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Busana Aesan Gede dan Ragam Hiasnya sebagai Ekspresi Nilai-Nilai Budaya Masyarakat Palembang Shanie, Arsan; Sumaryanto, Totok; Triyanto, Triyanto
Catharsis Vol 6 No 1 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i1.17031

Busana dan Ragam hias Aesan Gede  merupakan simbol budi pekerti dari kebudayaan dan kebesaran masyarakat Palembang. Busana Aesan Gede  harus tetap mempertahankan eksistensinya agar  nilai-nilai yang terkandung di dalam ragam hias masih dapat terjaga. Nilai-nilai yang disampaikan melalui simbol visual yang terdapat pada ragam hias busana Aesan Gede memiliki pesan moral budi pekerti, yang menjaga keselarasan dan keseimbangan hidup antar manusia dengan alam sekitar dan dengan Sang Pencipta. Masalah dalam penelitian ini adalah Bagaimana bentuk, fungsi dan nilai-nilai budaya dalam busana dan  ragam hias Aesan Gede pada upacara adat perkawinan Palembang, Nilai-nilai apa yang terkandung dalam busana dan ragam hias Aesan Gede dalam upacara adat perkawinan Palembang. Metode penelitian ini adalah kualitatif dengan pendekatan interdisiplin. Fokus penelitian dan data yang dikumpulkan berkaitan dengan masalah penelitian. Teknik pengumpulan data dengan observasi, wawancara dan studi dokumen. Keabsahan data menggunakan triangulasi metode. Prosedur analisis data dengan reduksi, penyajian data dan penarikan kesimpulan. Hasil penelitian ini menunjunkan hal-hal sebagai berikut. Pertama, bentuk busana dan  ragam hias Aesan Gede didominasi dengan motif hias tumbuh-tumbuhan, dan motif hias geometris. Kedua, ragam hias Aesan Gede memiliki fungsi murni estetis dan fungsi simbolis, Ketiga, nilai yang terkandung dalam busana Aesan Gede dan ragam hiasnya yaitu nilai yang berhubungan dengan keTuhanan, nilai yang berhubungan dengan sesama manusia, dan nilai yang berhubungan dengan tingkah laku. Aesan Gede symbolizes the character of the culture and greatness of Palembang communities. The existence of Aesan Gede traditional costume needs to always be maintained. It aims to keep the values of the ornamental variety itself. The values which are implicitly showed by Aesan Gede visual symbols are manners which maintain the harmonious relationship between humans and their nature and God. The research questions of this research are form, function and culture values contained in a fashion motif and Aesan Gede customary marriage ceremonies of Palembang comunities. The method used in this research was interdisciplinary qualitative which focused on the gained data related to the research problems. The techniques of the data collection were observations, interview, and document study.  The procedures of data analysis were reduction, data collection, and summarizing. The validity of the data using the triangulation methods.The research result revealed these following findings. First, the variety forms of Aesan Gede are dominated by plant-motif and geometric-lined motif. Second, the variety forms of Aesan Gede have various functions. They are esthetic function, and symbolic function. Third, the values consisted in Aesan Gede are religious values, humanistic values, and behavioral values. The researchers recommended three suggestions.

NILAI BUDAYA PERTUNJUKAN MUSIK TERBANGAN PADA MASYARAKAT SEMENDE Septiana, Opta; Sumaryanto, Totok; Cahyono, Agus
Catharsis Vol 5 No 2 (2016)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar

