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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Jurnal Celtic International Journal of Humanity Studies (IJHS) Journal of Language and Literature CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Riau Journal of Empowerment Indonesian Journal of EFL and Linguistics ELITERATE : Journal of English Linguistics and Literature Studies Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING
Jonathan Irene Sartika Dewi Max
Mulawarman University
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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DISCOURSE ANALYSIS ON TAYLOR SWIFT’S YOU NEED TO CALM DOWN MUSIC VIDEO WITH SEMIOTIC APPROACH Jonathan Irene Sartika Dewi Max; Aries Utomo
International Journal of Humanity Studies (IJHS) Vol 5, No 1 (2021): September 2021
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v5i1.3634

Abstract

As a mode of expression, music video involves the process of meaning-making. Its unique method of assembling symbolic codes should be apprehended differently from films even though some film technical terms are found applicable. This research takes Taylor Swift’s music video for her song You Need to Calm Down (YNTCD) which won two MTV VMA as Video of the Year and Video for Good in 2019. Barthes’s theory of semiotics is firstly applied to scrutinize the music video which is done by answering how the denotation and connotation meaning is made to respond to these issues. Discourse analysis is then applied to study what discourses are influential in the signification system of the music video. As a response to issues of hate speech, LGBTQ, and media toxic contestation, meaning in this video is built by (1) the objects symbolizing personal experiences, (2) borrowing meaning from the iconic show, (3) cameos demonstrating social conflict, (4) stage-setting exemplifying media toxic contestation, and (5) the painting indicating historical context. Thus, the YNTCD music video symbolically voices a counter-discourse to the mentioned social problems.
ALIENATION IN THE MAIN CHARACTER IN CHRIS CLEAVE’S THE OTHER HAND NOVEL Margareta Ngore; Nasrullah Nasrullah; Jonathan Irene Sartika Dewi Max
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 6, No 1 (2022): Januari 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i1.5102

Abstract

ABSTRACT This study discussed about the alienation in the main character in Chris Cleave’s The Other Hand novel. The purposes of this study were to identify the alienation in Little Bee and describe the alienation in Little Bee. Psychological approach is used in this research to find the alienation in the main character. This study focused on analyzing the Little Bee’s experiences which leads her into alienation. To achieve the aims of this study employed a library study and applied psychological approach to identify Little Bee's alienation. The study used Seeman‘s theory about five variants of alienation and theory characterization by Rimmon Kenan. Qualitative methodology is used in this study. The result of this research shows that Little Bee‘s experiences lead her into alienation. The researcher found all variants of alienation were experienced by the main character there are, powerlessness, meaninglessness, normlessness, social isolation, and self-estrangement. Data are represented mostly through indirect characterization (action, speech, external appearance, and environment). As the conclusion, the researcher concluded that the main character in this novel is an alienated character.Keywords: Character, Characterization, Alienation, Seeman’s theory of Alienation ABSTRAKKata alienasi belakangan digunakan untuk menjelaskan perasaan terpisah di dalam kelompok manusia. Dalam karya sastra, alienasi dapat di alami oleh karakter. Penelitian ini berdiskusi tentang alienation dalam diri karakter utama dalam novel Chris Cleave berjudul The Other Hand. Tujuan dari penelitian ini adalah mengidentifikasi alienasi pada Little Bee dan mendeskripsikan bagaiman a cara si penulis mengkarakterisasikan alienasi tersebut terhadap Little Bee. Penelitian ini berfokus kepada pengalaman teralienasi yang dialami Little Bee. Untuk mendapatkan tujuan dari penelitian ini, melakukan penelitian pustaka dan menggunakan pendekatan psikologi untuk mengidentifikasi alienasi dalam diri Little Bee. Penelitian ini menggunakan teori tentang lima varian alienasi oleh Melvin Seeman dan teori karakterisasi oleh Rimmon Kenan. Hasil dari penelitian ini menunjukan bahwa pengalaman Little Bee menuntun dirinya mengalami alienasi. Peneliti menemukan semua varian alienasi dialami oleh karakter utama, ketidakberdayaan, tiada berarti, tidak ada norma, terisolasi secara social, dan keterasinagn diri. Data banyak digambarkan melalui karakterissi secara tidak langsung (perbuatan, perkataan, penampilan, dan lingkunagan). Sebagai kesimpulan dari penelitian ini, peneliti menyimpulkan bahwa karakter utama adalah karakter yang teralienasi.Kata Kunci: Karakter, Karakterisasi, Alienasi, Teori Alienasi Seeman
Musik tradisi berkelanjutan untuk generasi muda Dayak Bahau Bayu Arsiadhi Putra; Jonathan Irene Sartika Dewi Max; Yofi Irvan Vivian
Riau Journal of Empowerment Vol 3 No 3 (2020)
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31258/raje.3.3.161-169

