Article Per Year (5 Year)
p-Index From 2020 - 2025
2.392
P-Index
This Author published in this journals
All Journal Jurnal Komunikasi Interaksi : Jurnal Ilmu Komunikasi Channel : Jurnal Komunikasi Komunikator WARTA Jurnal Komunikasi Jurnal ASPIKOM Bricolage : Jurnal Magister Ilmu Komunikasi The Journal of Society and Media Community Empowerment Universitas Muhammadiyah Yogyakarta Undergraduate Conference Proceeding I-Pop: International Journal of Indonesian Popular Culture and Communication Jurnal Audiens
Sokowati, Muria Endah
Universitas Muhammadiyah Yogyakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

Published : 20 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 20 Documents
Search

 1   2 
Melihat Islam vs Barat dalam film Indonesia: Sebuah kajian poskolonial Muria Endah Sokowati; Frizki Yulianti Nurnisya
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 8, No 1 (2022): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v8i1.2906

Abstract

Tulisan ini dilatarbelakangi oleh booming film-film religi Islami di akhir tahun 2000an yang disebut oleh produser dan didukung banyak figur penting di Indonesia membawa misi untuk memperbaiki citra Islam yang memburuk pasca tragedi 9/11. Di mata dunia barat, Islam identik dengan terorisme, juga sikap dan perilaku intoleransi lewat kekerasan. Untuk itu, film-film Islam yang diproduksi dan berhasil menjadi box office menjadi sarana melawan stigma tersebut, dengan memberikan wajah Islam yang berbeda dengan narasi global yang didominasi oleh Barat. Dengan melakukan analisis pada empat film Indonesia yang mengklaim membawa misi tersebut, yaitu 99 Cahaya Di Langit Eropa 1&2 dan Bulan Terbelah di Langit Amerika 1&2, tulisan ini bertujuan untuk mengungkap bagaimana strategi keempat film tersebut dalam melakukan counter atas narasi barat tentang Islam. Lewat pendekatan poskolonial, penulis menemukan bahwa film-film yang menjadi objek analisis, dalam menjalankan misinya justru terjebak dalam oposisi biner antara Islam dan Barat. Jika Barat selama ini mendominasi narasi tentang Islam, maka keempat film berupaya membalik oposisi biner tersebut. Namun, alih-alih memberikan narasi alternatif, keempat film tersebut justru melanggengkan dominasi dan superioritas Barat.
Feminist Activism in Digital Culture: Problems of Class and Ethics Muria Endah Sokowati
Jurnal ASPIKOM - Jurnal Ilmu Komunikasi Vol 7, No 2 (2022)
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komunikasi (ASPIKOM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24329/aspikom.v7i2.1146

Abstract

Social media is a platform used by feminist activists for activism. It overcomes spatial and temporal barriers, and helps spread the movement's message more quickly and efficiently. The participatory culture encourages the feminist movement to develop more massively. Many argue that social media helps feminist activists to empower women. Related to the statement, this study observes how activism practices in social media represent women's voices and problems. This study also seeks to reveal the problems in the movement. The researcher observed five accounts of feminist activists on Instagram (@Indonesiafeminis, @lawanpatriarki, @perempuanfeminis, @muslimahfeminis, @perempuan.merdeka). Through the virtual ethnography method, the researcher found a representation problem when digital feminist accounts published the problems experienced by women through their content. These accounts only represent middle-class women's problems. There is also an ethical problem because these accounts tend to be reactive by ignoring the ethics of doing activism.
The Paradox About the Body in the Film 'Imperfect' Muria Endah Sokowati
I-Pop: International Journal of Indonesian Popular Culture and Communication Vol. 1 No. 1 (2020): I-POP Vol 1 No 1 (January-June 2020)
Publisher : Program Studi Ilmu Komunikasi Universitas Bakrie

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36782/i-pop.v1i1.1

Abstract

Imperfect: Karir, Cinta dan Timbangan (2019), a film directed by Ernest Prakasa, is successful in reaching the box office, with an attracting audience of more than 2 million. This film is an adaptation of a novel with the same title written by Meira Anastasia and Ernest Prakasa. This film has the potential to educate the audience about the body and the dangers of body shaming, but eventually, it just gets back to mere commercialization. Instead of changing the mindset, what is happening is precisely upholding today’s beauty standards.
Multiple Instagram Accounts and the Illusion of Freedom Muria Endah Sokowati; Sefia Manda
Komunikator Vol 14, No 2 (2022)
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jkm.15914

