance that has taken place during four years has been ritual, association, andfriendship tools and has given an entertainment to make life balance.Keywords: dance, tayub, ritual ceremony.
Tari Kleting Sumandhing In Sanggar Andhe Andhe Lumut Yasmin, Alysa; Aminudin, Aminudin; Suharji, Suharji; Wibowo, Anggono Kusumo
Acintya Vol. 17 No. 2 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to describe the form and creative process of creating the Tari Kleting Sumandhing. The method used in this study is descriptive qualitative research through observational data collection, interviews, and literature studies. The result of this research is the form of the Sumandhing Kleting Dance which consists of movement, dancers, makeup, and clothing, floor patterns, accompaniment music and staging venues. So that the dance form finds beautiful choreography and can be felt by the five senses. Meanwhile, the creative process is the process of thinking in creating, expressing, and creating the visuals of the Tari Kleting Sumandhing. This creative process involves deep exploration to translate values into symbolic forms of movement. The visualization of this symbol is expressed by thinking creatively as a process of imagining combining feelings and movements to find the expression of the character or figure of Kleting Kuning.
Co-Authors Adhika Junara Karunianto Aminudin, Aminudin Darmasti, Darmasti Eko Wahyu Prihantoro Fachry Abda El Rahman Heri Syaeful Hery Prabowo Kurnia Setiawan Widana Lilik Subiantoro Muhammad Jazuli Muhammad Nurdin Oktaviantari, Hervina Purwanto, R Hari Sartapa Sartapa, Sartapa Sestri Indah Pebrianti Setyastuti, Budi Slamet Sudarto, Slamet Soemaryatmi Soemaryatmi, Soemaryatmi Sukirman, Sri Ningsih Sumargono Wibowo, Anggono Kusumo Yasmin, Alysa