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Community Response to the Existence of Mural Artwork in Gampong Peunayong, Banda Aceh City Aulia, Nindi; Taruan, Hatmi Negria; Husni, Teuku Muhammad
V-art: Journal of Fine Art Vol 3, No 2 (2024): JUNE 2024
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v3i2.4463

Abstract

Mural art is a work of fine art that is depicted on a large, flat medium, such as the wall or ceiling of a room. Murals first appeared as a means of aspiration during the Indonesian war for independence. At that time, the street walls were covered with various kinds of critical and satirical murals. This research activity was carried out in Gampong Peunayong, Banda Aceh City. This research aims to find out how traders and the local community react and respond to the existence of murals on the walls of Gampong Peunayong buildings. In terms of examining research objects and subjects, researchers use qualitative research methods, which discuss descriptively the entire data obtained during the research. As a supporting tool, researchers used Clive Bell's Form Theory to examine the shapes in the murals in Gampong Peunayong briefly. The research method used is qualitative research. This research aims to find out how the local community that lives around the murals exists and examine information about the murals depicted on the walls of Gampong Peunayoung. Based on the results of research in the form of explanations and responses from the community regarding the existence of murals in Gampong Peunayong, some people accept and are happy with the presence of murals in their environment, especially traders at the Peunayong market. However, some others did not like the visual mural that was presented. The impact of murals on the economic growth of traders at Peunayong Market is also not really felt; whether or not there are murals, traders still have customers.
Lokakarya Representasi Kalimat Sufistik Nisan Sultan Malik Al-Saleh dalam Mural untuk Penguatan Visual Budaya Dayah Manbaul Kota Jantho: Pengabdian Setiawan, Indra; Saputra, Yulfa Haris; Husni, Teuku Muhammad; Sari, Dian Permata; At- Thariq, Ahmad Faza; farisyi, Salman
Jurnal Pengabdian Masyarakat dan Riset Pendidikan Vol. 4 No. 2 (2025): Jurnal Pengabdian Masyarakat dan Riset Pendidikan Volume 4 Nomor 2 (October 202
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jerkin.v4i2.4054

Abstract

This community service activity aims to represent the Sufi sentences engravedon the tombstone of Sultan Malik Al-Saleh in the form of a mural as a medium for strengthening visual culture in the Manbaul Dayah environment, Jantho City. The Sufi values ​​contained in the tombstone reflect the spiritual depth and local wisdom that are important to be passed on to the younger generation, especially the students at the dayah. Through a participatory workshop method involving the community service team and students, this activity was carried out in three main stages: (1) Dissemination related to visual arts in the realm of education, visual arts in Acehnese cultural history and mura art. (2) mural visual design and collaborative workshop process at the dayah. The results of this community service activity show that murals not only function as aesthetic elements, but also as educational media that can strengthen the understanding of cultural and spiritual values ​​in dayah education. This activity contributes to strengthening local cultural identity and increasing appreciation for the historical heritage