Terbangan sebagai musik pengiring nyanyian yang berisi tentang pujian kepada Nabi Muhammad Saw untuk mengingatkan dan memberikan nasihat yang baik kepada pelaku maupun penonton. Pertunjukan musik terbangan dikemas sesuai dengan aturan adat istiadat masyarakat Semende sehingga tercermin nilai-nilai budaya pada setiap aktivitas sebelum pertunjukan, pada saat pertunjukan dan setelah pertunjukan. Penelitian ini bertujuan untuk menganalisis dan memahami nilai budaya yang terkandung dalam pertunjukan musik terbangan pada prosesi pernikahan adat tunggu tubang masyarakat Semende. Metode yang digunakan pada penelitian ini metode kualitatif  dan pendekatan Antropologi Seni. Sumber data pada penelitian ini menggunakan sumber primer dan sekunder dengan teknik perngumpulan data observasi, wawancara dan studi dokumen. Teknik keabsahan data yang digunakan yaitu triangulasi sumber sedangkan teknik analisis data dilakukan dengan cara mereduksi data, penyajian data, dan memverifikasi data. Hasil penelitian menunjukkan bahwa nilai-nilai budaya tercermin dalam pertunjukan musik terbangan tercermin ketika manusia berhubungan dengan lima aspek yaitu tuhan, manusia, alam, kerja dan waktu sehingga menghasilkan nilai religi, tanggung jawab, gotong royong, solidaritas, nilai ekonomi dan nilai cinta budaya. Hasil penelitian ini diharapkan dapat menjadi referensi masyarakat kedepannya.

Form, Structure of Music in Magic Genjring Art at Randusanga Kulon Village, Brebes District, Brebes Regency Prasetyo, Nandhy; Sumaryanto, Totok; Sunarto, Sunarto
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.32823

Magic Genjring is an art handed down from generation to generation in Randusanga Kulon Village, Brebes District, Brebes Regency. However, in 1968 this art experienced changes that could be considered very significant. So that researchers are very interested in analyzing the shape, structure of this musical art and find out the function of each instrument used. The method used in this research is qualitative descriptive, with an interdisciplinary approach to sociology and music science. While the data collection technique used observation, interviews, and document studies, the validity technique itself used triangulation, the data analysis technique is collecting the data from observations, interviews, and documentation, then it is reduced to sorting the data that supports the research until finally concluded. The results of the analysis of the shape of the musical structure are described as follows: the magic Genjring song consists of 4 motifs, 2 phrases (both question and answer sentences), the song starts from the 6th chord with Do = C, ie (am), with progress to the chord ii (dm). The beat or beat value uses Ã‚Â¾, then changes in the middle of the song to 4/4 in the 9th to 10th bar with percussion accent markers and changes 2/4 until returning to the initial sukat Ã‚Â¾. One of the factors that caused the change in shape, the structure of the music was due to the provision of extensive improvisation so that no patent standard. The results of this study are expected to become a serious concern, especially for senior artists, so that in the future it can be easier to reduce the next generation related to music because they already have a grip. Appreciation from related agencies and residents as art owners.

The Compotition And Function of Heo Musical Instrument at Feotnai Insana Studio Regency of North Central Timor, East Nusa Tenggara Province Amasanan, Yohanes Devriezen; Sumaryanto, Totok; syakir, Syakir
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.34680

Heo is a traditional musical instrument typical of the people of Timor, especially the Dawan Tribe, Insana District, East Nusa Tenggara, which is used as an accompaniment to dances, songs, and poems.One of the studio that still maintains this instrument specifically in its composition and function is the Feotnai Insana Studio. This study examines and analyzes the composition of the Heo musical instrument in Sanggar Feotnai Insana and its functions in society. The method used in this research is qualitative method. The technique of collecting data using observation, interview, document study techniques. The data validity technique uses triangulation methods / techniques. Data analysis techniques use the theory of music composition and the function of music in society. The results of this study obtained facts in the composition of the heo musical instrument playing: Allegretto Tempo: 106 bpm, the time signature using a 2/4 beat,the rhythmplayed using a Tamburwith a Timorese rhyme, the melody played by the Heo and Fekoo and harmony played by the Leko Boko by using the C chord. The benefits of this study can expand the reader's perspective on the traditional music of the Dawan Tribe, Heo and provide information about the composition of the Heo musical instrument in the community which also supports Heo's existence.

