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All Journal Linguistic Community Services Journal ELITE: Journal of English Language and Literature
Neil Amstrong
English Literature Study Program, Cultural Science Faculty, Universitas Halu Oleo
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Peluang dan Tantangan dalam Interpreting Kontemporer Neil Amstrong; Nur Afnita Asfar; Indah Permata Sari
Linguistic Community Services Journal Vol. 3 No. 1 (2022): LCSJ
Publisher : Warmadewa Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55637/licosjournal.3.1.4787.30-36

Abstract

Di era pandemi seperti sekarang ini, semua profesi perlu dan mampu untuk beradaptasi dan beralih ke ranah daring untuk bisa tetap bertahan. Begitu pula profesi Interpreter. Kemampuan simultaneous interpretation jarak jauh perlu dimiliki. Artinya, seorang interpreter harus menerjemahkan lisan sebuah rapat, video konferensi, atau webinar yang diadakan di platform daring seperti Zoom, Teams, Google Meets, dan sebagainya. kegiatan Program Kemitraan Masyarakat (PKM) ini dilaksanakan dengan tujuan untuk memberikan kesadaran, minat, dan ketertarikan mahasiswa terhadap intepretring, mengembangkan potensi interpreting pada mahasiswa, dan memberikan pengetahuan tentang peluang dan tantangan dalam interpreting kontemporer. Metode yang diterapkan dalam sosialisasi adalah metode diskusi kelompok terarah. Metode diskusi kelompok terarah (Focus Group Discussion) adalah bentuk diskusi yang didesain untuk memperoleh informasi keinginan, kebutuhan, sudut pandang, kepercayaan dan pengalaman peserta tentang suatu topik, dengan pengarahan dari seorang fasilitator atau moderator. Hasil dari kegiatan ini menunjukkan bahwa Permasalahan yang dihadapi oleh mitra yaitu, kurangnya sosialisasi tentang peluang dan tantangan dalam interpreting kontemporer dan kurangnya pengetahuan mitra tentang peluang dan tantangan dalam interpreting kontemporer. Penggunaan piranti headset secara kontinyu bisa berpengaruh terhadap kesehatan pendengaran, burnout atau kelelahan fisik dan mental yang ekstrem akibat terlalu memforsir diri dalam bekerja, dan kehilangan Fokus dan Ketelitian. Gagal fokus dan salah dalam menerjemahkan bisa berakibat fatal. Di samping itu, peluang seorang interpreter antara lain berdasarkan mode temporal kerja dibedakan atas Consecutive interpreting, Simultaneous interpreting, dan Sight Interpreting.
The Meaning of Denotation, Connotation, and Myth Used in Ariana Grande’s "God is A Woman" Song Lyrics Ahmad Jafar; La Aso; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 6 No. 1 (2021): Vol. 6 No. 1 June 2021
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (158.182 KB) | DOI: 10.33772/elite.v4i1.887

Abstract

This study focused on God is a woman song Lyrics. The writer took song lyrics as primary data and used a qualitative descriptive method that explained descriptively how the meaning used in Ariana Grande’s God is a woman song lyrics. The theory used in the study is semiotics, in particular, is the theory used by Roland Barthes. The result of this study based on Roland Barthes Semiotic’s theory in a way of denotative it is about sex and how she claims the chemistry will be so incredible that the guy is going to think she is God and in a way of connotative Ariana Grande campaigned for a struggle for gender equality and she showed off women's energy and independence. While the myth is God is a woman which this sentence represents gender differences in life. The answer to dismantling patriarchy is not raising a matriarchy in its place. But building our understanding of, as Ariana Grande puts it, "God as a woman," will help counterbalance almost every human's internalized beliefs that our creator is a man, a father, a guy in the sky. God is our mother, our father, our parents. Come to think of it, if God can be referred to with the masculine pronoun “he”, why is not okay for us to also use the female pronoun “she” when referring to God.
Women’s Language in the Devil Wears Prada Movie Script By David Frankel Ighfa Sakinah Yunnisa; Arman Arman; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (173.429 KB) | DOI: 10.33772/elite.v3i1.945

