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AKUNTANSI KESALINGAN: REKONSTRUKSI AKUNTANSI RUMAH TANGGA PERSPEKTIF MUBADALAH Sholihah, Ria Anisatus; Nurani, Shinta; Mubarok, Muhammad Sultan
Imanensi: Jurnal Ekonomi, Manajemen, dan Akuntansi Islam Vol 8 No 2 (2023): Imanensi: Jurnal Ekonomi, Manajemen, dan Akuntansi Islam
Publisher : Forum Dosen Ekonomi dan Bisnis Islam (FORDEBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34202/imanensi.8.2.2023.63-76

This article aims to reconstruct household accounting from a mubadalah perspective. This article uses literature research through mubadalah analysis initiated by Faqihuddin Abdul Kodir to reconstruct the concept of household accounting which is perceived more as a private area and is attached to feminine characteristics so that household accounting is associated with the prospect of mutuality (mubadalah). The main finding is the mutual relationship between husband and wife that is needed in implementing household accounting practices with the stages: (1) commitment; (2) budgeting; (3) recording; (4) decision making; and (5) long-term financial planning. This study has implications for the use of the philosophical foundation of horizontal social monotheism in economic activities, especially household accounting practices. Abstrak Artikel ini bertujuan untuk merekonstruksi akuntansi rumah tangga dari perspektif mubadalah. Artikel ini menggunakan riset kepustakaan melalui analisis mubadalah yang digagas Faqihuddin Abdul Kodir untuk merekonstruksi konsep akuntansi rumah tangga yang lebih dipersepsikan sebagai wilayah privat dan lekat dengan karakteristik feminim sehingga akuntansi rumah tangga dikaitkan perspektif kesalingan (mubadalah). Temuan Utama adalah relasi kesalingan antara suami istri diperlukan dalam melaksanakan praktik akuntansi rumah tangga dengan tahapan: (1) penetapan komitmen; (2) penganggaran; (3) pencatatan; (4) pengambilan keputusan; dan (5) perencanaan keuangan jangka Panjang. Kajian ini berimplikasi pada penggunaan landasan filosofis tauhid sosial horizontal dalam aktivitas ekonomi terutama praktik akuntansi rumah tangga.

Modern Arts of the Qur’an and its Aesthetic Reception of the Qur’anic Marble Inscription in Indonesia Nurani, Shinta; Maulana, Luthfi
Jurnal Studi Ilmu-ilmu Al-Qur'an dan Hadis Vol. 24 No. 1 (2023): Januari
Publisher : UIN Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/qh.v24i1.4020

This article explores the aesthetic reception of the modern marble inscription of the Qur'an and its underlying meaning. The study uses field research and locates its research locus at Masjid Al-Muhtaram, Kajen, Pekalongan Regency where the marble stone is kept. The research adopts Wolfgang Iser's reception theory to analyse the meaning of the marble stone Al-Qur'an from an aesthetic standpoint. The results show that the marble stone inscription of the Qur'an was made by Nur Hidayat Siba, starting in 2011 until 2021, and has reached 13 juz of the Qur'an. The marble measures 60 x 90 cm with a thickness of 2 cm, and is written with beautiful khat and gold colour wrapping on every khat. The inscription provides three meanings of aesthetic reception. Firstly, the objective meaning of the Qur'an as a holy book must be preserved through beautiful media as a form of appreciation for the greatness of the Qur'an. Secondly, the expressive meaning is used as a medium of Islamic da'wa, and spirituality increases faith and religious aspects for those who see and read it. Finally, the meaning of documentary serves as a form of habitus to always interact with the Qur'an in everyday life. These three meanings illustrate the diversity of meanings in the aesthetic reception of the marble Al-Qur'an. The study contributes to the body of knowledge by shedding light on the significance of aesthetic reception of the Qur'an and highlights the importance of preserving the holy book through beautiful media.

Sarong and Peci in Santri Tradition: Frithjof Schuon's Perennial Philosophy Perspective Farid; Savira, Annisa Ghina; Nurani, Shinta; Khasri, M. Rodinal Khair
Tribakti: Jurnal Pemikiran Keislaman Vol. 36 No. 1 (2025): Tribakti: Jurnal Pemikiran Keislaman
Publisher : Universitas Islam Tribakti (UIT) Lirboyo Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33367/tribakti.v36i1.6383

In the context of Indonesia and several regions in Asia, including Africa, the sarung and peci play a significant role as cultural artifacts with both material and non-material value. This research explores the correlation between the sarung and peci with forming individual and collective identities, particularly within religious communities, such as the santri. Through a perennial philosophy approach, we analyze the role of religion in the cultural acculturation process among the santri. The study results indicate that the sarung and peci are symbols of religious expression and shape a collective identity that encompasses both esoteric and exoteric aspects. Additionally, there is a dualism in the symbolic structure built through the cultural acculturation of the santri, where the sarung and peci become symbolic representations of moral transcendence that distinguish them from the general populace

Sarong and Peci in Santri Tradition: Frithjof Schuon's Perennial Philosophy Perspective Farid; Savira, Annisa Ghina; Nurani, Shinta; Khasri, M. Rodinal Khair
Tribakti: Jurnal Pemikiran Keislaman Vol. 36 No. 1 (2025): Tribakti: Jurnal Pemikiran Keislaman
Publisher : Universitas Islam Tribakti (UIT) Lirboyo Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33367/tribakti.v36i1.6383