Abstract

This article is motivated by the phenomenon of the ownership of multiple accounts on Instagram among teenagers. Previous research mentioned that a second Instagram account is used to express oneself without worrying that the identity of the users will be recognized by the public. Users feel they can upload anything on Instagram’s second accounts without following Instagram rules’ pressure of perfection. The second accounts become a sphere for users to perform their self-authenticity. The researchers inquire how teenagers use and manage their multiple Instagram accounts as a sphere for exploring themselves. Reflecting on the practice of surveillance between users through social media, including Instagram, the researchers argue that second Instagram accounts function as the sphere for pseudo-liberations for its users. Hence, the researchers also question how freedom is experienced in that sphere. The researchers use digital ethnography to get the answers to the questions. As a result, since the self is socially constructed and self-authentic, the researchers found that second accounts are not liberating their users. The constructed self-authenticity has shifted from the control of their parents and other adults; to their peers’ surveillance.
Female Gaze dalam Film Indonesia (Analisis Naratif Seksualitas Remaja dalam Film Dua Garis Biru) Putra, M.Setiawan Budi Nugraha; Sokowati, Muria Endah
Proceeding Universitas Muhammadiyah Yogyakarta Graduate Conference Vol. 1 No. 1 (2020): Armoring the Youth to Contribute to the SDGs
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (875.376 KB)

Abstract

Di Indonesia, film dengan penggunaan perspektif perempuan masih cenderung minim sehingga kehadiran Dua Garis Biru pada tahun 2019 lalu, layak untuk diapresisasi karena menghadirkan kembali perspektif perempuan dalam membahas seksualitas remaja diindustri perfilman Indonesia, sekaligus menjadi film yang berani mendobrak ketabuan akan isu seksualitas yang pada umumnya terjadi di Indonesia dalam bentuk seni film. Dua Garis Biru merupakan film yang berusaha menarasikan tentang seksualitas remaja, secara khusus memotret fenomena seks dan kehamilan pranikah remaja berujung pernikahan dini yang direfleksikan melalui tokoh Bima dan Dara. Selain menarasikan tentang Seksualitas Remaja, film ini juga kental akan konsep Female Gaze sebagai perspektif sutradara dalam menggarap film Dua Garis Biru. Penelitian ini berusaha menganalisis narasi seksualitas remaja dengan menggunakan model aktan Algirdas Greimas untuk melihat bagaimana karakter dan relasinya hingga menghubungkan mereka pada peristiwa atau jalan cerita dalam film. Penelitian ini akan menunjukkan bahwa Film Dua Garis Biru menggunakan Female Gaze, melihat pada film ini yang menarasikan insiden kehamilan pranikah yang menunjukkan perempuan sebagai sosok yang mendapatkan dampak paling signifikan baik bagi Dara sebagai pelaku seks pranikah hingga dua tokoh ibu dalam film, selain itu pengembangan tokoh juga lebih menonjolkan pihak perempuan setelah melewati tahapan kejadian dalam film.
Wacana Perbedaan Gender Dalam Artikel Pendidikan Seks Remaja (Analisis Wacana Kritis Artikel Seksualitas Majalah Hai Edisi 1995-2004) Muria Endah Sokowati
Jurnal Komunikasi Vol. 10 No. 1 (2018): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v10i1.519

Abstract

Adolescence is a social category considered as apolitical, hedonist, consumptive, and uncritical. They often become the object of socialization and education of morality from adult. Many social institutions, including the media have subjugated their desire in the name of sex education. Hai magazine-segmented its product for teenage boys-displayed sexual contents for sex education in its articles. In those articles, Hai magazine has presented information relating to dominant sexual norms. This paper focuses on how Hai magazine has built discourse of gender differences in its articles. Using critical discourse analysis, the researcher revealed the attempt of Hai magazine to construct the ideal relationship of teenage boys and girls. The construction cannot be separated from the politics of Hai magazine to accommodate the parents’ interest following sexual normative and conservative discourse. At the same time, Hai also supports sexual liberalism discourse, which becomes the part of media interest as cultural industry. As a result, Hai magazine has performed ambivalence idea of gender differences. The ambivalence is indicated from the idea of sexual attraction, the division of sexual roles, and emphatic strategy.   Remaja adalah kategori sosial yang bersifat apolitis, hedonis, konsumtif dan tidak kritis. Untuk itu remaja kerap menjadi objek sosialisasi dan edukasi soal moralitas oleh orang dewasa. Penundukan hasrat remaja atas nama pendidikan seks banyak dilakukan oleh berbagai institusi sosial, termasuk media. Majalah Hai sebagai majalah yang ditujukan untuk remaja laki-laki menampilkan konten-konten seks dengan tujuan edukasi seks di dalam artikel-artikelnya. Dalam artikel tersebut, majalah Hai menyajikan informasi yang berkaitan dengan norma seks yang dipahami oleh mayoritas masyarakat. Tulisan ini secara khusus memfokuskan pada bagaimana Hai membangun wacana tentang perbedaan gender yang terdapat dalam artikel-artikel seksualitas yang bertemakan relasi laki-laki dan perempuan. Lewat metode analisis wacana kritis, peneliti menyingkap adanya upaya majalah Hai untuk mengkontruksi relasi laki-laki dan perempuan yang dianggap ideal. Konstruksi tersebut tidak dilepaskan dari politik majalah Hai untuk mengakomodasi kepentingan orang tua yang menganut paham seksualitas yang normatif dan konservatif sekaligus mendukung paham liberalisme seksual yang menjadi bagian dari kepentingan media sebagai industri budaya. Akibatnya majalah Hai menampilkan gagasan perbedaan gender yang ambivalen. Ambivalensi tersebut terlihat dalam gagasan majalah Hai tentang daya tarik seksual, pembagian peran secara seksual dan strategi empati. 
The Representation of Javanese People in the Film "De Oost" by Jim Taihuttu: A Semiotic Analysis by Roland Barthes Arya, Aurel Evan; Sokowati, Muria Endah
Jurnal Audiens Vol. 5 No. 4 (2024): December
Publisher : Universitas Muhammdiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jas.v5i4.543

