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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Gorga : Jurnal Seni Rupa Lekesan: Interdisciplinary Journal of Asia Pacific Arts Segara Widya: Jurnal Penelitian Seni Jurnal Pengabdian Masyarakat (ABDIRA) calaccitra: jurnal film dan televisi Abdi Widya: Jurnal Pengabdian Masyarakat Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara International Journal on Hindu Culture
I Made Denny Chrisna Putra
Institut Seni Indonesia Bali
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Nursing Public Health Social Sciences Other

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KONSTRUKSI IDENTITAS KARAKTER LANSIA DALAM PENYUTRADARAAN FILM PENDEK “SEPI DI UJUNG HARI” Jasmine, Raniya; Putra, I Made Denny Chrisna; Bumiarta, Made Rai Budaya
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

This research explores the construction of elderly character identities in the short film "Sepi di Ujung Hari." Using Carl Plantinga’s theory, the study examines how cinematographic techniques, storytelling, and direction shape audience perception. Through script analysis, cinematography review, and directorial study, findings reveal that close-up shots, lighting contrast, and framing effectively convey emotions and psychological depth. The narrative structure further strengthens audience empathy by depicting the internal struggles of elderly individuals. Additionally, directorial choices, such as actor direction and blocking, significantly enhance authenticity. This study provides valuable insights for filmmakers in constructing engaging elderly characters and contributes to broader discussions on elderly representation in cinema.
CULTURAL LITERACY THROUGH DOCUMENTARY FILM: THE BRAHMAN CEREMONY AS A MEDIUM FOR CULTURAL INHERITANCE I Nyoman Payuyasa; I Made Denny Chrisna Putra; Ida Bagus Hari Kayana Putra
INTERNATIONAL JOURNAL ON HINDU CULTURE Vol. 2 No. 01 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

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Film can reflect the civilization of a country or nation. Through film works, one can clearly see the series of history, culture, philosophy, phenomena, and even social upheavals that have occurred from one era to another. Films, especially documentary films, also serve as powerful media for preserving cultural existence. The role of film in this era of globalization becomes an interesting study to present entertainment that can also serve as guidance for society. Especially considering the current situation of society living amidst the currents of global culture, which undoubtedly threatens the cultural heritage. The purpose of this research is to analyze the values of cultural literacy and the usefulness of the documentary film "Brahman Ceremony" as a medium for inheriting traditions. This research is qualitative descriptive research using observation and interview data collection methods. The results obtained through the documentary film titled "Brahman Ceremony" can serve as a means of socialization and education related to cultural literacy for the younger generation and the general public. The narrative in this documentary film provides an understanding of the process or ceremony of death packaged in a funeral ceremony for those who have become sulinggih, holy people, or priests in the Hindu belief. This process is interpreted as a tribute to the holy and unites them with Brahman. Cultural literacy can be seen from the explanations of religious and cultural anthropologists, sociologists of religion, and academics who provide an understanding of the organization of the ngaben ceremony or funeral rites. This film also contains cultural literacy in recorded history narrated well, especially related to the history of Sanur, the journey of Sanur's development into a famous tourist village known internationally. This journey is inseparable from the role of a figure named Ida Bagus Tjethana Putra or known as Ida Pedanda Gede Dwija Ngenjung.
PENERAPAN GAYA SINEMATOGRAFI SLOW BURN DALAM FILM KALA MENTARI BERLALU I Putu Suyandana; I Made Denny Chrisna Putra; Gangga Lawranta
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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The short film Kala Mentari Berlalu addresses the issue of the sale of rice field land in Bali through a child’s perspective, employing a slow-burn cinematographic approach. This research/creative project aims to analyze the role of the Director of Photography in shaping visual rhythm, emotional resonance, and the transformation of visual style from realism to surrealism. The method applied is practice-based research, encompassing stages of conceptualization, visual design, production, and evaluation. The results indicate that the slow-burn approach is effective in gradually building the audience’s emotional engagement through long shot durations, minimalist camera movement, and subtle lighting. This film is expected to contribute to the development of fictional film cinematography practices with a reflective approach.
PERANCANGAN BAHASA VISUAL DALAM PENCIPTAAN KARYA FILM PENDEK DARA DALAM BELENGGU Thoriq Sihabudin; I Made Denny Chrisna Putra; I Nyoman Payuyasa
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Film is an audio-visual medium that possesses the power to convey meaning through moving images; however, strictly relying on verbal dialogue or verbalism remains a common issue in practice. The creation of the short fiction film Dara dalam Belenggu addresses the psychological issue of body anxiety in adolescents, demanding a specific visual approach to depict internal conflict without explicit verbal explanation. This article discusses the application of Cinematic Language by the cinematographer as a narrative solution to visualize the isolation and mental pressure experienced by the protagonist, Anari. The creation method focuses on Shot Design utilizing Negative Space and the application of lighting with a Progressive Contrast Ratio. The results demonstrate that the use of tight, restrictive framing (claustrophobic) and the shift in light contrast ratio from flat to high contrast successfully represent the emotional escalation and the character's feeling of being "shackled" symbolically. Through this approach, visual elements effectively function as the primary storyteller, building the atmosphere and character emotion..
SINEMATOGRAFI DALAM PENYAMPAIAN EMOSI NON-VERBAL PADA FILM TAK KEMBALI LAGI I Gusti Agung Deta Nanda Nugraha; I Made Denny Chrisna Putra; I Wayan Agus Mahardika
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