Abstract

Traditional music is an expression of hereditary culture that is owned by certain ethnic groups. The young Dayak Bahau generation is committed to preserving traditional music even though they have experienced modern life and live in big cities. However, conservation efforts are always carried out in monotonous ways, resulting in various obstacles that are beyond the control of this ethnic group. Therefore, it is necessary to carry out empowerment activities so that the maintenance and preservation of traditional music can be sustainable. An understanding of the dangers of traditional music extinction is needed, the factors causing extinction and maintenance strategies. This service provides training to the young Dayak Bahau generation in exploring challenges and opportunities for the sustainability of traditional music. Assistance is also carried out in revitalizing traditional arts that are threatened with extinction. This knowledge and skills make traditional music more preserved with an approach that emphasizes the decisions of traditional music owners.
RACIAL DISCRIMINATION TOWARDS AFRICAN-AMERICAN IN LANGSTON HUGHES’S SELECTED POEMS Tarukallo Wilson; Nasrullah Nasrullah; Jonathan Irene Sartika Dewi Max
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5632

Abstract

This study analyzes three poems written by Langston Hughes entitled As I Grew Older, Dinner guest; me and I Dream a World poems. Being an African- American author who experiences many discrimination in his life, he illustrates or recounts about the case of racial discrimination clearly in his many works. Langston Hughes’s works tell us about slavery and inequality between African-American and White-American, he does not only try to make the works that criticize the phenomenon of African-American people who suffer from suppression, racial separation but also describes his hopes and dreams to be free and equal like White-American. The aim of this study, first, is to find out racial discrimination described by Langston Hughes which is reflected on his poems and second, is to reveal how is poet’s life when he was experiencing discrimination by analysing his poems. In answering the research questions, the researcher uses a discrimination theory by Sergio Romero and several theories such as, the element of poetry which is applied to describe the racial discrimination happened in poems; and the theories of socio-cultural historical approach and Jim Crow Law on racial discrimination which are applied to reveal how the racial discrimination experienced by Langston Hughes is reflected in his As I Grew Older, Dinner guest; me and I Dream a World poems. Based on the analysis, the findings revealed out that racial discrimination described in Hughes’s poems is real. Through Hughes’s poems, the researcher knows that African-American got bad treatments such as; being considered as second citizen in society, mistreated at the table dinner, treating as non-equal in society. Hughes tries to tell his experiences of being threatened due to his racial ethnicity by writing poems and this is clearly revealed to the reader throughout his poems.
Lack of Actor in the State Address of Indonesian President on the 74th Indonesia Independence Day Jonathan Irene Sartika Dewi Max; Mardliya Pratiwi Zamruddin
Journal of Language and Literature Vol 20, No 2 (2020): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (341.413 KB) | DOI: 10.24071/joll.v20i2.2632

