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All Journal Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar Panggung Visualita : Jurnal Online Desain Komunikasi Visual Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Jurnal Rupa Jurnal Desain Besaung : Jurnal Seni Desain dan Budaya Ideas: Jurnal Pendidikan, Sosial dan Budaya Journal of Language and Literature Aksara: Jurnal Ilmu Pendidikan Nonformal Jurnal SASAK : Desain Visual dan Komunikasi Narada : Jurnal Desain dan Seni Judikatif: Jurnal Desain Komunikasi Kreatif Dikmas: Jurnal Pendidikan Masyarakat dan Pengabdian Wimba: Jurnal Komunikasi Visual Jurnal Dimensi Seni Rupa dan Desain Askara: Jurnal Seni dan Desain Serat Rupa: Journal of Design Jurnal Desain
Elizabeth Susanti Gunawan
Universitas Kristen Maranatha
Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : Panggung

 1 
Representation of Chinese Cultural Identity in the Films Assalamualaikum Beijing and Kukejar Cinta ke Negeri Cina Susanti, Elizabeth
PANGGUNG Vol 36 No 1 (2026): Echoes of Archipelago Mythos: Interweaving Tradition, Symbolism, and Narrative i
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i1.3747

Abstract

In Indonesian films, representations of Chinese identity that integrate Chinese cultural elements and Islamic values remain relatively underexplored, making them significant to examine in a cross-cultural context. This study analyzes how Chinese identity is represented in the films Assalamualaikum Beijing and Kukejar Cinta ke Negeri Cina, and how these cultural elements are connected to Islamic values. The research employs visual semiotic analysis, which explores the signs, symbols, visual elements, identity representations, and narratives of multiculturalism that appear in both films. The results show that Chinese identity is positioned as a bridge of cultural harmony through depictions of tolerance, historical proximity, and the process of religious assimilation between China and Indonesia. The novelty of this study lies in revealing the integration of Chinese culture and Islamic values, which is rarely addressed in Indonesian films, particularly through visual representations that emphasize diversity and the historical and cultural connections between China and Indonesia.
Co-Authors Callista, Jesslyn Christian, Jane Eunike Cindrawaty Lesmana Darmayanti, Tessa Eka Debora Eka Velly Dody Achmad Ebenhaez, Hans Faris Evangeline Jeanette Liem Hamzah, Azis Akmal Hubert, Hubert Jessica Yonatia Jessica Yonatia Jessica Yonatia Kezia Sachi Sinamo Krismanto Kusbiantoro Lael, Gracelynn Talitha Liem, Evangeline Jeanette Magdalena, Elisa Miki Tjandra Mochammad Rashad Mugia, Sultan Tanu Naomi Haswanto Paul Martin Pavita, Syandana Pramesthi, Jasmine Btari Rajagukguk, Richard Julianus Rashad, Mochammad Santoso, Laurensius Andreas Steven Enrico Raharjo Teddy, Cynthia Natasha Tjandra, Miki Tohana, Andi Wimuried Vanesha, Vanesha Vania, Cindy Velly, Debora Eka Yonatia, Jessica Yonatia, Jessica