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All Journal CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Jurnal Mebang Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat
Asril Gunawan, Asril
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Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : Jurnal Mebang

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Degradasi Musik Gambus Paser pada Sanggar Seni Sama Duwe di Desa Suatang Keteban Kabupaten Paser Ashar, Saufitria; Gunawan, Asril; Putra, Bayu Arsiadhi
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.89

Abstract

Gambus Paser music is one of the traditional art forms that is now experiencing degradation. The degradation of Gambus Paser's music occurs due to the influence of modernization, which affects the interest of the younger generation, who increasingly forget their traditional arts. In response to the degradation of Gambus Paser music, Sama Duwe Art Studio continues to make preservation efforts to maintain the values contained in Gambus Paser art. This preservation is not only carried out by the Sama Duwe Art Studio; the people of Suatang Keteban Village and the Paser Regency government must also help maintain and preserve the art of Gambus Paser music. This research uses qualitative methodology, including data collection, observation, and analysis techniques. Data collection has been done through literature studies, interviews, and documentation. The research theory used is the AGIL theory from Talcott Parson. The results showed that Paser Gambus music's degradation requires special attention from all parties. One form of community support and role can be observed from the role of the Sama Duwe Art Studio in preserving the art of Paser Gambus music in Suatang Keteban Village.
Musik Klentangan Kutai sebagai Media Sinkretisme dalam Upacara Bekenjong di Desa Bensamar Kabupaten Kutai Kartanegara Fajriannur, Arief; Gunawan, Asril; Setyoko, Aris
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.95

Abstract

Bekenjong is one of the ritual ceremonies that are owned by the people of Kutainese ethnic group in the regency of Kutai Kartanegara. Bekenjong ceremony is functions as a media of traditional medication to pay promises and to prevent disasters, usually accompanied by the Klentangan music ensemble, which is played with the musical instrument Klentangan, Babon Drum, and Gong. Bekenjong in its play cannot be implemented without Klentangan music. Music is an important aspect in Bekenjong, because Klentangan music is a media that connects between Pebelian with the realm of gods. This research uses descriptive qualitative method that covers data collection, observation, and data analysis technique. This research uses Weighted Scale technique by William P, and syncretism concept by Ralph Beals. The results of Bekenjong ceremony research shows that Klentangan music ensemble functioned as a media of syncretism. The process of Bekenjong ceremony then adjusted so that the traditions and customs of the ancestors were able to maintain without any conflicts with social norms or even current beliefs.
Co-Authors Agustina, Marini Ananda, Tasya Anggriyani, Dian Ashar, Saufitria Bayu Aji Nugroho, Bayu Aji Dealyardy, Muhammad Alief Fajriannur, Arief Ginting, Ica Navratilova Br Hutauruk, Vida Gavrila Imka, M. Rifky Jonathan Irene Sartika Dewi Max Khoirunnisa, Salza Maiateng, Delaya Alorinda Muhajirin, Muhammad Giffar Musthofa, Dwi Oktaviani, Ella PURWANTI PURWANTI Saputra, Muhammad Iqbal Satyawati Surya, Satyawati Setyoko, Aris Siti Rabiah, Siti Tekwan, Yuvenalis Yofi Irvan Vivian, Yofi Irvan