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All Journal Harmonia: Journal of Research and Education ATAVISME JURNAL ILMIAH KAJIAN SASTRA MUDRA Jurnal Seni Budaya Panggung Jurnal Seni Makalangan Pantun: Jurnal Ilmiah Seni Budaya Buana Ilmu International Journal of Social Science PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA Panggung
Endang Caturwati
Institut Seni Budaya Indonesia (ISBI) Bandung
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences Other

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Journal : Pantun: Jurnal Ilmiah Seni Budaya

 1 
Creative Thinking dalam Manajemen Seni Dangdut Kontemporer Grup “Pasukan Perang” Rini Nur Mega; Endang Caturwati; Suhendi Afryanto
PANTUN Vol 6, No 1 (2021): Glokalisasi Seni Budaya dalam Tranformasi Mitos dan Spiritualitas
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i1.1694

Abstract

This paper examines the management of a music group ‘Pasukan Perang’, the Dangdut Orchestra band, in Bandung city. The goal is to reveal the management process in breaking down the music industry in Indonesia and the world in general. Alfred Schutz's phenomenological theory is applied to provide the overview of art management based on creative thinking and work structure innovation to measure the achievement of success. The data were collected through conducting in-depth interviews; reflecting thoughts to seek meaning and a frame of reference for symptoms; constructing the meaning and essence. The results of the analysis show that the Dangdut Music group “Pasukan Perang” is a prism to view Indonesian society. Its existence reflects the state of national culture in economic, political, and ideological practices. It contributes to shape ideas of class, gender, and ethnicity in the modern era. “Pasukan Perang” touches various musical genres so that it becomes a Contemporary Dangdut Icon nicknamed the Loving Band Group.Keywords: creative thinking, contemporary dangdut, war troops, art management
Transformasi Kesenian Genye Kabupaten Purwakarta Kania Rahmatul Ulum; Endang Caturwati; Enok Wartika
PANTUN Vol 6, No 1 (2021): Glokalisasi Seni Budaya dalam Tranformasi Mitos dan Spiritualitas
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i1.1693

Abstract

The focus of this study is on the transformation of Genye art as an icon of Purwakarta Regency. The study has been conducted starting from the formation of genye art to the process of changing appearances at various events, namely from 2009 to 2021 at this time. The Transformation theory of Anthony Antoniades (1990) is used to examine the process of changes occuring in genye art gradually regarding the performances in the context of its society as well as internally from the aesthetics sides. Qualitative data are collected by observation both through interviews and documents including performance photos, videos, and other visual objects. The results of the analysis show that the art of genye experienced dynamic changes from the aesthetics elements associated with music, dance, and artistic. Its existence as an icon of a region shows the community’s identity for their concern and taste for art.Keywords: genye art, transformation, icon, Purwakarta.
Struktur Tritangtu pada Siger Aksesoris Pengantin Sunda Priangan Fadly Fathul Ulum; Endang Caturwati; Heri Herdini
PANTUN: Jurnal Ilmiah Seni Budaya Vol 7, No 2 (2022): Keragaman Seni Tradisional & Media Baru
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v7i2.2043

Abstract

The bride is a symbol of changes in the cycle of human life which is interpreted sacredly. One of the symbols of its sacredness is the use of siger as one of the accessories for Sundanese wedding costume. This paper aims to identify the concept of Sundanese Tritangtu philosophy in Siger Sunda Priangan accessories which cover Sumedang, Sukapura, and Galuh regions. The analysis applies Levi-Strauss structuralism theory, through the stages of elements, binary opposition, transformation and paradigmatic. The three models of Siger Sunda Priangan style, Sumedang style, Sukapura style, and Galuh style were used as the objects of study. The fndings show the same physical structure forms a similar patern, so that the basic structure of Siger crown forms a triple patern in the philosophy of Sundanese people. The same structure of the three Siger forms shows the concepts of surface structure and deep structure in the way of thinking of the Sundanese people. In this context, it means that the form of Siger and the use of Siger in Sundanese brides have standard rules, because they have a sacred meaning.Keywords: Siger Sunda, Tritangtu, Sundanese Bride, Siger  ABSTRAKPengantin sebagai simbol perubahan siklus kehidupan manusia yang dimaknai secara sakral. Salah satu simbol kesakralannya berada pada penggunaan siger sebagai salah satu aksesoris kostum pengantin sunda. Tulisan ini bertujuan mengidentifikasi konsep Silih Asah, Silih Asih dan Silih Asuh sebagai komponen dari filsafat Sunda Tritangtu pada aksesoris Siger Sunda Priangan yang meliputi wilayah Sumedang, Sukapura, dan Galuh. Analisis menggunakan teori strukturalisme Levi-Strauss, melalui tahapan elemen-elemen, oposisi binner, transformasi dan paradigmatik. Tiga model Siger Sunda Priangan gaya Sumedang, gaya Sukapura, dan gaya Galuh yang dijadikan objek kajian ditemukan struktur fisik yang sama berbentuk segitiga, sehingga struktur dasar mahkota Siger membentuk pola tiga. Struktur yang sama dari ketiga ragam bentuk siger tersebut menunjukkan konsep surface struktur dan deep struktur filsafat Tri Tangtu. Hal ini dimaknai, bahwa bentuk siger dan penggunaan siger pada pengantin sunda memiliki tata aturan yang baku, karena memiliki makna yang sakral.
Co-Authors Asep Sulaeman Asep Sulaeman, Asep Aulia Permatasari Cece Sobarna Deni Hermawan Diana Novita Sari Een Herdiani Elisandy, Terry Enok Wartika Fadly Fathul Ulum Fatimah Djajasudarma Ganjar Kurnia Gugun Gunardi H. I. Syarief Hidayat H. I. Syarief Hidayat, H. I. Syarief Haruna, Ilham Heri Herdini Ifan Iskandar Ignasius Herry Subiantoro Ilham Revangga Kania Rahmatul Ulum Lili Suparli S.Sn., M.Sn Lina Meilinawati Lina Meilinawati, Lina Miftahulkhairah Anwar Muhammad Mughni Munggaran Novi Anoegrajekti Rini Nur Mega Rustiayanti, Sri Siti Gomo Attas Sri Rochana W Sri Rustiyanti Sudartomo Macaryus Sudartomo Macaryus, Sudartomo Sudibya, I Gusti Ngurah Suhendi Afryanto, Suhendi Sukmawati Saleh Suzen HR Lumban Tobing Suzen HR Lumbuan Tobing Terry Elisandy Wiresna, Asep Ganjar