NILAI BUDAYA PERTUNJUKAN MUSIK TERBANGAN PADA MASYARAKAT SEMENDE Septiana, Opta; Sumaryanto, Totok; Cahyono, Agus
Catharsis Vol 5 No 2 (2016)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Terbangan sebagai musik pengiring nyanyian yang berisi tentang pujian kepada Nabi Muhammad Saw untuk mengingatkan dan memberikan nasihat yang baik kepada pelaku maupun penonton. Pertunjukan musik terbangan dikemas sesuai dengan aturan adat istiadat masyarakat Semende sehingga tercermin nilai-nilai budaya pada setiap aktivitas sebelum pertunjukan, pada saat pertunjukan dan setelah pertunjukan. Penelitian ini bertujuan untuk menganalisis dan memahami nilai budaya yang terkandung dalam pertunjukan musik terbangan pada prosesi pernikahan adat tunggu tubang masyarakat Semende. Metode yang digunakan pada penelitian ini metode kualitatif dan pendekatan Antropologi Seni. Sumber data pada penelitian ini menggunakan sumber primer dan sekunder dengan teknik perngumpulan data observasi, wawancara dan studi dokumen. Teknik keabsahan data yang digunakan yaitu triangulasi sumber sedangkan teknik analisis data dilakukan dengan cara mereduksi data, penyajian data, dan memverifikasi data. Hasil penelitian menunjukkan bahwa nilai-nilai budaya tercermin dalam pertunjukan musik terbangan tercermin ketika manusia berhubungan dengan lima aspek yaitu tuhan, manusia, alam, kerja dan waktu sehingga menghasilkan nilai religi, tanggung jawab, gotong royong, solidaritas, nilai ekonomi dan nilai cinta budaya. Hasil penelitian ini diharapkan dapat menjadi referensi masyarakat kedepannya.

Busana Aesan Gede dan Ragam Hiasnya sebagai Ekspresi Nilai-Nilai Budaya Masyarakat Palembang Shanie, Arsan; Sumaryanto, Totok; Triyanto, Triyanto
Catharsis Vol 6 No 1 (2017)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i1.17031

Busana dan Ragam hias Aesan Gede merupakan simbol budi pekerti dari kebudayaan dan kebesaran masyarakat Palembang. Busana Aesan Gede harus tetap mempertahankan eksistensinya agar nilai-nilai yang terkandung di dalam ragam hias masih dapat terjaga. Nilai-nilai yang disampaikan melalui simbol visual yang terdapat pada ragam hias busana Aesan Gede memiliki pesan moral budi pekerti, yang menjaga keselarasan dan keseimbangan hidup antar manusia dengan alam sekitar dan dengan Sang Pencipta. Masalah dalam penelitian ini adalah Bagaimana bentuk, fungsi dan nilai-nilai budaya dalam busana dan ragam hias Aesan Gede pada upacara adat perkawinan Palembang, Nilai-nilai apa yang terkandung dalam busana dan ragam hias Aesan Gede dalam upacara adat perkawinan Palembang. Metode penelitian ini adalah kualitatif dengan pendekatan interdisiplin. Fokus penelitian dan data yang dikumpulkan berkaitan dengan masalah penelitian. Teknik pengumpulan data dengan observasi, wawancara dan studi dokumen. Keabsahan data menggunakan triangulasi metode. Prosedur analisis data dengan reduksi, penyajian data dan penarikan kesimpulan. Hasil penelitian ini menunjunkan hal-hal sebagai berikut. Pertama, bentuk busana dan ragam hias Aesan Gede didominasi dengan motif hias tumbuh-tumbuhan, dan motif hias geometris. Kedua, ragam hias Aesan Gede memiliki fungsi murni estetis dan fungsi simbolis, Ketiga, nilai yang terkandung dalam busana Aesan Gede dan ragam hiasnya yaitu nilai yang berhubungan dengan keTuhanan, nilai yang berhubungan dengan sesama manusia, dan nilai yang berhubungan dengan tingkah laku. Aesan Gede symbolizes the character of the culture and greatness of Palembang communities. The existence of Aesan Gede traditional costume needs to always be maintained. It aims to keep the values of the ornamental variety itself. The values which are implicitly showed by Aesan Gede visual symbols are manners which maintain the harmonious relationship between humans and their nature and God. The research questions of this research are form, function and culture values contained in a fashion motif and Aesan Gede customary marriage ceremonies of Palembang comunities. The method used in this research was interdisciplinary qualitative which focused on the gained data related to the research problems. The techniques of the data collection were observations, interview, and document study. The procedures of data analysis were reduction, data collection, and summarizing. The validity of the data using the triangulation methods.The research result revealed these following findings. First, the variety forms of Aesan Gede are dominated by plant-motif and geometric-lined motif. Second, the variety forms of Aesan Gede have various functions. They are esthetic function, and symbolic function. Third, the values consisted in Aesan Gede are religious values, humanistic values, and behavioral values. The researchers recommended three suggestions.

