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All Journal Jurnal Dakwah: Media Komunikasi dan Dakwah Asy-Syir'ah: Jurnal Ilmu Syari'ah dan Hukum Jurnal Pemberdayaan Masyarakat: Media Pemikiran dan Dakwah Pembangunan Titian: Jurnal Ilmu Humaniora TADBIR: Jurnal Manajemen Dakwah FDIK IAIN Padangsidimpuan ADDIN Al Huwiyah: Journal of Woman and Children Studies AT-TABAYYUN: Journal Islamic Studies Journal of Asian Wisdom and Islamic Behavior
Hamdan Daulay, Hamdan
Unknown Affiliation
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Religious Expression in the Digital Age: Shalawat Practices among Generation Z Indonesians Baidawi, Baidawi; Daulay, Hamdan; Khamis, Kamarul Azman bin
Journal of Asian Wisdom and Islamic Behavior Vol. 2 No. 2 (2024)
Publisher : JAWAB: Journal of Asian World and Islamic Behavior Journal of Asian World and Islamic Behavior

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59371/jawab.v2i2.85

Abstract

new religious trend on TikTok social media through religious expression played by urban Muslim millennials in the form of shalawat is taking place in the information age. This article aims to investigate the religious expression of urban Muslim millennials through shalawat impressions that often appear on the homepage. This research method uses descriptive qualitative through virtual ethnography approach. The data collection technique is through the selection of shalawat content on TikTok social media played by urban Muslim youth. The author chooses 3 shalawat contents that are considered viral and often circulate on TikTok social media. The results of this study show that TikTok media as a space for expressing the religiosity of urban Muslim millennials takes an important part in increasing social religious activities, fostering religious spirit and self-existence by openly displaying religious symbols, products and identities. The activism of young urban Muslims massively carries out religious rituals that are formed naturally in the form of virtual taklim assemblies that bring out passion in religion.
The Feminism Movement on the Hard Music Stage: An Analysis of the Unity/Safe Rooms of Indonesian NEGATIFA Band Songs Maskuri, M. Ibnu Naufal; Daulay, Hamdan; Khadziq
Al Huwiyah: Journal of Woman and Children Studies Vol. 5 No. 2 (2025): Al Huwiyah: Journal of Woman and Children Studies
Publisher : Universitas Islam Negeri Raden Intan Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24042/9vrv5v04

Abstract

This study analyzes the song Unity / Ruang Aman by the hardcore powerviolence band NEGATIFA as a medium of resistance against sexual violence in public spaces, particularly within Indonesia’s heavy music scene. The song was selected because it explicitly exposes incidents of harassment that occurred at concerts and asserts the urgency of safe spaces for women. A qualitative approach was applied through textual analysis of the lyrics, documentation of live performances, and theoretical framing using Alberto Melucci’s concept of collective identity and Stuart Hall’s theory of meaning negotiation. The findings reveal that the lyrics of Unity / Ruang Aman function as a form of cultural protest challenging patriarchal norms and false solidarity within the independent music community. Symbols such as “scene,” “stage dive,” and “bullshit unity” are transformed into discourses of resistance that reject victim blaming practices and demand collective accountability. Beyond criticism, the song promotes preventive mechanisms against sexual violence through on stage actions, direct calls to the audience, and the do it yourself networks characteristic of the hardcore subculture. This research demonstrates that heavy music can serve as an effective medium for education, gender equality campaigns, and social mobilization. The study contributes to music, gender, and social movement scholarship by showing how popular cultural practices can articulate demands for justice and construct a collective identity of resistance to sexual violence in public spaces.
Religious Moderation: Identity Politics, Policy, and Social Change in Islamic Religious Colleges Miftah, Muhammad; Sutrisno, Sutrisno; Daulay, Hamdan
ADDIN Vol 17, No 1 (2023): ADDIN
Publisher : LPPM IAIN Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21043/addin.v17i1.16470