In the context of Indonesia and several regions in Asia, including Africa, the sarung and peci play a significant role as cultural artifacts with both material and non-material value. This research explores the correlation between the sarung and peci with forming individual and collective identities, particularly within religious communities, such as the santri. Through a perennial philosophy approach, we analyze the role of religion in the cultural acculturation process among the santri. The study results indicate that the sarung and peci are symbols of religious expression and shape a collective identity that encompasses both esoteric and exoteric aspects. Additionally, there is a dualism in the symbolic structure built through the cultural acculturation of the santri, where the sarung and peci become symbolic representations of moral transcendence that distinguish them from the general populace

Social Raw And Women Bodies Identities In Post-Contemporary Transhumanism Nurani, Shinta
Musãwa Jurnal Studi Gender dan Islam Vol. 24 No. 1 (2025):
Publisher : Sunan Kalijaga State Islamic University & The Asia Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/musawa.2025.241.72-88

Abstrak Artikel ini membahas isu tubuh perempuan dalam pergeseran nalar humanisme pada nalar transhumanisme post-kontemporer yang berkaitan fatwa dalam interpretasi identitas gender. Salah satu akar ketidakadilan terhadap perempuan dalam tafsir klasik berasal dari stereotip yang cenderung merendahkan perempuan. Tulisan ini menggunakan cara kualitatif fenomenologis dengan epistemologi sosial-kritis-transformatif. Teknik pengumpulan data ini mendokumentasikan data dengan analisis isi. Paper ini menyajikan kritik terhadap tubuh perempuan dalam nalar Transhumanisme Post-Kontemporer, yang terbuka pada habit of mind dan absen terhadap sami'na wa atha'na tanpa proses berpikir, berargumen, dan perenungan. Kritik kedua mengekspolasi Fatwa MUI Nomor 24 Tahun 2017 tentang Peraturan dan Pedoman Muamalah Melalui Media Sosial dalam pembatasan hukum haram dalam postingan konten yang bersifat pribadi ke publik. Hal ini mensikapi kontroversi pose pada aurat tubuh dengan kontekstualisasi interpretasi untuk menjaga fitrah manusia dari pandangan fitnah dan nafsu. Perdebatan terakhir menjelaskan tubuh sebagai subjek yang harus dihargai sebagai anugerah dalam pemanfaatan aktualisasi diri sebagai makhluk biologis, spiritual, dan intelektual. Kata Kunci: Media Baru, Tubuh Perempuan, Fatwa, Identitas Gender, Transhumanisme Post-Kontemporer [This paper discusses gender issues about the female body in the humanist problem towards post-contemporary transhumanism with an exegesis fatwa on gender identity interpretation. One of the roots of injustice against women in the classical interpretation stems from stereotypes that tend to demean women. This Article is a phenomenological qualitative study with social-critical-transformative with epistemology role. The data collection technique uses a documentation study under content Social raw analysis. This paper talks about women's bodies in Post-Contemporary Transhumanism with a habit of mind and delay of sami'na wa atha'na with spontaneity reaction. The second critic sees MUI’s Fatwa Number 24 of 2017 concerning Law and Guidelines for Muamalah through social media under Islamic law as haram, announced under private content in Social Raw. It responds to the debate of women's social media posts on Aurat (private women's bodies) with the contextualization of interpretation to protect human nature from slander and lust. The last critic put the body as a subject for appreciative self-actualisation act in biological being, spiritual being, and intellectual being.Keywords: Social Media, Women's Body, Fatwa, Gender Identity, Post-Contemporary Transhumanism.]

Contemporary Qur’anic Lithography in Indonesia: Aesthetic of Reception of the Marble Al-Qur’an Manuscript Nurani, Shinta; Maulana, Luthfi
Jurnal Theologia Vol. 33 No. 2 (2022)
Publisher : The Faculty of Ushuluddin and Humanities, Universitas Islam Negeri Walisongo Semarang, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/teo.2022.33.2.12788

This study discusses the marble manuscripts of the Al-Qur’an and the meaning of its aesthetic reception manuscripts. The type of research is field research with the research locus at Masjid Al-Muhtaram, Kajen, Pekalongan Regency as a place to store the marble stone manuscripts. This study used Wolfgang Iser’s reception theory. Therefore, the results of this study are (1) the marble stone Manuscript of the Qur’an made by Nur Hidayat Siba that started in 2011 until 2021. It has reached 13 juz of Qur’an derived from marble measuring 60 x 90 cm with a marble thickness of 2 cm. It is also written with beautiful khat and gold colour wrapping on every khat. (2) Those manuscript provides three meanings of aesthetic reception. First, the objective meaning of the Qur’an as a holy book must be preserved through beautiful media as a form of appreciation for the greatness of the Qur’an. Second, the expressive meaning is used as a medium of Islamic da’wah, and spirituality increases faith and religious aspects for those who see and read it. Third, the meaning of documentary as a form of habitus to always interact with the Qur’an in everyday life.

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