Abstract

Political speech must be perceived critically in order to avoid the misuse of power. Applying Systemic Functional Linguistics (SFL) and Critical Discourse Analysis (CDA), this paper offered a perspective to understand how power is symbolically exercised through the use of language in Jokowi’s State Address on the occasion of 74th Indonesia Independence Day 2019. The analysis started by collecting the clauses with high modulation represented by the modal word ‘must’. It appeared as the most frequent modal in the speech text indicating that there is an act of commanding given by the President. However, the high modulated clauses did not give a clear guide on who is the liable Actor for the realization of the discourse of an “Advanced Indonesia”. This phenomenon in language was critical to show that there was a possibility of symbolic violence, which happens because of speaker/writer did not clearly state who was the responsible Actor for each specific action required in the discourse of an Advanced Indonesia. In this instance, his speech opens the possibility of symbolic violence. This was proven by 1) the unidentified accountable Actor from the use of the pronoun ‘we’,  2) hidden agent in nominalization in the Material process, 3) the use of passive voice with Material Process, and 4) the process of Relational Process of Attributive used for characterizing Indonesia.
MYTHICAL CAR: METONYMY IN TAYLOR SWIFT'S SONG LYRICS Jonathan Irene Sartika Dewi Max
Celtic : A Journal of Culture, English Language Teaching, Literature and Linguistics Vol. 9 No. 2 (2022): December 2022
Publisher : University of Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/celtic.v9i2.23139

Abstract

Varieties of car-related words reflect how the knowledge involving the vehicle has been stored in cultural society. The repetitive occurrence of phrases about a car in Taylor Swift’s 40 song lyrics raises a question on how such a thing is used in song lyrics to convey meaning.  This article uses Littlemore's (2015) theory to figure out the domain where metonymy is used. To explain the meaning-making process, it adopts Moore’s (2016) notion that to reach metonymy is by analyzing the semiotic property of experiential correlation and descriptions of the semiotic structure which Brandt et. al (2019). Then, a qualitative method suggested by Gravells (2018) is applied to read the interaction among language features in context. The metonymy analysis shows the songs employ the domain of car parts, car types, road areas, driving manners, and street signs as part of car metonymy. The semiotic analysis shows that the car has the mythic meaning of overcoming trouble, private space, taking action, romance, and status so that the meaning is readily grasped by the audiences. Thus, this article enriches the method of researching popular songs where language plays vital parts in the lyrics.
RACIAL PREJUDICE TOWARD THE MAIN CHARACTER ‘DON SHIRLEY’ IN GREEN BOOK FILM Moch Erik Oktavuari; Nasrullah -; Jonathan Irene Sartika Dewi M.
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 1 (2023): Januari 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i1.7166

Abstract

In this thesis, the researcher discusses the racial prejudice in Green Book film. The purposes of this thesis are to identify the types of racial prejudice portrayed in Don Shirley’s character and describe how racial prejudice is portrayed in Don Shirley’s character in the film. The data used in this study were words in the forms of narration, conversation, action, and scene related to the portrayal of racial prejudice towardsDon Shirley’s character who works as a jazz pianist on his tour in the film. In this thesis, the researcher uses the method of qualitative research and a mimetic approach. Further, the theories that are used in analyzing the data, the researcher uses Sergio Romero’s theory about the types of the racial prejudice of the dominant group and Pickering and Hoeper’stheory about character and characterization. The results reveal that Don Shirley experienced all three types of racial prejudice; stereotype, discrimination, and racism. The researcher found there are thirteen data of racial prejudice and the most prominent is discrimination. These are the results representing that Don Shirley’s character is still the object of discrimination despite his social status.
The Mumbai Terrorist Attacks in Hotel Mumbai Film: A New Historicism Study Rattania Dwi Hutami; Fatimah Muhajir; Jonathan Irene Sartika Dewi Max
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.7588

Abstract

This study attempts to analyze the portrayal of the Mumbai attacks and the contradiction points in the Hotel Mumbai film. This film is made based on the true events of the Mumbai terrorist attacks in 2008. Related to these huge events, there are a lot of historical books that have covered the Mumbai terrorist attacks. The study aims to find the contradictive representation of the film based on the official history. This research was conducted by using a descriptive method and qualitative approach. In this research, the researcher took data from conversations of characters and the framing of mise-en-scene in the film. This study is conducted by applying a new historicism approach and intrinsic elements of literature, the researcher compares the official history and the film. Through the new historicism approach, the researcher discovers that the Hotel Mumbai film places a lot of differences. First, there is a difference regarding the characters positioning, Arjun’s character in the film is the amalgam of the real story of Karambir Kang and Amit Pashave. Second, there is a difference in the narrative structure of Zahra – Seyfi & Meltem in which Zahra’s character was not killed because she said two sentences of creed. While, as what is told in the historical record, there was a Turkish couple named Seyfi and Maltem Muezzinoglu who were held as hostages and witnessed the murder of another hostage but they were not killed by the terrorist because they prayed in Arabic loudly. Third, there is a very clear difference between the setting of place and time. The report Mumbai terrorist attacks in history happened in six places and lasted for four days, meanwhile, the portrayal in the film happened in three places and lasted for a day. Lastly, this film has picked up the narrative elements to show what has not been known by the public only by reading the official version of history. The goal is to show that a historical-based film can be aimed to gain equal representation of historical narratives from a different point of view.
Women's Language Features of Jules Ostin in The Intern Film Nur Amalia Fhadila Putri; Setya Ariani; Jonathan Irene Sartika Dewi Max
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.9387