Abstract

Religious moderation is politically included in public policies that are integrated into the 2020-2024 National Medium-Term Development Plan (Rencana Pembangunan Jangka Menengah Nasional, RPJMN). Ministry of Religion as the leading sector for mainstreaming religious moderation in its environment has the responsibility to translate religious moderation from the narrative of religious moderation to the real action in its institutional units. This research is qualitative research conducted at State Islamic University (Universitas Islam Negeri, UIN) Walisongo Semarang which seriously promotes religious moderation in the institution. The results of this study are the problem of strengthening identity politics as one of the main causes of religious extremism and social change that exist, one of the efforts to minimize social turmoil in UIN Walisongo is by instilling the values of religious moderation through the tri dharma of university, namely teaching, research, and community service. The aspect of locality is the main capital in implementing religious moderation at UIN Walisongo. Indigenous religiosity combines religion and locality with a theo-anthropocentric approach, exploring cultural values in order to strengthen religion in the implementation aspect. The impact of the implementation of the data religious moderation policy is seen from the realm of ideality of policy content in the religious moderation policy, which can be seen from the integration of relations or a harmonious relationship between individual elements and social elements in human interaction which is the main target in the religious moderation policy promoted by the Ministry of Religion.
Cultural Dimensions of Symbols Style and Power Artifactual Communication in Abdul Muhaimin Iskandar Declaration Video Maskuri, M. Ibnu Naufal; Daulay, Hamdan; Rifa'i, Akhmad; Ridho, Ali; Tahrus, Zainun Nur Hisyam
Titian: Jurnal Ilmu Humaniora Vol. 10 No. 1 (2026): Juni 2026
Publisher : Fakultas Ilmu Budaya, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/titian.v10i1.53935

Abstract

Abdul Muhaimin Iskandar is a national political figure facing image challenges due to several controversies, such as the "durian cardboard" corruption case, the decline of PKB's votes in the 2009 election, and conflicts with Gus Dur that resurfaced following statements by Yenny Wahid. Ahead of the 2024 presidential election, he seeks to reconstruct his political image through nonverbal communication in his declaration video. This study analyzes the content of the political declaration, the forms of artifactual communication, and positive image building strategies. Using a qualitative approach and Ferdinand de Saussure’s semiotic theory, the study found that the artifactual communication employed falls under symbolic practices (practical artifacts), which convey emotional information, behavior, and identity differentiation. To build a positive image, a low-fashion strategy is used to portray simplicity, closeness to the people, and cultural ties with Nahdliyin voters. This strategy serves as an important tool for constructing political symbols that strengthen identity and effectively gain public sympathy. Abstrak Abdul Muhaimin Iskandar adalah tokoh politik nasional yang menghadapi tantangan citra akibat beberapa kontroversi, seperti kasus korupsi "karton durian", penurunan perolehan suara PKB dalam pemilihan umum 2009, dan konflik dengan Gus Dur yang kembali mencuat setelah pernyataan Yenny Wahid. Menjelang pemilihan presiden 2024, ia berupaya membangun kembali citra politiknya melalui komunikasi nonverbal dalam video deklarasinya. Studi ini menganalisis isi deklarasi politik, bentuk-bentuk komunikasi artefaktual, dan strategi membangun citra positif. Dengan menggunakan pendekatan kualitatif dan teori semiotika Ferdinand de Saussure, studi ini menemukan bahwa komunikasi artefaktual yang digunakan termasuk dalam praktik simbolik (artefak praktis), yang menyampaikan informasi emosional, perilaku, dan diferensiasi identitas. Untuk membangun citra positif, strategi busana sederhana digunakan untuk menggambarkan kesederhanaan, kedekatan dengan rakyat, dan ikatan budaya dengan pemilih Nahdliyin. Strategi ini berfungsi sebagai alat penting untuk membangun simbol politik yang memperkuat identitas dan secara efektif mendapatkan simpati publik.
Co-Authors Ali Ridho Alvaro, Baidawi Baidawi, Baidawi Khadziq Khamis, Kamarul Azman bin M. Ibnu Naufal Maskuri Muhammad Miftah, Muhammad Nakita, Dina Okrisal Eka Putra, Okrisal Eka Rifa'i, Akhmad Sutrisno, Sutrisno Tahrus, Zainun Nur Hisyam