Abstract

Jim Taihuttu's film "De Oost" explores the Dutch colonial period in Indonesia and has drawn attention from researchers interested in how Javanese people are portrayed in cinema. The study employs Roland Barthes' semiotic analysis to analyze the film's representations, revealing that Javanese characters are frequently depicted in stereotypical and subordinate roles that are influenced by Western perspectives. This analysis examines both the apparent and deeper meanings of the representations. Although certain sequences endeavor to demonstrate the complexity and agency of Javanese characters, these representations continue to primarily perpetuate preexisting stereotypes, underscoring the necessity of more precise and equitable media representations. In the film "De Oost," Javanese characters are predominantly depicted in a manner that aligns with the Orientalist perspective, which implies that they are frequently portrayed as stereotypical and of lesser significance. The majority of Javanese characters are depicted in stories that are dominated by Western perspectives, despite the fact that certain sequences attempt to demonstrate their depth and strength. This means that even though there are moments of resistance, the overall portrayal doesn't significantly challenge the dominant narrative.
Ambivalence of Gender Concept in Children's Novel: Gender Construction in "Mata di Tanah Melus" Novel by Okky Madasari Hakdi, Asri Hakiki; Sokowati, Muria Endah
Jurnal Audiens Vol. 6 No. 2 (2025): June
Publisher : Universitas Muhammdiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/jas.v6i2.614

Abstract

Children's novels are one of the communication media that has not been studied much in Indonesia compared to research related to adolescents and adults. The contents of children's books are inseparable from the author's ideology. One of them is gender ideology, which has long been constructed in society. Mata di Tanah Melus is a semi-fantasy novel published in early 2018. This study aims to see gender construction through signs in the story. This study used Roland Barthes's semiotic analysis to obtain denotative and connotative meanings. It then forms myths. The results of this study indicate that there is an ambivalent gender construction, especially towards gender roles and gender stereotypes, that gives rise to the myth of benevolent sexism. On the one hand, women in this novel are involved in a patriarchal culture. Women have the opportunity and freedom, but they are still not free from dependence and the dominant role of men.
Adolescent mental health literacy: An effort to increase the awareness and support among parents Sokowati, Muria Endah
Community Empowerment Vol 10 No 4 (2025)
Publisher : Universitas Muhammadiyah Magelang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31603/ce.12192

Abstract

Mental health understanding among generation Z is quite good. However, this is not followed by their parents. Due to the lack of mental health awareness, parents of generation Z cannot be a support system for their children. The high suicide rate among adolescents that has caused Indonesia to have a suicide emergency is an indication of this issue. Therefore, we feel responsible for providing a solution for it. We started it with the environment closest to us. Hence, we arranged program with the purpose to build awareness of the young people’s parents about mental health issue. The program aimed to increase awareness and support among ‘Aisyiyah Tamantirto Utara Branch Leadership members regarding adolescent mental health, enhancing their ability to identify symptoms, respond appropriately, and provide support. The program utilized lectures on the concepts, causes, impacts, and solutions to mental health challenges, incorporating interactive, two-way discussions. Post-test results showed a significant increase in average scores (2.82), demonstrating the program’s success in raising awareness about adolescent mental health among participants.
Visual representation of domestic violence in Kompas.com and Detik.com Sokowati, Muria Endah; Hassan, Fauziah
Jurnal ASPIKOM - Jurnal Ilmu Komunikasi Vol 9, No 2 (2024): Jurnal ASPIKOM
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komunikasi (ASPIKOM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24329/aspikom.v9i2.1547

Abstract

Domestic violence cases are increasingly being exposed in various news outlets,  reporting women are disproportionately affected by both physical and sexual violence. The extensive coverage of these incidents represents a significant advancement in empowering women's positions. Nevertheless, given the enduring influence of patriarchal society within the media business, it is necessary to do a more in-depth analysis of how women are depicted while reporting domestic violence, especially from visual representations. The author investigated the news reporting of domestic violence from Kompas.com and Detik.com during 2022-2023. The analysis revealed that there is ambiguity in representing women as the victims of domestic violence. The two outlets' progressive approach is evident in the narrative, as they position the women as the subjects. However, from the visual images, both outlets continue to perpetuate the notion of women as victims by portraying them in a prejudiced manner.
Co-Authors Arya, Aurel Evan Fajar Junaedi Frizki Yulianti Nurnisya Frizki Yulianti Nurnisya Frizki Yulianti Nurnisya, Frizki Yulianti Hakdi, Asri Hakiki Hassan, Fauziah Mediana Utami Putra, M.Setiawan Budi Nugraha Sefia Manda