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Journal : Journal of Innovation Research and Knowledge

PADUYA: SEBUAH KOMPOSISI MUSIK DALAM EUFORIA MAULUIK DI PADANG PARIAMAN, SUMATERA BARAT Andika Bayu Putra; Asep Saepul Haris; Ediwar
Journal of Innovation Research and Knowledge Vol. 1 No. 3: Agustus 2021
Publisher : Bajang Institute

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Abstract

Paduya is the title of an archipelago music composition that originates from the phenomenon of community euphoria at a Mauluik event in Village Lareh Nan Panjang, District VII Koto Sungai Sariak, Padang Pariaman Regency, West Sumatera Province. Paduya is a form of enthusiasm from the community in celebrating Mauluik in Padang Pariaman Regency, so that the form of Mauluik celebration in Padang Pariaman Regency, especially Of Village Lareh Nan Panjang, is very much different from the Mauluik celebration in other areas, especially West Sumatra region. The contexts obtained from the research include; spirit, mutual cooperation, competition, and celebration. Effort are made to interpret the context is to make an analogy into the work of the musical compositions. The first part interprets the spirit and mutual cooperation of the community in the celebration of the Prophet's birthday with the title Sabiduak Sadayuang's. The second part is an attempt to interpret the existence of clashes, competitions, and social gaps with the title of Sejang's. In the third part, the form of interpretation of the Paduya. The metod of creation is done through literature study, observasion, studio work, and completion. The creation of this new work is obtained through the process of obseving an activity and is applied to the form of an archipelago music composition. The approach used is the tradition approach, Re-interpretation, and World Music. The purpose of the celebration of the Prophet Muhammad SAW’s birthday in Lareh Nan Panjang Village, District VII Koto Sungai Sariak, Padang Pariaman District, West Sumatera Province.
SALINGKA KATO Laila Okta Triani; Asep Saepul Haris; Nursyirwan; Ediwar
Journal of Innovation Research and Knowledge Vol. 1 No. 4: September 2021
Publisher : Bajang Institute

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Abstract

Salingka Kato is the title of a compositional creation of Indonesian music originating from the phenomenon of the customary system in Jorong Pabalutan, Kanagarian Rambatan. The choice of title was related to the context and consideration of the form of working for the creation as a whole. The customary system found in the Jorong Pabalutan Kanagarian Rambatan community became the source of the work creation. The contexts obtained from the research were regeneration, socialization and synchronization. The creation effort which was done to interpret the context was to make an analogy into the work of music by considering the musical capital and the form of the work. The first part is about interpreting the deal that developed in the demands of regeneration with tittle of work Babalah Sibak Baju. The second part is about interpretation effort on dialectics that happen because of dissent in deliberation and congregation. On the third part, the interpretation about the differences can be accepted by the public with a Sasuai tittle. The work approach used in the embodiment of Salingka Kato's work was Re-Interpretation and the form of the work creation presented was not related to the musical culture used.