Abstract

This research aims to identify the women’s language features of Jules Ostin utterances based on Lakoff’s theory and to identify language functions served by women’s language features of Jules Ostin based on Jakobson’s theory. This research was conducted by using descriptive qualitative research. From ten features of women’s language, the researcher found nine features used by Jules Ostin in The Intern film. They were lexical hedges or fillers, tag questions, rising intonations on declaratives, empty adjectives, precise color terms, intensifiers, super polite forms, avoidance of strong swear words, and emphatic stress. The first frequent of women’s language features that Jules Ostin used lexical hedges or fillers, and the second frequent of women’s language features that Jules used intensifiers. Meanwhile, hypercorrect grammar did not occur in this research because Jules used informal language in her utterances to shorten the gap between Jules and the others character. Then, there are language functions served by women’s language features by Jules Ostin’s utterance in The Intern film. They were expressive function, directive function, and metalinguistic function. Jules used expressive function to express her feelings such as, lack of confident, being unsure, and gratitude. Jules used directive function because it contains commands and requests. The purpose of Jules using the mentioned of metalinguistic function was to clarify about her ideas. 
Individual Psychology as Represented By Joel In Love And Monster Film (2020) Christyanti, Irene Jessica; Arifin, M Bahri; Max, Jonathan Irene Sartika Dewi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 3 (2024): Juli 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i3.14722

Abstract

This research focuses on analyzing the character of Joel Dawson in the film Love and Monsters, directed by Michael Matthews, through the lens of Alfred Adler's individual psychology. This research applied a descriptive qualitative method. This research applied the theory of characterization by Petrie and Boggs to draw conclusions about the character's individual psychology. The results obtained by the researcher in this research are the five aspects of individual psychology, such as inferiority feeling, fictional finalism, striving for superiority, creative self, and style of life.
Co-Authors Alamsyah - Ananda, Hairani Alfi Arhim, Alya Natasha Zahrani Aries Utomo Arifin, M Bahri Asril Gunawan, Asril Augusta, Maximilianus Rafael Sangga Bayu Aji Nugroho, Bayu Aji Bayu Arsiadhi Putra Christyanti, Irene Jessica Dahri Dahlan Dahri Dahlan, Dahri Fatimah M Fergie Eka Wahyu Nusantara Hamzah, Muhammad Qusairi Indah Sari Lubis, Indah Sari Jaya, Saskia Chaerunnisa Kawulusan, Frans Rivaldo Mardiana Mardiana Margareta Ngore Marnani, Niken Indah Masrur Moch Erik Oktavuari Mubarok, Ahmad Muhajir, Fatimah Munti, Ayu Haritsa Nasrullah - Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Ni'mah, Sofia Ni, Ling Chen Nita Maya Valiantien Norma Atika Sari Nur Amalia Fhadila Putri Nur Fadilla, Devi Ayu Novia PURWANTI PURWANTI Rahayu, Famala Eka Sanhadi Ramadani, Dian Rattania Dwi Hutami Ririn Setyowati Setya Ariani Sindy Alicia Gunawan Singgih Daru Kuncara Sinurat, Yobel Rudy Kevin Romasundi Sudirman, Eka Pratiwi Tarukallo Wilson Utami, Sri Suryanti Valientien, Nita Maya Yofi Irvan Vivian Yofi Irvan Vivian, Yofi Irvan Zamruddin, Mardliya Pratiwi