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All Journal Jurnal Batarirupa : Jurnal Pendidikan Seni Stilistika
Permanamiarta, Putu Agus
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Arts Education Languange, Linguistic, Communication & Media

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Journal : Stilistika

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THE TRADITION OF SIAT SAMPIAN IN BEDULU VILLAGE Utami, Ni Komang Putri; Widhiantari, Ni Kadek Menuh; Permanamiarta, Putu Agus
Stilistika : Jurnal Pendidikan Bahasa dan Seni Vol. 12 No. 1 (2023): Stilistika: Jurnal Pendidikan Bahasa dan Seni
Publisher : Program Studi Pendidikan Bahasa Indonesia dan Daerah Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/stilistika.v12i1.2929

Abstract

The function and meaning as well as the aesthetic value of the siat sampian tradition are made to inform and present Bali with beautiful nature wrapped in local wisdom as well as various unique traditions on the island of the gods which are inherited from ancestors that still survive to this day. As one of them is known as siat sampian. Siat sampian is a unique tradition that is routinely held at Samuan Tiga Temple, Bedulu village, Blahbatuh District, Gianyar Regency. This tradition is held during a series of pujawali or piodalan ceremonies at Samuan Tiga Temple in Bedulu and is located in the central jaba area of the temple. Sampian is the symbol of Lord Vishnu's weapon. The assumption of the community, especially in the local area, is that they believe that this ritual is an abstract treatment medium, since decades, this belief has been used as a way of life by the community. This tradition can only be followed by people who have mewinten or people who have been entrusted with being Jero or Pemangku.
THE UNIQUENESS OF THE BARIS MEMEDI DANCE IN THE TRADITIONAL VILLAGE OF JATILUWIH, TABANAN, BALI Putra, Komang Dedy Kurniawan; Permanamiarta, Putu Agus; Laksana, I Made Darma
Stilistika : Jurnal Pendidikan Bahasa dan Seni Vol. 12 No. 2 (2024): Stilistika: Jurnal Pendidikan Bahasa dan Seni
Publisher : Program Studi Pendidikan Bahasa Indonesia dan Daerah Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/stilistika.v12i2.3836

Abstract

Baris Memedi Dance is a sacred dance performed as part of the ritual infrastructure during the mass cremation ceremony (Ngaben Massal) in the Jatiluwih Traditional Village. The main issue addressed in this journal is the uniqueness exclusive to the Baris Memedi Dance. Therefore, the objective of this research is to explore and gain a deeper understanding of the uniqueness and distinctive characteristics found only in the Baris Memedi Dance in the Jatiluwih Traditional Village. The research type employed in this journal is qualitative research, with the data collection method being literature review. Based on the method used, the data revealed uniqueness in costume, makeup, and dance style. The distinctive feature of the Baris Memedi Dance is that it must be performed in an odd number, using costumes resembling dried leaves, dried banana leaves, or rice plant, creating the appearance of supernatural beings (Memedi). The dancers also use fabrics from graves, and their faces are painted with charcoal from graves to resemble Memedi (supernatural beings). The Baris Memedi dancers are adorned in a way that gives them a frightening appearance. Baris Memedi dancers can perform in a conscious state or semi-conscious state, but they remain in control.
EKSPLORASI DAN INOVASI SAMPLING MIDI GAMBELAN BALI DALAM MUSIK DIGITAL Sari Wiguna, Kadek Agung; Lanus, I Ketut; Permanamiarta, Putu Agus
Stilistika : Jurnal Pendidikan Bahasa dan Seni Vol. 14 No. 1 (2025): Stilistika: Jurnal Pendidikan Bahasa dan Seni
Publisher : Program Studi Pendidikan Bahasa Indonesia dan Daerah Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/stilistika.v14i1.5408

Abstract

Gambelan Bali merupakan seni musik tradisional yang memiliki peran penting dalam upacara adat dan kehidupan spiritual masyarakat Bali. Perkembangan teknologi digital, khususnya melalui pemanfaatan MIDI (Musical Instrument Digital Interface), telah membuka peluang baru dalam pelestarian dan pengembangan musik tradisional ini. Penelitian ini bertujuan untuk mengeksplorasi inovasi dalam penggunaan sampling MIDI pada gambelan Bali serta menganalisis tantangan dan peluang yang muncul dalam proses digitalisasi. Penelitian ini berbentuk kualitatif dan metode yang digunakan meliputi observasi, wawancara dengan narasumber kunci, dan dokumentasi data. Hasil penelitian menunjukkan bahwa penggunaan MIDI memungkinkan proses rekaman, konversi, dan manipulasi suara instrumen gambelan secara digital, sehingga menciptakan komposisi musik yang autentik dan variatif. Inovasi ini juga memungkinkan integrasi musik tradisional Bali ke dalam genre musik modern, seperti elektronik dan EDM, serta penggunaannya dalam media kontemporer seperti film, game, dan AI. Meskipun terdapat tantangan dalam aspek teknis dan etika, digitalisasi melalui MIDI memberikan kontribusi signifikan terhadap pelestarian, dokumentasi, dan penyebaran musik gambelan Bali secara global. Integrasi antara tradisi dan teknologi ini membuktikan bahwa inovasi dapat berjalan selaras dengan pelestarian identitas budaya di era globalisasi.
Co-Authors Gusti Ayu Made Puspawati I Gede Gusman Adhi I Ketut Lanus I Made Gede Putra Wijaya Kadek Agung Sari Wiguna Laksana, I Made Darma Putra, Komang Dedy Kurniawan Putri, Ni Kadek Yukia Satyawati, Ida Ayu Ade Manik Sutarmini, Ni Putu Tika Utami, Ni Komang Putri Widhiantari, Ni Kadek Menuh Yuliartaningsih, Ni Made Zayantari, Ni Luh Putu Emi Yunica