Form, Structure of Music in Magic Genjring Art at Randusanga Kulon Village, Brebes District, Brebes Regency Prasetyo, Nandhy; Sumaryanto, Totok; Sunarto, Sunarto
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.32823

Magic Genjring is an art handed down from generation to generation in Randusanga Kulon Village, Brebes District, Brebes Regency. However, in 1968 this art experienced changes that could be considered very significant. So that researchers are very interested in analyzing the shape, structure of this musical art and find out the function of each instrument used. The method used in this research is qualitative descriptive, with an interdisciplinary approach to sociology and music science. While the data collection technique used observation, interviews, and document studies, the validity technique itself used triangulation, the data analysis technique is collecting the data from observations, interviews, and documentation, then it is reduced to sorting the data that supports the research until finally concluded. The results of the analysis of the shape of the musical structure are described as follows: the magic Genjring song consists of 4 motifs, 2 phrases (both question and answer sentences), the song starts from the 6th chord with Do = C, ie (am), with progress to the chord ii (dm). The beat or beat value uses Â¾, then changes in the middle of the song to 4/4 in the 9th to 10th bar with percussion accent markers and changes 2/4 until returning to the initial sukat Â¾. One of the factors that caused the change in shape, the structure of the music was due to the provision of extensive improvisation so that no patent standard. The results of this study are expected to become a serious concern, especially for senior artists, so that in the future it can be easier to reduce the next generation related to music because they already have a grip. Appreciation from related agencies and residents as art owners.

The Compotition And Function of Heo Musical Instrument at Feotnai Insana Studio Regency of North Central Timor, East Nusa Tenggara Province Amasanan, Yohanes Devriezen; Sumaryanto, Totok; syakir, Syakir
Catharsis Vol 8 No 3 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v8i3.34680

Heo is a traditional musical instrument typical of the people of Timor, especially the Dawan Tribe, Insana District, East Nusa Tenggara, which is used as an accompaniment to dances, songs, and poems.One of the studio that still maintains this instrument specifically in its composition and function is the Feotnai Insana Studio. This study examines and analyzes the composition of the Heo musical instrument in Sanggar Feotnai Insana and its functions in society. The method used in this research is qualitative method. The technique of collecting data using observation, interview, document study techniques. The data validity technique uses triangulation methods / techniques. Data analysis techniques use the theory of music composition and the function of music in society. The results of this study obtained facts in the composition of the heo musical instrument playing: Allegretto Tempo: 106 bpm, the time signature using a 2/4 beat,the rhythmplayed using a Tamburwith a Timorese rhyme, the melody played by the Heo and Fekoo and harmony played by the Leko Boko by using the C chord. The benefits of this study can expand the reader's perspective on the traditional music of the Dawan Tribe, Heo and provide information about the composition of the Heo musical instrument in the community which also supports Heo's existence.

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