Abstract

This study aimed to investigate and describe woman’s language in the main character's The Devil Wears Prada movie script. The research question is “what are the features of woman’s language described in The Devil Wears Prada movie script by David Frankel”?. The objective of this research is to describe ten types of woman’s language features used by the main characters in The Devil Wears Prada. The Source of this data is taken from a movie script. The method used in this study was qualitative descriptive to analyze the data of Lakoff’s theory. The data were taken from conversations uttered by the main characters of “The Devil Wears Prada” movie script. The techniques of data analysis were presented, describing, interpreting, analyzing, and concluding the data. Based on the discussion, the researcher found several conclusions after analyzing this movie script. The researcher found ten types of woman’s language used by the main characters in The Devil Wears Prada movie script there are lexical hedges fillers (3 data), tag questions (2 data), rising intonation on declarative (2 data), Empty Adjective (2 data), Avoidance of strong swearwords (3 data), Emphatic stress (2 data), super-polite form (2 data), precise color term (1 data), and intensifiers (2 data), and hypercorrect grammar (1 data) of the 20 data that are related to woman’s language found in this movie script. This proves that women’s language exists in the conversations between the main characters in this movie script.
Words and Images in Maleficent: Mistress of Evil Movie: A Multimodal Discourse Analysis Lindra Mayu Asis; La Aso; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 6 No. 2 (2021): Vol. 6 No. 2 December 2021
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (167.6 KB) | DOI: 10.33772/elite.v4i2.1188

Abstract

This research is about analyzing the words and images in Maleficent: Mistress of Evil movie. To analyze this research, the researcher uses the theory by Kress & Van Leeuwen (2006) to analyze verbal and visual elements in the framework of proposing a comprehensive and systemic interpretation of meaning. This research objective is to determine how words and images are used and related meaning among them. This research uses qualitative description to discuss the two meanings of verbal and visual modes in the Maleficent: Mistress of Evil movie. The types of data analysis are presenting the data, describing the data, finding out the relationship between the meaning of words and the meaning of images, and concluding the data. The researcher found that the dominant used on Mental Processes in the words component. While images were analyzed using only three elements which are on the body of the actors in Maleficent movie such as facial expressions dominant in the feeling happy, gestures dominate when characters stand up straight has meaning confidence, and clothing color dominant the black colors have meaning sadness and 4 data were interrelated for relationships meaning among the modes. The researcher found that this research shows a movie that brings ideology for the community not to judge someone only from their outward appearance and for women to have the power so that they are not easily oppressed.
Representation of Masculinity in the Hugo Boss Perfume Advertisement on Youtube.com La Ode Abdul Handoko Marzuki; Neil Amstrong; Arman Arman
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2318

Abstract

This study focuses on masculinity through power, image, ideal, and domination based on Connel’s masculinity theory displaying the symbol of masculinity in the Hugo Boss perfume advertisement. The Objective of the study in this research is to describe the representation of masculinity which is depicted in the Hugo Boss perfume advertisement on Youtube.com. The research method that the author uses is qualitative. The data source for this research is Hugo's perfume ad videos on YouTube. The data collection method used is proficient free listening and note-taking techniques. This method is used to remember that the data used is pausing and screenshotting the advertisement. As a result, there are 20 pieces of data found by a researcher from 5 advertisements that the researcher chose as the object. The researcher found that there is a unique new concept of masculinity or appearance in Hugo Boss perfume advertisements, the representation of masculinity in the Hugo Boss advertisement is divided into power, image, ideal, and dominance. Hugo Boss perfume advertisements continue to reinforce the ideology of masculinity where masculinity is the separation between men and women in terms of gender and masculinity represents the male gender. The strengthening of masculinity ideology in this advertisement is shown in the aspect of men who are macho and successful. This advertisement also dismantles the ideology of masculinity in the aspect of men having a nerd appearance and manipulative attitudes towards women, both of which are not stereotypical.
Trauma Discourse in Christopher Robin Movie Fadilatul Nadia; Ansor Putra; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2430

Abstract

This research is based on the trauma of someone in a movie, seen in the movie used trauma discourse theory. The objective of this research is to find out how the trauma discourse appeared in Christoper Robin's movie based on Zaumseil and Indradjaja's theory. This research used a descriptive qualitative method. The source of data in this research was taken from the Disney+ watch page. The researcher found that two elements of trauma discourse seen in two characters are Christoper Robin and Winnie the Pooh in the two aspects such as reasonable fear and worry and culturally specific suffering in terms of the inner and outer realm of trauma discourse. From the several aspects above, the creation of past trauma has an impact on finding out the characteristics of people who experience discourse trauma in their speech both for them and for those around them. This research concludes that someone who has experienced trauma is very influential when he speaks or conveys a message. This can be seen from the language used and the actions taken by the characters in the film Christopher Robin.
Co-Authors Ahmad Jafar Arman Arman Fadilatul Nadia Ighfa Sakinah Yunnisa Indah Permata Sari La Aso La Aso La Ode Abdul Handoko Marzuki Lindra Mayu Asis Nur Afnita Asfar Putra, Ansor