The short film Tak Kembali Lagi is a fictional drama-romance work that explores the dynamics of a relationship breakdown through a non-verbal emotional approach. This work is based on the idea that conflicts in relationships do not always emerge through explicit verbal confrontation, but rather develop gradually through silence, emotional distance, and routines that lose their meaning. Therefore, cinematography is positioned as the primary visual language in conveying the characters’ inner states and relational dynamics. This article examines the creative process of Tak Kembali Lagi with a focus on the role of the Director of Photography (DOP) in designing and implementing visual aesthetics that support emotional storytelling. A realist approach is employed as the aesthetic foundation through the application of cinematographic techniques such as long takes, natural lighting, negative space composition, and frame-in-frame. The creation method consists of concept exploration, pre-production, production, and post-production stages. The results indicate that cinematography plays a significant role in communicating non-verbal emotions and enhancing the audience’s emotional experience without reliance on dialogue.
Pengabdian Masyarakat di Desa Gadungan, Tabanan, Bali: Pembuatan Film Dokumenter Perjuangan Rakyat dengan Judul “Baliwerti – Bara di Tanah Gadungan” I Made Denny Chrisna Putra; Gede Pasek Putra Adnyana Yasa; Arya Pageh Wibawa; Epriliana Fitri Ayu Pamungkas
Abdi Widya: Jurnal Pengabdian Masyarakat Vol 5 No 1 (2026): Abdi Widya: Jurnal Pengabdian Masyarakat
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/awjpm.v5i1.5943

Abstract

Desa Gadungan di Kabupaten Tabanan, Bali, memiliki nilai historis yang kuat terkait perjuangan masyarakat dalam mempertahankan kemerdekaan. Namun, pengetahuan sejarah tersebut sebagian besar masih bersifat lisan dan berpotensi hilang akibat minimnya dokumentasi serta terbatasnya transmisi antargenerasi. Kegiatan pengabdian ini bertujuan untuk mendokumentasikan dan mentransmisikan kembali memori kolektif masyarakat melalui produksi film dokumenter berjudul “Baliwerti: Bara di Tanah Gadungan”. Metode yang digunakan meliputi tahapan pra-produksi, produksi, dan pasca-produksi, yang dipadukan dengan pendekatan partisipatif dan etnografi visual. Tahap produksi dilakukan dengan metode perekaman memori melalui keterlibatan langsung narasumber di lokasi historis. Hasil menunjukkan bahwa film dokumenter berperan tidak hanya sebagai media dokumentasi, tetapi juga sebagai sarana rekonstruksi memori sosial, jembatan antar generasi, dan penguatan identitas budaya masyarakat. Selain itu, film ini memiliki potensi sebagai media edukasi dan promosi desa berbasis sejarah. Secara akademik, kegiatan ini berkontribusi pada pengembangan film dokumenter sebagai metode pengabdian berbasis budaya dan partisipasi masyarakat.
Co-Authors Agustina, I Kadek Indra Armandio, Michelly Dante Arya Pageh Wibawa Ayu Pamungkas, Epriliana Fitri Baehaqi Dani Sahrul Hadi Darma Yasa, Ngakan Putu Desak Putu Yogi Antari Tirta Yasa Epriliana Fitri Ayu Pamungkas GANGGA LAWRANTA Gede Pasek Putra Adnyana Yasa Hari Kayana, Ida Bagus Helvin Topannesa I Gusti Agung Deta Nanda Nugraha I Kadek Puriartha I Kadek Purnama I Ketut Buda I Ketut Buda I Made Angga Wicaksana Yasa I Made Suhartana I NYOMAN PAYUYASA . I Putu Agus Endra Widiantara I Putu Suyandana I Wayan Agus Mahardika I Wayan Sauca Widyantara Putra Ida Bagus Hari Kayana Putra Ida Bagus Harikayana Putra Jasmine, Raniya Kadek Dwiyani Ketut Hery Budiyana Made Rai Budaya Bumiarta Manik Darmaputra , Ida Bagus Maria Regina Ayu Tri Wina Yuhari Oktrino, Gespanne Fayyadh Pamungkas, Epriliana Fitri Ayu Putu Kenta Menggala Ruspa Rizky Achmad Fadil Suciartini, Ni Nyoman Ayu Susanthi, Nyoman Lia Thoriq Sihabudin Widhi Asih, Made